Open Culture's Journal
 
[Most Recent Entries] [Calendar View]

Friday, August 4th, 2017

    Time Event
    8:00a
    Cindy Sherman’s Instagram Account Goes Public, Revealing 600 New Photos & Many Strange Self-Portraits

    A post shared by cindy sherman (@_cindysherman_) on

    "What we see here is somewhat of a departure from the artist’s traditional model: the frame is tighter and closer to her face, in what is clear use of a phone’s front-facing camera. Plus, the subject matter is decidedly intimate in comparison to her usual work — the latest posts document a stay in the hospital. She may even be having fun with filters."

    A post shared by cindy sherman (@_cindysherman_) on

    She apparently started having fun with them a few months ago, from one May post whose photo she describes as “Selfie! No filter, hahaha” — but in which she does seem to have made use of certain effects to give the image a few of the suite of uncanny qualities in which she specializes. Though not a member of the generations the world most closely associates with avid selfie-taking, Sherman brings a uniquely rich experience with the form, or forms like it. Her "method of turning the lens onto herself is uncannily appropriate to our times," writes Elbaor," in which the stage-managed selfie has become so ubiquitous that it’s now fodder for exhibitions and often cited as an art form in itself."

    Sherman's Instagram self-portraiture, in contrast to the often (but not always) glamorous productions that hung on the walls of her shows before, has entered fascinating new realms of strangeness and even grotesquerie. Using the image-modification tools so many of us might previously assumed were used only by teenage girls desperate to erase their imagined flaws, Sherman twists and bends her own features into what look like living cartoon characters. "A bit scary," one commenter wrote of Sherman's recent hospital-bed selfie (taken while recovering from a fall from a horse), "but I can't look away." Many of the artist's thousands and thousands of new and captivated Instagram followers are surely reacting the same way. Check out Sherman's Instagram feed here.

    A post shared by cindy sherman (@_cindysherman_) on

    Related Content:

    Say What You Really Mean with Downloadable Cindy Sherman Emoticons

    Museum of Modern Art (MoMA) Launches Free Course on Looking at Photographs as Art

    See The First “Selfie” In History Taken by Robert Cornelius, a Philadelphia Chemist, in 1839

    Based in Seoul, Colin Marshall writes and broadcasts on cities and culture. He’s at work on the book The Stateless City: a Walk through 21st-Century Los Angeles, the video series The City in Cinema, the crowdfunded journalism project Where Is the City of the Future?, and the Los Angeles Review of Books’ Korea Blog. Follow him on Twitter at @colinmarshall or on Facebook.

    Cindy Sherman’s Instagram Account Goes Public, Revealing 600 New Photos & Many Strange Self-Portraits is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.

    Image
    11:00a
    10 Longevity Tips from Dr. Shigeaki Hinohara, Japan’s 105-Year-Old Longevity Expert

    Photo by Karsten Thormaehlen, via Wikimedia Commons

    Robert Browning’s poem “Abt Vogler” imagines composer Georg Joseph Vogler as an old man reflecting on his diminishing powers and the likelihood that his life’s work would not survive in the public’s memory.

    Let us overlook the fact that Vogler was 65 when he died, or that Browning, who lived to 77, was 52 when he composed the poem.

    What’s most striking these days is its significance to longevity expert, physician, and chairman emeritus of St. Luke’s International University, Dr. Shigeaki Hinohara, who passed away last month at the age of 105:

    My father used to read it to me. It encourages us to make big art, not small scribbles. It says to try to draw a circle so huge that there is no way we can finish it while we are alive. All we see is an arch; the rest is beyond our vision but it is there in the distance.

    Like many centenarians, Dr. Hinohara attributed his longevity to certain practices, backing it up with numerous books on the topic (including Living Long, Living Good).

    He touched on some of these beliefs in a 2009 Japan Times interview with Judit Kawaguchi, from which the following pointers are drawn.

    Ten Tips For a Healthy Old Age from Dr. Shigeaki Hinohara

    Eat to Live Don’t Live to Eat

    As far as Clint Eastwood, Sister Wendy Beckett and Fred Rogers are concerned, Dr. Hinohara was preaching to the choir. Your average Italian great grandmother would be appalled.

    For breakfast I drink coffee, a glass of milk and some orange juice with a tablespoon of olive oil in it. Olive oil is great for the arteries and keeps my skin healthy. Lunch is milk and a few cookies, or nothing when I am too busy to eat. I never get hungry because I focus on my work. Dinner is veggies, a bit of fish and rice, and, twice a week, 100 grams of lean meat.

    Keep on Truckin’…

    Nor was Dr. Hinohara a sit-around-the-piazza-drinking-limoncello-with-his-cronies kind of guy. For him a vigorously plotted out calendar was synonymous with a vigorous old age:

    Always plan ahead. My schedule book is already full … with lectures and my usual hospital work.

    Mother Was Wrong...

    ...at least when it comes to bedtime and the importance of consuming three square meals a day. Disco naps and bottled water all around!

    We all remember how as children, when we were having fun, we often forgot to eat or sleep. I believe that we can keep that attitude as adults, too. It’s best not to tire the body with too many rules such as lunchtime and bedtime.

    To Hell with Obscurity!

    You may not be able to pull in the same crowds as a man whose career spans founding a world class hospital in the rubble of post WWII Tokyo and treating the victims of the radical Aum Shinrikyo cult’s sarin gas subway attack, but you can still share your ideas with those younger than you. If nothing else, experience will be on your side:

     Share what you know. I give 150 lectures a year, some for 100 elementary-school children, others for 4,500 business people. I usually speak for 60 to 90 minutes, standing, to stay strong.

    Don’t Slack on Everyday Physical Activity

    Dr. Hinohara schlepped his own bags and turned his back on such modern conveniences as elevators and escalators:

    I take two stairs at a time, to get my muscles moving.

    Having Fun Is Better Than Tylenol (Or Bitching About It)

    Rather than turning off young friends and relatives with a constant litany of physical complaints, Dr. Hinohara sought to emulate the child who forgets his toothache through the diversion of play. And yes, this was his medical opinion:

    Hospitals must cater to the basic need of patients: We all want to have fun. At St. Luke’s we have music and animal therapies, and art classes.

    Think Twice Before You Go Under the Knife

    Not willing to put all your trust into music therapy working out for you? Consider your age and how a side dish of surgery or radiation might impact your all over enjoyment of life before agreeing to radical procedures. Especially if you are one of those aforementioned sit-around-the-piazza-drinking-limoncello-with-your-cronies type of guys.

    When a doctor recommends you take a test or have some surgery, ask whether the doctor would suggest that his or her spouse or children go through such a procedure. Contrary to popular belief, doctors can’t cure everyone. So why cause unnecessary pain with surgery? 

    Divest of Material Burdens

    Best selling author and professional organizer, Marie Kondo, would approve of her countryman’s views on “stuff”:

    Remember: You don’t know when your number is up, and you can’t take it with you to the next place.

    Pick a Role Model You Can Be Worthy Of

    It need not be someone famous. Dr. Hinohara revered his dad, who introduced him to his favorite poem and traveled halfway across the world to enroll at Duke University as a young man.

    Later I found a few more life guides, and when I am stuck, I ask myself how they would deal with the problem.

    Find a Poem That Speaks to You and Let It Guide You

    The good doctor didn’t recommend this course of action in so many words, but you could do worse than to follow his example. Pick a long one. Reread it frequently. For added neurological oomph, memorize a few lines every day. Bedazzle people half your age with an off-book recitation at your next family gathering. (It’ll distract you from all that turkey and stuffing.)

    “Abt Vogler"

    Would that the structure brave, the manifold music I build,
    Bidding my organ obey, calling its keys to their work,
    Claiming each slave of the sound, at a touch, as when Solomon willed
    Armies of angels that soar, legions of demons that lurk,
    Man, brute, reptile, fly,—alien of end and of aim,
    Adverse, each from the other heaven-high, hell-deep removed,—
    Should rush into sight at once as he named the ineffable Name,
    And pile him a palace straight, to pleasure the princess he loved!
    Would it might tarry like his, the beautiful building of mine,
    This which my keys in a crowd pressed and importuned to raise!
    Ah, one and all, how they helped, would dispart now and now combine,
    Zealous to hasten the work, heighten their master his praise!
    And one would bury his brow with a blind plunge down to hell,
    Burrow awhile and build, broad on the roots of things,
    Then up again swim into sight, having based me my palace well,
    Founded it, fearless of flame, flat on the nether springs.
    And another would mount and march, like the excellent minion he was,
    Ay, another and yet another, one crowd but with many a crest,
    Raising my rampired walls of gold as transparent as glass,
    Eager to do and die, yield each his place to the rest:
    For higher still and higher (as a runner tips with fire,
    When a great illumination surprises a festal night—
    Outlining round and round Rome's dome from space to spire)
    Up, the pinnacled glory reached, and the pride of my soul was in sight.
    In sight? Not half! for it seemed, it was certain, to match man's birth,
    Nature in turn conceived, obeying an impulse as I;
    And the emulous heaven yearned down, made effort to reach the earth,
    As the earth had done her best, in my passion, to scale the sky:
    Novel splendours burst forth, grew familiar and dwelt with mine,
    Not a point nor peak but found and fixed its wandering star;
    Meteor-moons, balls of blaze: and they did not pale nor pine,
    For earth had attained to heaven, there was no more near nor far.
    Nay more; for there wanted not who walked in the glare and glow,
    Presences plain in the place; or, fresh from the Protoplast,
    Furnished for ages to come, when a kindlier wind should blow,
    Lured now to begin and live, in a house to their liking at last;
    Or else the wonderful Dead who have passed through the body and gone,
    But were back once more to breathe in an old world worth their new:
    What never had been, was now; what was, as it shall be anon;
    And what is,—shall I say, matched both? for I was made perfect too.
    All through my keys that gave their sounds to a wish of my soul,
    All through my soul that praised as its wish flowed visibly forth,
    All through music and me! For think, had I painted the whole,
    Why, there it had stood, to see, nor the process so wonder-worth:
    Had I written the same, made verse—still, effect proceeds from cause,
    Ye know why the forms are fair, ye hear how the tale is told;
    It is all triumphant art, but art in obedience to laws,
    Painter and poet are proud in the artist-list enrolled:—
    But here is the finger of God, a flash of the will that can,
    Existent behind all laws, that made them and, lo, they are!
    And I know not if, save in this, such gift be allowed to man,
    That out of three sounds he frame, not a fourth sound, but a star.
    Consider it well: each tone of our scale in itself is nought;
    It is everywhere in the world—loud, soft, and all is said:
    Give it to me to use! I mix it with two in my thought:
    And, there! Ye have heard and seen: consider and bow the head!
    Well, it is gone at last, the palace of music I reared;
    Gone! and the good tears start, the praises that come too slow;
    For one is assured at first, one scarce can say that he feared,
    That he even gave it a thought, the gone thing was to go.
    Never to be again! But many more of the kind
    As good, nay, better, perchance: is this your comfort to me?
    To me, who must be saved because I cling with my mind
    To the same, same self, same love, same God: ay, what was, shall be.
    Therefore to whom turn I but to thee, the ineffable Name?
    Builder and maker, thou, of houses not made with hands!
    What, have fear of change from thee who art ever the same?
    Doubt that thy power can fill the heart that thy power expands?
    There shall never be one lost good! What was, shall live as before;
    The evil is null, is nought, is silence implying sound;
    What was good shall be good, with, for evil, so much good more;
    On the earth the broken arcs; in the heaven, a perfect round.
    All we have willed or hoped or dreamed of good shall exist;
    Not its semblance, but itself; no beauty, nor good, nor power
    Whose voice has gone forth, but each survives for the melodist
    When eternity affirms the conception of an hour.
    The high that proved too high, the heroic for earth too hard,
    The passion that left the ground to lose itself in the sky,
    Are music sent up to God by the lover and the bard;
    Enough that he heard it once: we shall hear it by and by.
    And what is our failure here but a triumph's evidence
    For the fulness of the days? Have we withered or agonized?
    Why else was the pause prolonged but that singing might issue thence?
    Why rushed the discords in, but that harmony should be prized?
    Sorrow is hard to bear, and doubt is slow to clear,
    Each sufferer says his say, his scheme of the weal and woe:
    But God has a few of us whom he whispers in the ear;
    The rest may reason and welcome; 'tis we musicians know.
    Well, it is earth with me; silence resumes her reign:
    I will be patient and proud, and soberly acquiesce.
    Give me the keys. I feel for the common chord again,
    Sliding by semitones till I sink to the minor,—yes,
    And I blunt it into a ninth, and I stand on alien ground,
    Surveying awhile the heights I rolled from into the deep;
    Which, hark, I have dared and done, for my resting-place is found,
    The C Major of this life: so, now I will try to sleep.

    - Robert Browning

    Related Content:

    New Study: Immersing Yourself in Art, Music & Nature Might Reduce Inflammation & Increase Life Expectancy

    Walt Whitman’s Unearthed Health Manual, “Manly Health & Training,” Urges Readers to Stand (Don’t Sit!) and Eat Plenty of Meat (1858)

    Alejandro Jodorowsky’s 82 Commandments For Living

    Ayun Halliday is an author, illustrator, theater maker and Chief Primatologist of the East Village Inky zine.  Follow her @AyunHalliday.

    10 Longevity Tips from Dr. Shigeaki Hinohara, Japan’s 105-Year-Old Longevity Expert is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.

    Image
    5:35p
    Free: You Can Now Read Classic Books by MIT Press on Archive.org

    FYI. At the end of May, Archive.org announced this on its blog:

    For more than eighty years, MIT Press has been publishing acclaimed titles in science, technology, art and architecture.  Now, thanks to a new partnership between the Internet Archive and MIT Press, readers will be able to borrow these classics online for the first time. With generous support from Arcadia, a charitable fund of Peter Baldwin and Lisbet Rausing, this partnership represents an important advance in providing free, long-term public access to knowledge.

    “These books represent some of the finest scholarship ever produced, but right now they are very hard to find,” said Brewster Kahle, founder and Digital Librarian of the Internet Archive. “Together with MIT Press, we will enable the patrons of every library that owns one of these books to borrow it online–one copy at a time.”

    This joint initiative is a crucial early step in Internet Archive’s ambitious plans to digitize, preserve and provide public access to four million books, by partnering widely with university presses and other publishers, authors, and libraries....

    We will be scanning an initial group of 1,500 MIT Press titles at Internet Archive’s Boston Public Library facility, including Cyril Stanley Smith’s 1980 book, From Art to Science: Seventy-Two Objects Illustrating the Nature of Discovery, and Frederick Law Olmsted and Theodora Kimball’s Forty Years of Landscape Architecture: Central Park, which was published in 1973. The oldest title in the group is Arthur C. Hardy’s 1936 Handbook of Colorimetry.

    Throughout the summer, we've been checking in, waiting for the first MIT Press books to hit Archive.org's virtual shelves. They're now starting to arrive. Click here to find the beginnings of what promises to be a much larger collection.

    As Brewster Kahle (founder of Internet Archive) explained it to Library Journalhis organization is “basically trying to wave a wand over everyone’s physical collections and say, Blink! You now have an electronic version that you can use” in whatever way desired, assuming its permitted by copyright. In the case of MIT Press, it looks like you can log into Archive.org and digitally borrow their electronic texts for 14 days.

    Archive.org hopes to digitize 1,500 MIT Press classics by the end of 2017. Digital collections from other publishing houses seem sure to follow.

    Follow Open Culture on Facebook and Twitter and share intelligent media with your friends. Or better yet, sign up for our daily email and get a daily dose of Open Culture in your inbox. 

    If you'd like to support Open Culture and our mission, please consider making a donation to our site. It's hard to rely 100% on ads, and your contributions will help us provide the best free cultural and educational materials.

    Related Content:

    How Brewster Kahle and the Internet Archive Will Preserve the Infinite Information on the Web

    An Archive of 3,000 Vintage Cookbooks Lets You Travel Back Through Culinary Time

    Enter a Huge Archive of Amazing Stories, the World’s First Science Fiction Magazine, Launched in 1926

    Free: You Can Now Read Classic Books by MIT Press on Archive.org is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.

    Image

    << Previous Day 2017/08/04
    [Calendar]
    Next Day >>

Open Culture   About LJ.Rossia.org