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Пишет marinni ([info]marinni)
@ 2010-04-15 13:34:00

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Ванитас-Vanitas.Сюжеты и аллегории. Часть 2.

Ванитас-Vanitas.Сюжеты и аллегории. Графика и живопись.

Три возраста женщины и смерть.1510

After Marten de Vos.1590 (c.)

Antonio de Pereda y Salgado Vanitas, Florencia, Uffizi. 17 c.

Еще немного про символику ванитас и "Memento Mori":

-------------------HOLBEIN, Hans the Younger-----------------------

HOLBEIN, Hans the Younger
Jean de Dinteville and Georges de Selve (`The Ambassadors')
Oil on oak, 207 x 209 cm
National Gallery, London

Слева на портрете изображен Жан де Дентевиль, французский посол при дворе Генриха VIII, справа Жорж де Сельв, епископ Лавуа, посетивший Лондон в апреле 1533 года.
На картине мы видим двух человек в окружении предметов, образующих их мир и сферу их интересов, многие предметы связаны с жанром Vanitas: лютня, глобус, солнечные часы редкой конструкции в виде пирамидки, набор флейт.
Но самое странное, то, что находится у них под ногами, на полу некая серая плоскость. Это, пожалуй, первый случай в мировой живописи, когда демонстрируется анаморфозис (геометрическое искажение). Если приставить к низу картинки зеркало, то под определенным углом в нем можно увидеть череп.

The Ambassadors, detail of globe, lute, and books


Artist: Hans Holbein the Younger ?(born 1497 or 1498, died 1543)
Date: 1543


Self-Portrait with Vanitas Symbols
Oil on wood, 65 x 97,5 cm
Stedelijk Museum De Lakenhal, Leiden

David Bailly (1584-1657)
Self-Portrait with Vanitas Symbols
Oil on wood

Self-Portrait with a Vanitas Still- Life
Oil on canvas, 35 x 30 cm
Private collection

-Мастерская художника, палитра- символ ванитас:

Hendrick Gerritsz Pot Artist in his Studio

Edward Collier, by Edward Collier (floruit 1673-1706).

------------------Зеркало и зеркальный шар---------------

Titian (c1488-1576)
Oil on canvas
Private collection

A vanitas portrait of a lady believed to be Clara Peeters
Clara Peeters

(1594 -after 1657)

Paulus Moreelse
Portrait of a Young Woman 2 - Paulus Moreelse reproductions Sophia Hedwig, Countess of Nassau Dietz, with her Three Sons 1621 -

Girl with a Mirror

Vanitas a young woman seated at her dressing table 1632
Paulus Moreelse

--------------------Младенцы с черепом------------------


Published by Hieronymus Cock
1550 (circa)
Vanitas; a large skull and a sleeping putto in an architectural framework

Published by Hendrik Goltzius
1594 (circa)
Vanitas; allegory of transience; a putti, whole-length, blowing bubbles and astride a skull; at left, a vase of flowers and at right a smoking urn

Print made by Raphael Sadeler I
After Marten de Vos
1590 (c.)
Allegory of transitoriness. Landscape with two naked youths, one sitting on an urn and blowing a soap bubble, the other lying asleep with his arm on a skull near an hour-glass; after Maarten de Vos

Print made by Crispijn de Passe the elder
After Marten de Vos
1600 (circa)

Title-page to a series of prints on the Parable of the wise and foolish virgins; a monument flanked by two female statues, one holding a timepiece; below an oval with a vanitas motif, a putti leaning on a skull and holding an hourglass; after Maarten de Vos

Drawn by Jacob de Gheyn II
Allegorical composition, study for a print; under a pavilion, a picture of the Last Judgement, a child blowing bubbles in a niche below, a peasant standing at left and an emperor at r, two decaying corpses lying below, two medallions in the upper corners representing the Fall of Man and the Crucifixion. 1599
Pen and brown ink, with grey wash, and with lines indented, the child drawn on a piece of paper inserted

Attributed to Jacob Hoefnagel
(1542 – 1601)

VANITAS. Germany, Bartholomaeus Spranger (1546-1611).
Post 1600.
Oil on canvas, signed: B. SPRANGERS. ANT .F. A putto with a skull is a traditional representation of death, depicted as the young god Thanatos, and the message of vanity in the composition is underlined by the presence of an hourglass and the inscription Hodie mihi cras tibi on the cartouche. From the Miączyński-Dzieduszycki collection.



(active 1500-1510)
Vanitas (Memento Mori)
Copper-plare engraving, 183 x 131 mm
Museum of Fine Arts, Budapest

Print made by Lucas van Leyden
1519 (circa)

Young Man with a Skull; the man faces toward the right; he wears an elaborately feathered hat and with his right hand points to the skull which he cradles in his robes with his left arm. c.1519

Print made by Angelo Campanella
After Leonardo da Vinci


Print made by Valentin Lefebre
After Titian (?)
Omnia Vanitas: a naked woman lying on a bed in foreground, looking up at a plaque inscribed 'Omnia Vanitas' held up by a chain in top centre, a curtain beyond, a crown and sceptre lying at her feet, coins and a jar from which smoke rises in right foreground, a landscape in far distance; in an arched design; counterproof; after Titian (?). 1682

Print made by Jacob de Gheyn II
A young woman looking into a mirror seated besides a table with jewellery and a backgammon game; she has a lapdog who growls at a chained monkey and a putto climbs into the room through a window at right. c.1595

Vanitas vanitatum et omnia vanitas
After Abraham Bloemaert
Print made by Jan Saenredam
Vanitas personified; a female figure, with exposed breasts, holding a smoking vase, is seated before a table laden with precious objects, including a crown and sceptre and various vessels; surrounding the design is the calligraphy title; after Bloemaert

After Abraham Bloemaert
Allegory on Vanitas. A young woman in rich attire reclines holding a jar, a peacock at left, on a table at right bags of coins and a chest, a richly decorated vessel and plate in foreground; after Abraham Bloemaert. 1608

Мыльные пузыри — краткость жизни и внезапность смерти; отсылка к выражению homo bulla — «человек есть мыльный пузырь»6

After Abraham Bloemaert
Allegory on Vanitas. A young woman in rich attire blowing soap bubbles, on a table at right a crown, piles of coins, chains and various richly decorated precious vessels; after Abraham Bloemaert. 1611

After Jacob de Gheyn II
Print made by Andries Jacobsz.
1610-1620 (circa)
Vanitas with Death and a maiden; a richly attired woman at her toilet-table; behind her stands Death holding an hour-glass; on the table is a jewellery box and a bag of coins

Print made by Schelte Adamsz. Bolswert
After Peter Paul Rubens
St Mary Magdalene finely attired, half-length to left, tearing a pearl necklace from her neck, several beauty products in front of her; unsigned; after Rubens

Vanitas vanitatem et omnia vanitas (Vanity of vanities, all is vanity)
Print made by Anonymous
After David Vinckboons
Young amorous couple at a richly decorated table in a room decorated with three paintings; on the table are culinary delicacies and costly ewers, glass holders, goblets and dishes; a maidservant eavesdrops at a door at left. 1620


Print made by Anonymous
Formerly attributed to Giuseppe Maria Mitelli
Philosopher seated underneath a headless statue contemplating a corpse in a coffin lying before him to the left; also in the foreground are a dead heron, cat, assorted skulls and a metal vase; a scarecrow man walks in the empty desert behind

After Johann Georg Kreutzfelder
1671 (c.)

Portrait of Ernst Eberhard Friedrich, Count of Hohenlohe-Langenburg, standing full length, long hair, wearing bands and gown, holding and pointing to a crucifix; beside him on the right, a table with book and tablecloth with skull and crossbones and scroll lettered 'Memento Mori'; on left, a table with candle, coins, broken glass and playing cards, and tablecoth with coat of arms and scroll lettered 'Vanitas. Vanitas'; dice, racquets, balls and swords on ground; above the Count a putto holds a wreath and a palm branch; through a window fields and a town in the distance; possibly used in the funeral oration 'Peregrinatio Christianorum Apostolica' (Rothenburg, 1671).

After Joseph Christ
Print made by Johann Elias Haid
Interior with an elegantly dressed young man and an old man holding a book in the background; allegorical representation of a vanitas-theme; after Joseph Christ. c.1770s

Print made by Johann Elias Haid
After Godfried Schalcken
Interior with an elegantly dressed young woman seated at a table, her hand resting on a casket; an old woman in the background to right; allegorical representation of a vanitas-theme; after Schalken. c.1770s

Vanitas Vanitatis
After Godfried Schalcken
Print made by Robert Williams
1680-1704 (c)
Young winged woman smiling, with flowers on her hair, her dress falling down her right shoulder; holds bubble on shell in her right hand and extinguished candle on her left; globe half-covered with robe in the foreground, shipwreck in the background on left; after Godfried Schalken. c.1680-1704

Print made by Benjamin Cole
1712-1783 (circa)

Vanitas; a skull wreathed in laurel on classical ledges, with a score of music, a statue of a Roman soldier in the left foreground with the upper half toppled to the ground, Father Time blowing bubbles in the middle ground to right, leaning against the edge of a ruined colosseum; illustration to an unidentified publication.


After Leonardo da Vinci
After Bernardino Luini
Two female half-length figures, one draped in the dress of a nun, the other dressed in rich clothes holding a flower; after Luini.

Print made by Giovanni Folo
After Leonardo da Vinci (formerly attributed to)
After Bernardino Luini
1812 (circa)
Two female half-length figures, one draped in the dress of a nun, the other dressed in rich clothes with her left hand resting on a perfume vase; possibly a depiction of the conversion of the Magdalen; after Bernardino Luini.


====================Giovanni BELLINI-allegory_of_vanitas============

Giovanni Bellini (1430-1516)
Four Allegories: Perseverance and Fortune
Oil on wood
44 x 32 cm
(17.32" x 12.6")
Gallerie dell'Accademia (Venice, Italy)

by Giovanni BELLINI
Four Allegories: Lust (or Perseverance)
c. 1490
Oil on wood, 32 x 22 cm
Gallerie dell'Accademia, Venice

BELLINI, Giovanni
Four Allegories: Falsehood (or Wisdom)
c. 1490
Oil on wood, 34 x 22 cm
Gallerie dell'Accademia, Venice

BELLINI, Giovanni
Four Allegories: Fortune (or Melancholy)
c. 1490
Oil on wood, 34 x 22 cm
Gallerie dell'Accademia, Venice

Four Allegories: Prudence (or Vanity)
c. 1490
Oil on wood, 34 x 22 cm
Gallerie dell'Accademia, Venice

=========================Портреты и аллегории====================

HALS, Frans
Young Man with a Skull (Vanitas)
Oil on canvas, 92,2 x 80,8 cm
National Gallery, London

Kunsthistorisches Museum, Vienna

PEREDA, Antonio de
St Jerome
Oil on canvas, 105 x 84 cm
Museo del Prado, Madrid

Exilium Melancholiae, painting by Bartolomeus Hopfer
after 1643

Allegory of the Vanity of Earthly Things
c. 1630
Oil on canvas, 96 x 135 cm
Galleria Nazionale d'Arte Antica, Rome

Pedro de Camprobín, El caballero y la muerte, Hospital de la Caridad, Sevilla.
17 век

Et in Arcadia Ego
Oil on canvas, 82 x 91 cm
Galleria Nazionale d'Arte Antica, Rome

PEREDA, Antonio de
c. 1654
Oil on canvas, 139,5 x 174 cm

Antonio de Pereda - The Knight's Dream

Маска- тоже символ ванитас:

POT, Hendrick Gerritsz
af de Vanité
Vanity af (English)
1630-35 Panneau Frans Halsmuseum, Haarlem

POT, Hendrick Gerritsz

Jacob Duck (Utrecht c.1600-1667). An Allegory of Faith. An Allegory of Faith

Michel Gobin: Junger Mann mit Pfeife, nach 1681


Maria Magdalena (1663) von Guido Cagnacci



Triptych of Earthly Vanity and Divine Salvation (front)
c. 1485
Oil on oak panel, 22 x 15 cm (each wing)
Musée des Beaux-Arts, Strasbourg

Death and the Maiden
Oil on panel, 31 x 19 cm
Öffentliche Kunstsammlung, Basel

Eve, the Serpent, and Death
National Gallery of Canada, Ottawa

Three Ages of the Woman and the Death
Oil on limewood,48 x 32,5 cm
Kunsthistorisches Museum, Vienna

Three Ages of Man
Oil on panel, 151 x 61 cm
Museo del Prado, Madrid

WIERTZ, Antoine
Two Young Girls or the Beautiful Rosine
Oil on canvas, 140 x 100 cm

ERHART, Gregor
German sculptor (b. 1460/79, Ulm, d. 1540, Augsburg)


Finis gloriae mundi from Juan Valdez Leal
17 век

Его же - из прошлого поста:

Часть 1-тут:

Еще по теме:
Death/Смерть- живопись и графика-HERE-ТУТ
Death/Смерть- живопись и графика-HERE-ТУТ


(Читать комментарии) - (Добавить комментарий)

2010-04-15 08:55 (ссылка)
Спасибо- я такие картинки собираю. А гравюры действительно редкие, малоизвестные. Их в поисковиках нет.

(Ответить) (Уровень выше)

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