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Ванитас-Vanitas.Сюжеты и аллегории. Часть 2. Ванитас-Vanitas.Сюжеты и аллегории. Графика и живопись.BALDUNG GRIEN, Hans Три возраста женщины и смерть.1510 After Marten de Vos.1590 (c.) Antonio de Pereda y Salgado Vanitas, Florencia, Uffizi. 17 c. Еще немного про символику ванитас и "Memento Mori": -------------------HOLBEIN, Hans the Younger----------------------- HOLBEIN, Hans the Younger Jean de Dinteville and Georges de Selve (`The Ambassadors') 1533 Oil on oak, 207 x 209 cm National Gallery, London Слева на портрете изображен Жан де Дентевиль, французский посол при дворе Генриха VIII, справа Жорж де Сельв, епископ Лавуа, посетивший Лондон в апреле 1533 года. На картине мы видим двух человек в окружении предметов, образующих их мир и сферу их интересов, многие предметы связаны с жанром Vanitas: лютня, глобус, солнечные часы редкой конструкции в виде пирамидки, набор флейт. Но самое странное, то, что находится у них под ногами, на полу некая серая плоскость. Это, пожалуй, первый случай в мировой живописи, когда демонстрируется анаморфозис (геометрическое искажение). Если приставить к низу картинки зеркало, то под определенным углом в нем можно увидеть череп. The Ambassadors, detail of globe, lute, and books http://commons.wikimedia.org/wiki/F Vanitas Artist: Hans Holbein the Younger ?(born 1497 or 1498, died 1543) Date: 1543 ------------------------------- ========================Натюрморты====== BAILLY, David Self-Portrait with Vanitas Symbols 1651 Oil on wood, 65 x 97,5 cm Stedelijk Museum De Lakenhal, Leiden David Bailly (1584-1657) Self-Portrait with Vanitas Symbols Oil on wood 1651 COLLIER, Edwart Self-Portrait with a Vanitas Still- Life 1684 Oil on canvas, 35 x 30 cm Private collection -Мастерская художника, палитра- символ ванитас: Hendrick Gerritsz Pot Artist in his Studio Edward Collier, by Edward Collier (floruit 1673-1706). ------------------Зеркало и зеркальный шар--------------- ======================================== Titian (c1488-1576) Vanitas Oil on canvas 1515 Private collection A vanitas portrait of a lady believed to be Clara Peeters Clara Peeters (1594 -after 1657) Paulus Moreelse Portrait of a Young Woman 2 - Paulus Moreelse reproductions Sophia Hedwig, Countess of Nassau Dietz, with her Three Sons 1621 - Girl with a Mirror Vanitas a young woman seated at her dressing table 1632 Paulus Moreelse --------------------Младенцы с черепом------------------ ======================================== Published by Hieronymus Cock 1550 (circa) Vanitas; a large skull and a sleeping putto in an architectural framework Etching Published by Hendrik Goltzius 1594 (circa) Vanitas; allegory of transience; a putti, whole-length, blowing bubbles and astride a skull; at left, a vase of flowers and at right a smoking urn Print made by Raphael Sadeler I After Marten de Vos 1590 (c.) Allegory of transitoriness. Landscape with two naked youths, one sitting on an urn and blowing a soap bubble, the other lying asleep with his arm on a skull near an hour-glass; after Maarten de Vos Engraving Print made by Crispijn de Passe the elder After Marten de Vos 1600 (circa) Title-page to a series of prints on the Parable of the wise and foolish virgins; a monument flanked by two female statues, one holding a timepiece; below an oval with a vanitas motif, a putti leaning on a skull and holding an hourglass; after Maarten de Vos Drawn by Jacob de Gheyn II 1599 Allegorical composition, study for a print; under a pavilion, a picture of the Last Judgement, a child blowing bubbles in a niche below, a peasant standing at left and an emperor at r, two decaying corpses lying below, two medallions in the upper corners representing the Fall of Man and the Crucifixion. 1599 Pen and brown ink, with grey wash, and with lines indented, the child drawn on a piece of paper inserted Attributed to Jacob Hoefnagel (1542 – 1601) VANITAS. Germany, Bartholomaeus Spranger (1546-1611). Post 1600. Oil on canvas, signed: B. SPRANGERS. ANT .F. A putto with a skull is a traditional representation of death, depicted as the young god Thanatos, and the message of vanity in the composition is underlined by the presence of an hourglass and the inscription Hodie mihi cras tibi on the cartouche. From the Miączyński-Dzieduszycki collection. ======================================== ======================Сюжеты============ MASTER M Z (active 1500-1510) Vanitas (Memento Mori) 1502-03 Copper-plare engraving, 183 x 131 mm Museum of Fine Arts, Budapest Print made by Lucas van Leyden 1519 (circa) Young Man with a Skull; the man faces toward the right; he wears an elaborately feathered hat and with his right hand points to the skull which he cradles in his robes with his left arm. c.1519 Engraving Print made by Angelo Campanella After Leonardo da Vinci 1760-1811 ---------------------------------------- Print made by Valentin Lefebre After Titian (?) Omnia Vanitas: a naked woman lying on a bed in foreground, looking up at a plaque inscribed 'Omnia Vanitas' held up by a chain in top centre, a curtain beyond, a crown and sceptre lying at her feet, coins and a jar from which smoke rises in right foreground, a landscape in far distance; in an arched design; counterproof; after Titian (?). 1682 Print made by Jacob de Gheyn II 1595-1596 A young woman looking into a mirror seated besides a table with jewellery and a backgammon game; she has a lapdog who growls at a chained monkey and a putto climbs into the room through a window at right. c.1595 Engraving Vanitas vanitatum et omnia vanitas After Abraham Bloemaert Print made by Jan Saenredam Date 1600 Vanitas personified; a female figure, with exposed breasts, holding a smoking vase, is seated before a table laden with precious objects, including a crown and sceptre and various vessels; surrounding the design is the calligraphy title; after Bloemaert After Abraham Bloemaert 1608 Allegory on Vanitas. A young woman in rich attire reclines holding a jar, a peacock at left, on a table at right bags of coins and a chest, a richly decorated vessel and plate in foreground; after Abraham Bloemaert. 1608 Engraving Мыльные пузыри — краткость жизни и внезапность смерти; отсылка к выражению homo bulla — «человек есть мыльный пузырь»6 After Abraham Bloemaert 1611 Allegory on Vanitas. A young woman in rich attire blowing soap bubbles, on a table at right a crown, piles of coins, chains and various richly decorated precious vessels; after Abraham Bloemaert. 1611 Engraving After Jacob de Gheyn II Print made by Andries Jacobsz. Date 1610-1620 (circa) Vanitas with Death and a maiden; a richly attired woman at her toilet-table; behind her stands Death holding an hour-glass; on the table is a jewellery box and a bag of coins Engraving Vélins Print made by Schelte Adamsz. Bolswert After Peter Paul Rubens 1600-1659 St Mary Magdalene finely attired, half-length to left, tearing a pearl necklace from her neck, several beauty products in front of her; unsigned; after Rubens Engraving Vanitas vanitatem et omnia vanitas (Vanity of vanities, all is vanity) Print made by Anonymous After David Vinckboons Date 1620 Young amorous couple at a richly decorated table in a room decorated with three paintings; on the table are culinary delicacies and costly ewers, glass holders, goblets and dishes; a maidservant eavesdrops at a door at left. 1620 -------------------------------- Print made by Anonymous Formerly attributed to Giuseppe Maria Mitelli 1650-1700 Philosopher seated underneath a headless statue contemplating a corpse in a coffin lying before him to the left; also in the foreground are a dead heron, cat, assorted skulls and a metal vase; a scarecrow man walks in the empty desert behind Etching After Johann Georg Kreutzfelder 1671 (c.) Portrait of Ernst Eberhard Friedrich, Count of Hohenlohe-Langenburg, standing full length, long hair, wearing bands and gown, holding and pointing to a crucifix; beside him on the right, a table with book and tablecloth with skull and crossbones and scroll lettered 'Memento Mori'; on left, a table with candle, coins, broken glass and playing cards, and tablecoth with coat of arms and scroll lettered 'Vanitas. Vanitas'; dice, racquets, balls and swords on ground; above the Count a putto holds a wreath and a palm branch; through a window fields and a town in the distance; possibly used in the funeral oration 'Peregrinatio Christianorum Apostolica' (Rothenburg, 1671). After Joseph Christ Print made by Johann Elias Haid 1770s Interior with an elegantly dressed young man and an old man holding a book in the background; allegorical representation of a vanitas-theme; after Joseph Christ. c.1770s Mezzotint Print made by Johann Elias Haid After Godfried Schalcken 1770s Interior with an elegantly dressed young woman seated at a table, her hand resting on a casket; an old woman in the background to right; allegorical representation of a vanitas-theme; after Schalken. c.1770s Vanitas Vanitatis After Godfried Schalcken Print made by Robert Williams 1680-1704 (c) Young winged woman smiling, with flowers on her hair, her dress falling down her right shoulder; holds bubble on shell in her right hand and extinguished candle on her left; globe half-covered with robe in the foreground, shipwreck in the background on left; after Godfried Schalken. c.1680-1704 Mezzotint Print made by Benjamin Cole 1712-1783 (circa) Vanitas; a skull wreathed in laurel on classical ledges, with a score of music, a statue of a Roman soldier in the left foreground with the upper half toppled to the ground, Father Time blowing bubbles in the middle ground to right, leaning against the edge of a ruined colosseum; illustration to an unidentified publication. ------------------------- After Leonardo da Vinci After Bernardino Luini 1770 Two female half-length figures, one draped in the dress of a nun, the other dressed in rich clothes holding a flower; after Luini. 1770 Print made by Giovanni Folo After Leonardo da Vinci (formerly attributed to) After Bernardino Luini 1812 (circa) Two female half-length figures, one draped in the dress of a nun, the other dressed in rich clothes with her left hand resting on a perfume vase; possibly a depiction of the conversion of the Magdalen; after Bernardino Luini. =====================Живопись-аллегории= ====================Giovanni BELLINI-allegory_of_vanitas============ Giovanni Bellini (1430-1516) Four Allegories: Perseverance and Fortune Oil on wood c1490 44 x 32 cm (17.32" x 12.6") Gallerie dell'Accademia (Venice, Italy) by Giovanni BELLINI Four Allegories: Lust (or Perseverance) c. 1490 Oil on wood, 32 x 22 cm Gallerie dell'Accademia, Venice ============ BELLINI, Giovanni Four Allegories: Falsehood (or Wisdom) c. 1490 Oil on wood, 34 x 22 cm Gallerie dell'Accademia, Venice BELLINI, Giovanni Four Allegories: Fortune (or Melancholy) c. 1490 Oil on wood, 34 x 22 cm Gallerie dell'Accademia, Venice Four Allegories: Prudence (or Vanity) c. 1490 Oil on wood, 34 x 22 cm Gallerie dell'Accademia, Venice =========================Портреты и аллегории==================== HALS, Frans Young Man with a Skull (Vanitas) 1626-28 Oil on canvas, 92,2 x 80,8 cm National Gallery, London Kunsthistorisches Museum, Vienna PEREDA, Antonio de St Jerome 1643 Oil on canvas, 105 x 84 cm Museo del Prado, Madrid Hopfer-Melancholia.jpg Exilium Melancholiae, painting by Bartolomeus Hopfer Date after 1643 Allegory of the Vanity of Earthly Things c. 1630 Oil on canvas, 96 x 135 cm Galleria Nazionale d'Arte Antica, Rome Pedro de Camprobín, El caballero y la muerte, Hospital de la Caridad, Sevilla. 17 век GUERCINO Et in Arcadia Ego 1618-22 Oil on canvas, 82 x 91 cm Galleria Nazionale d'Arte Antica, Rome PEREDA, Antonio de Allegory c. 1654 Oil on canvas, 139,5 x 174 cm Antonio de Pereda - The Knight's Dream Маска- тоже символ ванитас: POT, Hendrick Gerritsz af de Vanité Vanity af (English) 1630-35 Panneau Frans Halsmuseum, Haarlem POT, Hendrick Gerritsz Jacob Duck (Utrecht c.1600-1667). An Allegory of Faith. An Allegory of Faith Vanitasmotiv Michel Gobin: Junger Mann mit Pfeife, nach 1681 de.academic.ru/dic.nsf/dewiki/1449572 (1571-1638) 1704-1773 Maria Magdalena (1663) von Guido Cagnacci ======================Возраст=========== ---------------------------------- MEMLING, Hans Triptych of Earthly Vanity and Divine Salvation (front) c. 1485 Oil on oak panel, 22 x 15 cm (each wing) Musée des Beaux-Arts, Strasbourg BALDUNG GRIEN, Hans Death and the Maiden 1518-20 Oil on panel, 31 x 19 cm Öffentliche Kunstsammlung, Basel BALDUNG GRIEN, Hans Eve, the Serpent, and Death 1510-12 Panel National Gallery of Canada, Ottawa BALDUNG GRIEN, Hans Three Ages of the Woman and the Death 1510 Oil on limewood,48 x 32,5 cm Kunsthistorisches Museum, Vienna BALDUNG GRIEN, Hans Three Ages of Man 1539 Oil on panel, 151 x 61 cm Museo del Prado, Madrid WIERTZ, Antoine Two Young Girls or the Beautiful Rosine 1847 Oil on canvas, 140 x 100 cm ------------------------------ ERHART, Gregor German sculptor (b. 1460/79, Ulm, d. 1540, Augsburg) ---------------------------------------- Finis gloriae mundi from Juan Valdez Leal 17 век Его же - из прошлого поста: Часть 1-тут: http://marinni.livejournal.com/508797.ht Еще по теме: Death/Смерть- живопись и графика-HERE-ТУТ и Death/Смерть- живопись и графика-HERE-ТУТ ======================================== http://ru.wikipedia.org/wiki/Vanita http://www.artcyclopedia.com/scripts/ts http://commons.wikimedia.org/wiki/Vanit http://www.diary.ru/~Cilja/p41084195.ht http://www.1st-art-gallery.com/ http://www.wga.hu/frames-e.html?/ht http://www.artchive.com/ |
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