A condemned prisoner in Texas has requested for his body to be made into fish food as part of an art installation. Gene Hathorn, who is on death row for murdering his father, stepmother and stepbrother, wants to donate his body to a project by Chilean-born artist Marco Evaristti:

Mr Evaristti, 45, a Chilean-born artist who lives in Denmark, said he would first deep-freeze Hathorn's body and then turn it into fish food which visitors at the exhibition could feed to a shoal of goldfish.

"One of the reasons I chose the theme of fish food is because in his court papers, they considered him a piece of 'human trash'. This is what the court papers called him, with regards to eliminating human trash. He wants to be a part of this art. It's the last thing he can do for society and he views it as positive," he said.

It will be part of a wider project by Mr Evaristti, who, in August, presented a clothing collection called "The Last Fashion", in which 15 models wore outfits designed by him. He stated that those garments were for death-row prisoners to wear on their execution day, to be offered by mail order to prisoners whose execution dates are imminent.

¶ marco evaristti art conceptual art capital punishment usa [no comments]

And now, for light relief, here's a cow with its head stuck in a washing machine:

(via Boing Boing Gadgets) ¶ bizarre amusing photos animals [no comments]

WIRED has a piece by Steven Levy looking behind the scenes of Google's Chrome web browser project:

Because Chrome was supposed to be optimized to run Web applications, a crucial element would be the JavaScript engine, a "virtual machine" that runs Web application code. The ideal person to construct this was a Danish computer scientist named Lars Bak. In September 2006, after more than 20 years of nonstop labor designing virtual machines, Bak had been planning to take some time off to work on his farm outside Århus. Then Google called.

Bak set up a small team that originally worked from the farm, then moved to some offices at the local university. He understood that his mission was to provide a faster engine than in any previous browser. He called his team's part of the project "V8." "We decided we wanted to speed up JavaScript by a factor of 10, and we gave ourselves four months to do it," he says. A typical day for the Denmark team began between 7 and 8 am; they programmed constantly until 6 or 7 at night. The only break was for lunch, when they would wolf down food in five minutes and spend 20 minutes at the game console. "We are pretty damn good at Wii Tennis," Bak says.

Speed may be Chrome's most significant advance. When you improve things by an order of magnitude, you haven't made something better — you've made something new. "As soon as developers get the taste for this kind of speed, they'll start doing more amazing new Web applications and be more creative in doing them," Bak says. Google hopes to kick-start a new generation of Web-based applications that will truly make Microsoft's worst nightmare a reality: The browser will become the equivalent of an operating system.

Google also brought in reinforcements to implement the multiprocess architecture that allowed each open tab to run like a separate, self-contained program. In May 2007, it acquired GreenBorder Technologies, a software security firm whose technology was designed to isolate IE and Firefox activities into virtual sessions, or "sandboxes," where malware intrusions couldn't mess with other activities or data on your computer. When the deal was announced publicly, tech pundits wondered whether it meant that Google was going into the antivirus business. Only after the acquisition did GreenBorder's engineers learn that their job was to construct sandboxes for the tabs of a new browser. "It was confusing," says Carlos Pizano, one of the GreenBorder hires. "They would not say what they wanted to sandbox."

¶ chrome google tech web [no comments]

In December 1969, a young man from the south of England decided, under the influence of kitchen-sink films, to go to the North with his camera and capture the stark beauty of the old North on film before it disappeared forever. Some decades later, he got a Flickr account, scanned his photos and posted them here. Most of them are in black and white, and many are quite beautiful, in a somewhat bleak, sparse sort of way.

¶ photography beauty england uk history the north aesthetics [1 comment]

Google are apparently working on a new web browser. Named Chrome, the browser is designed more like an operating system which happens to be based on web technologies like DOM and JavaScript than a traditional browser; different pages are separate processes (and about time, too) and privileges are compartmentalised to fortify security. Meanwhile, the web rendering implementation is based on WebKit (the Apple/KDE open-source web engine), with a JIT-compiling JavaScript engine optimised for application from a Danish company named V8 (I wonder how it compares to Apple's Squirrelfish and Mozilla's new engine). Alas, there's no code available (and the URL given returns a 404); instead, Google have given us a beautifully drawn 38-page comic by Scott McCloud, illuminating the technical innovations and the reasons for them, in great detail and with no small amount of humour:

That's all the detail that seems to exist so far. There is a possibility that it's just an elaborate feint; Google could, in theory, have paid McCloud some huge sum to draw a comic to specification, peppered with technical versimilitude, purely in order to send Microsoft/Apple/Yahoo!/whoever's development teams on a wild goose chase. Though I suspect that there is an actual product there. For one, Google are known to use WebKit on Android. More importantly, though, a browser designed as a web application operating system (with the expectations of performance and stability that implies), rather than an information viewer with programmability grafted on as an afterthought (as is the case with current browsers), would line up rather nicely with Google's strategy to make the web into a first-class application platform.

There are no details on what platforms Chrome will run; it is open-source (and other projects, or those willing to fork those, will probably have a field day with this), and the comic does mention Windows in one place, so presumably a Windows version is planned. I'm guessing that Google aren't doing this to help Microsoft sell Windows licences, though, so presumably this is not the only version planned. A Linux desktop version, running on top of X, is probably likely. Another possibility is it running over something lighter than the average Linux desktop, making a robust web-browsing appliance on which the browser meets the conventional definitions of an operating system; either Android or some other lightweight OS.

The other option, of course, is that this is an elaborate hoax, akin to the Photoshopped "spy photos" of new Apple Mac tablets and other fantastic gear that are a regular feature of gadget blogs. The fact that Google's Chrome page doesn't yet exist (at time of writing) does suggest this possibility. Though this would imply that the hoaxers had an enormous amount of time on their hands, excellent comic drawing skills and an uncanny mastery of the drawing style of Scott McCloud.

Update: Google have confirmed Chrome. It's initially a Windows product (presumably to win market share before IE8 comes along and shuts off Google's oxygen with its advertising cookie blocker), though Mac and Linux versions are in the works. The Windows version will apparently be out tomorrow.

(via /.) ¶ google web cs scott mccloud comics design tech chrome javascript vaporware [3 comments]

Britain's most senior cartographer has railed against electronic maps, arguing that they obliterate the rich geography of Britain, reducing an ancient landscape filled with history to a set of roads:

Churches, cathedrals, stately homes, battlefields, ancient woodlands, rivers, eccentric landmarks and many more features which make up the tapestry of the British landscape are not being represented in online maps, which focus on merely providing driving directions, said Mary Spence, President of the British Cartographical Society.

"Corporate cartographers are demolishing thousands of years of history, not to mention Britain's geography, at a stroke, by not including them on maps," she said. "We're in danger of losing what makes maps unique; giving us a feel for a place."

Making maps is only half of the equation; it's when one considers what can be done with all the mapping data that things become really exciting. Now that mobile data terminals (which people often still refer to as "phones"), with wireless internet connections and GPS receivers, are becoming commonplace, these soulless, history-levelling map databases are transformed into a living dialogue with and about one's surroundings. Already mobile phones which can help you find various amenities and businesses near where you are are being advertised. It is trivial to imagine this extended from merely telling you where the nearest public toilet is or how to get home from where you are into less mundane matters. Press one button, it points out historical facts about your location, with links to Wikipedia pages; press another one, and it scours online listings and tells you what's happening nearby. Follow any link to flesh out the picture as deeply as you have time for.

Spence's argument reminds me of a lot of the beliefs about computers from the 1950s, when computers were expensive, hulking beasts which were programmed laboriously using punched cards and rudimentary languages like FORTRAN and COBOL. It was too easy to extrapolate the status quo, the baby steps of a new technology, in a straight line and see a future of centralised hegemony and soul-crushing tedium, where the world is reorganised around the needs of these primitive, inflexible machines. Of course, that world never came about, as the machines evolved rapidly; instead of being marshalled into centrally computerised routines, we got iPods, blogs and Nintendo Wiis. To suggest that computerised maps will reduce our shared psychogeography to a collection of colour-coded roads is similarly absurd.

¶ cathedral vs. bazaar geodata cartography uk geography psychogeography [4 comments]

Legal doctrine of the day: the Three-Pony Rule, used in determining when child support claims are excessive:

While acknowledging there are unique problems with determining the reasonable needs of children of high-earning families, the court said trial judges should nevertheless avoid overindulgence -- citing the doctrine of In re Patterson, 920 P.2d 450 (Kan. App. 1996), that "no child, no matter how wealthy the parents, needs to be provided [with] more than three ponies."

But the appeals court said Convery failed to make a detailed examination of Jean Strahan's child support request and instead merely accepted her recitation of the children's needs. Those "needs," wrote Appellate Division Judge Lorraine Parker, included the children giving their nanny a 10-day vacation in Jamaica; diamond jewelry for their grandmother; $30,000 yearly for landscaping expenses; $36,000 a year for "equipment and furnishings"; and $3,000 yearly for audio visual equipment. Jean set their clothing needs at $27,000 a year, since the children needed new outfits every time they saw their father and one of them demanded a new purse every time she left the house.

"[T]he court made no distinction between what needs were reasonable, given the age of the children, and what simply amounted to a 'fourth pony,'" wrote Parker, who was joined by Judges Rudy Coleman and Thomas Lyons.

(via jwz) ¶ society materialism law ponies [no comments]

MP3 blog Systems of Romance has posted a copy of an LP by 4AD band The Happy Family. The album, The Man On Your Street came out in 1982; it was somewhat less monochromatically gothic than the average 4AD band of the time, and even quite funky in places (the post-punks, it seems, did like a good groove). The band was fronted by a young student named Nicholas Currie, from whom the world would be hearing more over the next few decades.

(via imomus) ¶ music momus mp3s 4ad [no comments]

An art gallery is considering whether to withdraw a sculpture of a crucified frog after Pope Benedict condemned it as blasphemous and the president of the regional government went on a hunger strike in protest. The sculpture, Zuerst die Füsse ("Feet First") by the late German artist Martin Kippenberger, depicts an anthropomorphic frog nailed to a cross, its tongue grotesquely lolling, holding a beer stein and an egg, and was intended by the artist as a self-portrait illustrating human angst.

I'm hoping that the gallery stands fast and doesn't remove it. What too many people are forgetting is that one has to choose to be offended by something, and not being offended is not a fundamental human right. If the president of Alto Adige chose to be so offended that he went on a hunger strike and was hospitalised, that was his choice. If we allow one religion to censor art to protect its sensitivities (or, indeed, its claim to cultural hegemony), it sets a terrible precedent.

¶ art censorship catholic religion culture italy [4 comments]

The recent Beijing Olympics have been acclaimed as a spectacular success; though what they really demonstrated is the power of totalitarianism to get things done, a point which has been lost on a lot of naïve Western commentators:

The road home from Beijing is lined with wide-eyed converts who've seen the light on totalitarianism. “China has set the bar very high,” Jacques Rogge, the president of the International Olympic Committee, said. “There are some things that London will not be able to compare to, or equal - such as the ability to bring hundreds of thousands of volunteers to different sites.” Yes, Jacques, it is amazing what people can achieve once they appreciate there is no alternative.

Of course the Beijing Games went without a hitch. Give anyone total, terrifying control over a population, with force, and they will make them march in unison, drum, smile, dance, mime, jump through hoops if necessary. “They don't look very oppressed,” wrote one observer. No, pal, and neither would you if you knew the consequences of complaint.

Those performing the three-minute umbrella dance at the opening ceremony trained for six months for 14-15 hours each day, while the 900 soldiers unrolling the scroll that was the centrepiece of the production wore nappies because they had to stay hidden for seven hours, with not even a trip to the toilet allowed. And this is the event that our Olympics Minister called wondrous? That Rogge thinks will be hard to beat?

This is the most worrying legacy of the Beijing Games. It has shown our ministers, civil servants and sports administrators what could be achieved, if we could only suspend personal freedom. Change is afoot.

¶ olympics totalitarianism china uk thatcherism-blairism politics civil liberties [no comments]

A serendipitous visual juxtaposition from the front page of WIRED today:

¶ amusing photos serendipity lego [no comments]

In his WIRED column, Lore Sjöberg savours his last days without an iPhone:

Right now, I can have a thought like, "I wonder who had a hit first, Chuck Berry or Little Richard?" and allow that question to wander around in my head. Maybe I'll remember it and look it up when I get the chance; maybe I'll just let it go. I suspect that this time next month I'll be pulling over to the side of the road -- I hope I'll pull over to the side of the road -- to get the answer immediately.

Right now, my friends are not subjected to photos of every "witty" stop sign annotation I encounter. In fact, they can actually hang out with me with no fear of showing up in my Flickr stream with basil in their teeth.

Right now, I do not post to Twitter every time I see a dachshund.

Right now, I am capable of referring to my cellphone without actually telling people what brand it is.

¶ social implications tech iphone humour [no comments]

The Chinese, it seems, don't get British self-deprecation:

The Titan Sports Daily contrasted the "neatness" of the Chinese performers with the "outrageous outfits" worn by the Britons. Unlike the Chinese custom which tends not to reveal their weakness to the outsiders, "the British seem to like to laugh about their stupidity in a funny way", it said.

"During the performance, when the London bus pulled over, all the passengers waiting for the bus rushed into the door at the same time, which truly damaged the British image," it added.

¶ culture china uk olympics [2 comments]

There is a tradition of restaurants serving meat having happy anthropomorphic cartoons of the animals whose meat they serve as their mascots. Of these mascots, there is a subset in which the animals actually slaughter or eat their own kind, usually with great gusto. There's a set of such logos here:

(via Boing Boing) ¶ design cannibalism morbid cartoons logos wrong [no comments]

This year's if.comedy award (formerly named after a brand of mineral water) at the Edinburgh Fringe has gone to Irish comic David O'Doherty. And quite deservedly too, judging by an earlier performance of his I saw (at Josie Long's Splendid Evening, at the literary festival at Southbank). With any luck it'll mean we'll see more of him.

¶ comedy david o'doherty edinburgh fringe [1 comment]

The Times goes to DEFCON, interviews some hax0rs:

He tells me about one of his cases involving Symbolic Motors in La Jolla, California. Symbolic, which supplies Ferraris, Lotuses, Aston Martins and Bentleys to the stars, is arguably the most lucrative dealership in the States. It wanted to find out just how good its multi-million dollar security system was, so Pyr0 and his friends Ryan Jones and Chris Nickerson, who call themselves ethical hackers, went to work.

“First we did a bit of dumpster-diving, looking in their trash, to find out who their computer company was,” says the spiky-haired Pyr0. “Then I paid a visit, posing as one of their technicians and got access to the company's servers. I secretly installed a wireless network behind a desk while I was there, which allowed Ryan, who was in a car outside, to begin hacking into their computer system remotely.” While Jones was downloading Symbolic's files - details of sales, prices, film-star customers and so on - Pyr0 was wandering around the building taking pictures. There was no alarm security above the ground-floor showroom and the roof skylights were not alarmed. In the showroom, he worked out the blind spots in an array of motion sensors.

That night, they broke in through the unalarmed skylights, exploited the motion sensors' blind spots, crawled to the alarm keypad and switched off the system. They opened the showroom doors, drove out a Lotus and returned it, parking it the wrong way round.

¶ hacking security tech defcon [no comments]

OpenTape is a open-source (PHP-based) implementation of the late lamented Muxtape, a web app which allowed people to make streamable online mix tapes. Now you too can get taken down by the RIAA.

(via xrrf) ¶ software web mp3 muxtape riaa copyfight [no comments]

The Age has a piece on the Goggomobil. The original was a microcar built in 1950s West Germany by a Bavarian company which first ventured into motor scooters (hence, presumably, the pseudo-Italianate name). It is known in Australia because a local businessman managed to obtain a licence to make them locally (as there were severe tariffs on imported cars at the time), substituting a fibreglass body for the metal one. The diminutive, independently made car, which looked like a jellybean and supposedly drove quite well, did quite well in Australia for a few years in the mid-1950s, until competition from the Morris Mini killed it. Though most Australians only have heard of it because of a television ad for the Yellow Pages phone directory mentioned it.

¶ cars history goggomobil media microcars australia [no comments]

A web site explores how often different body parts are mentioned in various musical genres:

It's interesting to note that the eyes dominate most genres, from country to electronica. Hands dominate gospel (naturally) and the blues, which also mentions the head prominently (as in "woke up this mornin' with an awful achin'", presumably). The big outlier there is hip-hop/rap, which is all about the booty.

(via Wired News) ¶ music culture [no comments]

Apparently the world's supplies of fish are threatened by cats eating them all. Not predatory feral cats, but the pampered domestic variety, who consume increasingly large quantities of tinned fish.

"What is also interesting is that, in Australia, pet cats are eating an estimated 13.7 kilograms of fish a year which far exceeds the Australian average (human) per capita fish and seafood consumption of around 11 kilograms.

Wild forage fish, which includes sardines, herrings and anchovies, are an important link in the marine food chain, as part of the diet of larger fish like tuna and swordfish.

¶ cats environment [no comments]