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Monday, November 6th, 2017
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3:00p |
Meet Daryl Davis, the Black Blues Musician Who Befriended 200 Klan Members & Made Them See the Errors of Their Ways
Musician Daryl Davis is a great, lumbering bear of a man with a very, very long fuse.
His disposition and his race are equally critical components of his decades-long project—engaging, as a black man, with members of the KKK, the National Socialist Movement, and other groups espousing white supremacy.
Diplomacy seems to be the major lesson of his globetrotting childhood. His father was a State Department official, and wherever the family relocated, Davis went to school with the children of other foreign service workers, whatever their race. This happy, multicultural experience left him unprepared for his return to his country of origin, when he was one of just two black pupils at his Belmont, Massachusetts elementary school, and the only black Cub Scout in his troop.
When Belmont’s Cub Scouts were invited to participate in a 1968 march to commemorate Paul Revere’s ride, his troop leaders tapped the 10-year-old Davis to carry the flag, provoking a furious reaction from many white spectators along the route.
His prior experience was such that he assumed their bile was directed toward scouting, even after his parents sat him down to tell him the truth.
Now, as the subject of Matt Ornstein’s documentary, Accidental Courtesy (watch it on Netflix here), Davis muses that the unusual circumstances of his early childhood equipped him to instigate and maintain an open dialogue with the enemy. He listens carefully to their opinions in the expectation that they will return the courtesy. It’s a long game approach that Davis refuses to play over social media or email. Only face-to-face.
Over time, his even-keeled manner has caused 200 card-carrying racists, according to NPR, to renounce their former path, presenting their cast-off hoods and robes to their new friend, Davis, as a rite of passage.
One of the most fascinating parts of the documentary is the tour of his klan memorabilia—patches, jewelry, pocket knives and belt buckles. He is able to explain the colors, insignia and provenance of the robes as methodically as he discusses musical history.
Presumably, some of this knowledge was handed down from the former owners—one of whom volunteers that Davis is far more knowledgable than he ever was about the ins and outs of klan hierarchies.
Davis doesn’t wait for an outspoken racist to renounce his beliefs before claiming him as a friend.
It’s fairly easy to feel clemency toward those Davis has nudged toward a whole new set of values, such as soft-spoken former-Grand-Dragon-turned-anti-racist activist, Scott Shepherd, or Tina Puig, a mother of two who was taken aback by Davis’ offer of a ride to the far away federal penitentiary where her white supremacist husband was serving a ten-year sentence.
It’s queasier to watch Davis posing with a smile in front of Confederate flags at a klan rally, or staunchly refraining from comment as jacked up supremacists spew vile, provocative remarks in his presence.
Not everyone has—or wants to have—the stomach for this sort of work. The most heated encounter in the film is the one between Davis and Baltimore-based Black Lives Matter activists Kwame Rose, Tariq Touré, and JC Faulk.
As director Ornstein told PBS’ Independent Lens:
Daryl operates under the principle that if you aren’t hearing viewpoints that are distasteful to you, that they are also not hearing yours. I think there’s wisdom in that. We saw this last election cycle how not doing that ended in not only disaster for this country, but a lot of infighting and yelling into echo chambers and news that serves to reinforce what you already believe. The economic arguments that Tariq and Kwame present in the film have a tremendous amount of validity, but in no way does this diminish the importance of what someone like Daryl does. If we all took the time to speak to even one or two people we disagree with and both really hear them and be heard that alone would begin to make a difference.
You can watch Accidental Courtesy on Netflix here. (If you don't have a subscription, you could always sign up for a 30-day free trial.) We have also added an NPR profile of Davis above.
Related Content:
How a Liberal Arts Education Helped Derek Black, the Godson of David Duke, Break with the White Nationalist Movement
How Superman Defeated the KKK (in Real Life): Hear the World-Changing 1946 Radio Drama
Albert Einstein Called Racism “A Disease of White People” in His Little-Known Fight for Civil Rights
Noam Chomsky Explains the Best Way for Ordinary People to Make Change in the World, Even When It Seems Daunting
Ayun Halliday is an author, illustrator, theater maker and Chief Primatologist of the East Village Inky zine. Her current project is Theater of the Apes' Sub-Adult Division's production of Animal Farm, opening this week in New York City. Follow her @AyunHalliday.
Meet Daryl Davis, the Black Blues Musician Who Befriended 200 Klan Members & Made Them See the Errors of Their Ways is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooks, Free Audio Books, Free Foreign Language Lessons, and MOOCs.
| 5:57p |
What to Say When You Don’t Understand Contemporary Art? A New Short Film, “Masterpiece,” Has Helpful Suggestions
Masterpiece, Runyararo Mapfumo’s short film above, will feel very familiar to anyone who has struggled for words to share with a friend after his or her underwhelming Off-Off-Broadway solo show, open mic performance, or art installation…
Equally familiar, from the reverse angle, to any artist who’s ever invited a trusted friend to view his or her passion project, hoping for approval or at the very least, interest… something more robust than the paltry crumbs the friend manages to eek out under pressure.
A British Film Institute London Film Festival selected short, Masterpiece focuses on a tight group of male friends… one of whom has reached beyond the communal comfort zone in the service of his art. His earnestness confounds his old pals, who clown around outside the gallery where they've gathered for an after hours preview of his work, one staunchly asserting that he only showed up because his mum made him, and also, he was told there’d be free food.
Once inside the friends are left alone to puzzle out his masterpiece. What to say? Maybe they should draw parallels to the current socio-political situation? Perhaps they could tell their friend his work is reminiscent of German Expressionism?
Yoko Ono or Marcel Duchamp would have made a more apt comparison, as writer-director Mapfumo is surely aware. Masterpiece is notable for more than just its pitch-perfect take on artist vs. befuddled but still supportive friends. As Mapfumo told Directors Notes:
I’ve been told time and time again to “write what you want to see.” I started thinking about what that meant to me in a everyday context. These characters are black men that I recognize…I didn’t want the conflict to revolve around their identity but rather through their observations.
Related Content:
How to Look at Art: A Short Visual Guide by Cartoonist Lynda Barry
An Online Guide to 350 International Art Styles & Movements: An Invaluable Resource for Students & Enthusiasts of Art History
Your Brain on Art: The Emerging Science of Neuroaesthetics Probes What Art Does to Our Brains
Ayun Halliday is an author, illustrator, theater maker and Chief Primatologist of the East Village Inky zine. Her most recent artistic endeavor is Theater of the Apes Sub-Adult Division's production of Animal Farm, opening next week in New York City. Follow her @AyunHalliday.
What to Say When You Don’t Understand Contemporary Art? A New Short Film, “Masterpiece,” Has Helpful Suggestions is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooks, Free Audio Books, Free Foreign Language Lessons, and MOOCs.
| 7:00p |
The Elegant Mathematics of Vitruvian Man, Leonardo da Vinci’s Most Famous Drawing: An Animated Introduction
Nearly 500 years after his death, we still admire Leonardo da Vinci's many and varied accomplishments in painting, sculpture, architecture, science, and quite a few other fields besides, most of which would have begun with his putting down some part of the formidable contents of his head on to a piece of paper. (As we've seen, sometimes he needed to draw up a to-do list first.) Some of those works remained on paper, and even became famous in that humble form. If you've only seen one of Leonardo's drawings, for instance, it's almost certainly Vitruvian Man.
Leonardo's circa-1490 study of the proportions of the human body — or to put it in more common terms, the picture of the naked fellow standing inside a square and a circle — stands at an intersection of art and mathematics, one at which Leonardo spent a great deal of time throughout his life. The Ted-ED lesson above, written by educator James Earle, gets into "the geometric, religious and philosophical significance of this deceptively simple drawing" whose title references the first-century BCE Roman architect and civil engineer Marcus Vitruvius Pollio, who claimed that "the navel is the center of the human body, and that if one takes a compass and places the fixed point on the navel, a circle can be drawn perfectly around the body."
Vitruvius also realized that "arm span and height have a nearly perfect correspondence in the human body, thus placing the body perfectly inside a square as well." Both he and Leonardo saw real implications in this alignment between anatomy and geography, beginning with the notion that buildings and other works of man should also take on these "perfect" proportions. All of this ties in with the problem, first proposed by ancient geometers, of "squaring the circle," that is, finding a procedure to hand-draw a square and a circle both of equal area. Leonardo used Vitruvian Man to point toward one possible solution using the human body.
You can learn more about the importance and legacy of the drawing in the BBC documentary The Beauty of Diagrams, available on Youtube (part one, part two). "Although the diagram doesn't represent some huge scientific breakthrough," says its host, mathematician Marcus du Sautoy, "it captures an idea: that mathematics underpins both nature and the manmade world. It represents a synthesis of architecture, anatomy, and geometry. But it's the perfection and elegance of Leonardo's solution to this riddle of the square and the circle in Vitruvius which gives the diagram its power and its beauty." And judging by the unabated popularity of Vitruvian Man parodies, it looks to have at least another half-millennium of relevance ahead.
Related Content:
Download the Sublime Anatomy Drawings of Leonardo da Vinci: Available Online, or in a Great iPad App
Leonardo da Vinci’s Bizarre Caricatures & Monster Drawings
How to Build Leonardo da Vinci’s Ingenious Self-Supporting Bridge: Renaissance Innovations You Can Still Enjoy Today
Leonardo da Vinci’s Visionary Notebooks Now Online: Browse 570 Digitized Pages
Ralph Steadman’s Wildly Illustrated Biography of Leonardo da Vinci (1983)
Based in Seoul, Colin Marshall writes and broadcasts on cities and culture. His projects include the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.
The Elegant Mathematics of <i>Vitruvian Man</i>, Leonardo da Vinci’s Most Famous Drawing: An Animated Introduction is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooks, Free Audio Books, Free Foreign Language Lessons, and MOOCs.
| 8:00p |
Salvador Dali’s 1978 Wine Guide, The Wines of Gala, Gets Reissued: Sensual Viticulture Meets Surreal Art 
Popular food culture is dominated by status symbols of restaurant-inspired consumer kitchenware and appliances, thanks in large part to reality televisions shows about cooking competitions which can make the preparation of haute cuisine seem more accessible to the average home chef than it may actually be.
Many would argue, however, that we’ve come a long way since the 70s, when the mass-market products that held sway over best-selling cooking guides went by names like Hamburger Helper, Cool Whip, and Jello. Back then, willful anachronism Salvador Dali stepped into this commercial landscape with his 1973 cookbook Les Diners de Gala, offering aristocratic, extravagant recipes—next to even more extravagant art—with exotic ingredients often impossible to find at the local supermarket both then and now.

Dali made it plain that his object was to bring back pure pleasure to dining, the adventurous opulence he and his wife, Gala, so appreciated in their own outsized social lives. A few years later, Dali did the same thing with the fine-dining beverage of choice, publishing The Wines of Gala, an “eccentric guide to wine grapes and their origin,” writes This is Colossal. The book’s “groupings are appropriate imaginative classifications.”
The Wines of Gala splits into two parts: “Ten Divine Dali Wines” and “Ten Gala Wines.” The latter includes categories like “Wines of Frivolity,” “Wines of Joy,” “Wines of Sensuality,” “Wines of Purpose,” and “Wines of Aestheticism.” Among the Divine Dali Wines, we find “The Wine of King Minos,” “Lacrima Christi,” “Chateauneuf-du-Pape,” and “Sherry.” In an appendix, Dali surveys “Vineyards of the World,” generally, and “Vineyards of France,” specifically, and offers “Advice to the Wine-Loving Gourmet.”

While some of Dali’s wine advice may go over our heads, maybe the real reason we’re drawn to his cookbook and wine guide is the artwork they contain within their pages, likely also the principle reason arts publisher Taschen has reissued both of these publications. The Wines of Gala is due out on November 21, but you can pre-order a hard copy now (or find used copies of the original 1970s edition here). In it you’ll find much bewitching original art to complement the passionate descriptions of wine.

The “rich and extravagant wine bible features 140 illustrations by Dali,” notes Rebecca Fulleylove. “Many of the artworks featured are appropriated pieces, including… a work from Dali’s late Nuclear Mystic phase, The Sacrament of the Last Supper.” Even to this solemn affair, Dali brings “his ability to seek out pleasure and beauty in everything.”
via This is Colossal/It’s Nice That
Related Content:
Salvador Dalí’s 1973 Cookbook Gets Reissued: Surrealist Art Meets Haute Cuisine
Salvador Dalí Goes Commercial: Three Strange Television Ads
Salvador Dalí’s Melting Clocks Painted on a Latte
Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness
Salvador Dali’s 1978 Wine Guide, <i>The Wines of Gala</i>, Gets Reissued: Sensual Viticulture Meets Surreal Art is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooks, Free Audio Books, Free Foreign Language Lessons, and MOOCs.
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