Diary of a madman - Damage
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Damage
Revisited recently my old CD stockpile and dug out an appreciable number of the releases on E'G Records (Eno, Crimson and affiliated projects). That, quite predictably, led me to dust off projects involving David Sylvian and his former associates. I will probably touch upon these later as there are quite a few amazing releases, but currently I am in a Fripp mode so bear with me.
A few belated notes here. While both Sylvian and Fripp lack the commonly perceived ability to sing/play, which is especially apparent in case of the former, in the collaborations of both with other musicians, including those within their main projects these traits somehow played to their advantage. All King Crimson did up to Starless and Bible Black is absolutely awesome (with the exception of Islands which is totally forgettable). While in the later career Fripp managed to pull some good tricks KC as a project went south pretty rapidly. The 80s output is a hit and miss and everything after Thrak (an OK album) is downright boring.
Sylvian's output beginning mid-90s is either an acquired taste or damn unlistenable, depending on your disposition (I certainly belong to the former camp). However, the two managed to produce a release that somehow topped the catalog of either of them. That's the original version of "Damage", a live show recorded on the tour for the support of their collaborative studio album "The First Day", but also includes material from prior albums by Sylvian and Rain Tree Crow (a one-time Japan reunion under a different name). The studio album suffers from poor production and somehow stifled performance; both of these trappings are gone on Damage; the sound quality is exceptionally great, especially by the live recording standards and the mix is well balanced. Additionally, all numbers are improved by Fripp's improvisations on the originals themes that improve all of the tracks, both from The First Day and also from Sylvian's albums ("Gone To Earth" is actually listenable and enjoyable). To boot, there are three additional tracks not found elsewhere, all three are better than anything the band cared to include in the studio album. Given all that, the album is perhaps the best thing that came from either of the two since at least the beginning of 90s.
One note of caution though. All I wrote applies to the pompously released original version of the album. After being some sort of rarity, it was later rehashed by Sylvian and re-released by a bunch of outfits, including Fripp's DGM imprint. This version from 2001 is different from the original as the order of the songs is changed and "Darshan" is replaced with "Jean the Birdman". Additionally, at least in the version found on Youtube, there are 2-second gaps cut into the the live material that is supposed to flow seamlessly otherwise. This is damn fucking annoying and destroys much of the atmosphere of a live show that added much of the aural quality of the original, not even mentioning that Jean the Birdman is inferior to the Darshan and all that leaves me wondering why one would mess up a perfectly good thing. Fordet the reissue and find the original in whatever form you like.
Current Music: David Sylvian and Robert Fripp - Damage Tags: chronicels, kultur-multur
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> The 80s output is a hit and miss and everything after Thrak (an OK album) is downright boring.
I would disagree on this, as in my opinion it's 80s and 90s King Crimson who did the best live shows. While their changed song-writing approach of 80s-90s is really dumb, and should valuable for some Andy Summers // Talking Heads fanboys only, its the live performances what makes good King Crimson at the time.
Live in Japan 1983 is perfect, Live in Argentina double CD 1994 is more than perfect, Projeckts have some impressive instrumentals to feel goosebumps with.
I do also value Sylvian/Fripp recordings for their song-writing, but it mostly where Sylvian achieves perfection.
Probably the world will be much better, if Fripp managed to hire Sylvian to sing in the band (I've heard he used to try at a time).
> 90s King Crimson who did the best live shows.
I was primarily commenting on the studio material. To be honest, my experience with KC life is not that good, although I was focusing on the 70s period.
> Probably the world will be much better, if > Fripp managed to hire Sylvian to sing in the > band
That might be true although who knows if Fripp would overpower Sylvian. Both have tendency to touch upon religious subjects (as evident from the latest studio KC album), which is OK in Sylvian rendition only.
From: | (Anonymous) |
Date: | February 7th, 2020 - 12:02 am |
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Всем
From: | (Anonymous) |
Date: | February 7th, 2020 - 12:03 am |
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Похуй.
......но два дня за мной бегал чтоб это сказать. |
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