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Wednesday, September 1st, 2021
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8:00a |
Chinese Youth Announce That They’re “Lying Flat” and Resisting the Pressures of Modern Life
The “Lying Flat” movement taking hold among young people in China involves doing exactly what it suggests: working little, resting a lot, and cultivating the most minimalist lifestyle possible. Unlike Timothy Leary’s 1960’s mantra, “turn on, tune in, drop out,” lying flat, or tang ping (??), takes no stance on a countercultural ethos or the consumption of mind-altering drugs. But it has caused the authorities alarm, even among English-language observers. Consider the Brookings Institute headline, “The ‘lying flat’ movement standing in the way of China’s innovation drive.” Standing in the way of innovation is a cardinal sin of capitalism, one reason the “niche Chinese Gen Z meme” of tang ping, Jane Li writes, “is ringing alarm bells for Beijing.”

The phenomenon began — where else — on social media, when 31-year-old former factory worker Luo Huazhong “drew the curtains and crawled into bed,” Cassady Rosenblum writes at The New York Times. Luo then “posted a picture of himself [in bed] to the Chinese website Baidu along with a message: ‘Lying Flat is Justice.’”
His manifesto (above) claimed the “right to choose a slow lifestyle” by doing little work to get by, reading, gardening, exercising, and, yes, lying prone as often as he liked. To further elaborate, Luo wrote, “lying flat is my sophistic movement,” with a reference to Diogenes the Cynic, the Greek philosopher “said to have lived inside a barrel to criticize the excesses of Athenian aristocrats.”

Diogenes did more than that. He and his followers rejected everything about Athenian society, from work and marriage to the abstract reasoning of Plato. Luo might have turned to a more traditional source for “lying flat” — the Daoist principle of wu-wei, or non-doing. But lying flat is not so much about living in harmony with nature as it is a state of exhaustion, a full-body admission that the promises of capitalism — work hard now, rest hard later — have not and will not materialize. They are phantoms, mirages, precisely the kind of fictions that made Diogenes bark with laughter. The truth, Rosenblum writes, is that for “essential” workers at the bottom all the way up to the “inner sanctums” of Goldman Sachs, “work has become intolerable. Rest is resistance.”

In a work culture that celebrates “996” — 12-hour days, six days a week– rest may be the only form of resistance. Political repression and lack of upward mobility have fostered “an almost monastic outlook” in China, writes Li, “including not getting married, not having children, not having a job, not owning property, and consuming as little as possible.” Since picking up tens of thousands of followers online, the lying flat movement has become the target of a censorship campaign aimed at stopping young Chinese workers from checking out. One government-backed newspaper called the movement “shameful,” and news agency Xinhua unfavorably compared “lying flattists” to front-line medical workers. The original manifesto, Lying Flat groups, and message boards where users posted photos of seals, cats, and themselves lying flat have been taken down.
Zijia Song writes of tang ping as partly a response to a traditional Chinese culture of competitiveness and overwork, but notes that there are similar movements in Japan, Korea, and the U.S., where “Black activists, writers and thinkers are among the clearest voices articulating this spiritual malaise and its solutions,” writes Rosenblum, “perhaps because they’ve borne the brunt of capitalism more than other groups of Americans.” Whatever their national origin, each of these statements defiantly claims the right to rest, posing a threat not only to the Party but to an ideal of human life as endless overwork for shiny trinkets and empty promises, during a global pandemic and climate crisis that have revealed to us like nothing else the need to slow down, rest, and completely reimagine the way we live.
Related Content:
Bertrand Russell & Buckminster Fuller on Why We Should Work Less, and Live & Learn More
Brian Eno’s Advice for Those Who Want to Do Their Best Creative Work: Don’t Get a Job
Will You Really Achieve Happiness If You Finally Win the Rat Race? Don’t Answer the Question Until You’ve Watched Steve Cutts’ New Animation
Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness
Chinese Youth Announce That They’re “Lying Flat” and Resisting the Pressures of Modern Life is a post from: Open Culture. Follow us on Facebook and Twitter, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooks, Free Audio Books, Free Foreign Language Lessons, and MOOCs.
| 11:00a |
A 94-Year-Old English Teacher and Her Former Students Reunite in Their Old Classroom & Debate the Merits of Bob Dylan’s Nobel Prize
In fiction the inspirational high-school English teacher is a cliché, despite (or indeed due to) the fact that so many of us have had at least one of them in real life. For generations of students who passed through San Francisco’s prestigious Lowell High School, that teacher was Flossie Lewis. Long after her retirement, she went surprisingly viral in a 2016 PBS interview clip about her thoughts on aging. It seemed she retained her power to inspire, not just for her more than seven million online viewers, but also for the PBS producers who later reunited her with her former students in the very same classroom where she once taught them.
You can see this reunion take place in the video above, which also includes Flossie telling her own story of having fled Brooklyn spinsterhood on a Greyhound bus headed west. “I could command the attention of a class,” she says of the source of her power as a teacher. “I had a voice. I had that kind of personality that did not seem teacherly, but was provocative.”
Onetime student Daniel Handler, better known as the novelist Lemony Snicket, credits Flossie with an “ability to startle.” Another, now an architect, remembers “gravitas” — and his having been “intimidated by her name. Flossie is a very unusual name.” Or at least it is today, its popularity (driven, it seems, by the Bobbsey Twins books) having peaked in the early 20th century.
Flossie is also representative of her generation in another way: not particularly caring for the music of Bob Dylan. Though she can’t have been thrilled with that guitar-playing (relative) youngster’s 2016 Nobel Prize for Literature, she’s willing to hear her students out on the subject. “The trivial task before us is to decide whether Bobby Dylan is worth the laureate,” she declares to the group of Lowell alumni gathered in her old classroom. Now all middle-aged, her former students include Dylan defenders and Dylan deniers alike, but what unites them are their undimmed memories of their teacher’s mixture of rigor, compassion, and sheer eccentricity. As one of them recalls, “You read us a sonnet from Shakespeare and said, ‘It’s no good.'” Whatever his generational relevance, the poet from Hibbing may never have stood a chance.
Related Content:
Hear Bob Dylan’s Newly-Released Nobel Lecture: A Meditation on Music, Literature & Lyrics
Bob Dylan Reads From T.S. Eliot’s Great Modernist Poem The Waste Land
“Tangled Up in Blue”: Deciphering a Bob Dylan Masterpiece
David Foster Wallace’s 1994 Syllabus: How to Teach Serious Literature with Lightweight Books
Benedict Cumberbatch Reads Albert Camus’ Touching Thank You Letter to His Elementary School Teacher
Comedian Ricky Gervais Tells a Serious Story About How He Learned to Write Creatively
Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities, the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.
A 94-Year-Old English Teacher and Her Former Students Reunite in Their Old Classroom & Debate the Merits of Bob Dylan’s Nobel Prize is a post from: Open Culture. Follow us on Facebook and Twitter, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooks, Free Audio Books, Free Foreign Language Lessons, and MOOCs.
| 2:00p |
What Makes Rodin’s The Thinker a Great Sculpture: An Introduction to Rodin Life, Craft & Iconic Work
Auguste Rodin’s The Thinker exists in about 28 full-size bronze casts, each approximately 73 inches high, in museums around the world, as well as several dozen castings of smaller size and plaster models and studies. The Thinker also exists as one of the most copied and parodied artworks in world history, perhaps because of its ubiquity. “Unfortunately,” Joseph Phelan writes at the Artcyclopedia, “there is a side of Rodin’s work that has become kitsch through cheap reproductions and commercial rip-offs.”
In popular interpretations, The Thinker represents philosophical abstraction. But Rodin’s figure doesn’t contemplate Plato’s forms or Kant’s categories. He dreams of hell, and brings a vision of eternal torment into being. He is a representation of the poet Dante (hence his original name, The Poet) in Rodin’s most ambitious masterwork, The Gates of Hell, made on commission from the Museum of Decorative Arts in Paris. The subject, “bas-reliefs representing The Divine Comedy,” was “surely suggested by Rodin himself, as he was an avid reader of Dante,” the Association for Public Art points out.
Divorced from its original context — a work begun in 1880 and only completed after the artist’s death in 1917 — The Thinker becomes “a universal image,” the National Gallery of Art writes — one that “reveals in physical terms the mental effort and even physical anguish of creativity.” As Rodin himself put it, “what makes my Thinker think is that he thinks not only with his brain, with his knitted brow, his distended nostrils and compressed lips, but with every muscle of his arms, back, and legs, with his clenched fist and gripping toes.” If we can see his thoughtful posture with fresh eyes, we’ll notice his extreme stress, tension, and pain.
Rodin worked on The Gates of Hell for the final 37 years of his life, and didn’t live to see it cast in full during his lifetime. The massive bronze doors — which also produced such famous Rodin sculptures as The Three Shades and The Kiss — contain around 200 individual figures and groups of sufferers from the Inferno. “For Rodin,” notes the Rodin Museum, “the chaotic population on The Gates of Hell enjoyed only one final freedom — the ability to express their agony with complete abandon … The figures on the doors poignantly and heart-rending evoke universal human emotions and experiences.”
While hell’s denizens writhe and burn below him, The Thinker, perched atop the door, curls in on himself with the strain of imagination. Whatever his original inspiration, he came unglued from the Inferno, his modular nature part of the sculptor’s original design. The Thinker is Dante, but also “in a very real sense,” the Met writes, “The Thinker is Rodin. Brutishly muscled yet engrossed in thought, coiled in tension yet loose in repose.” As a universal symbol for contemplation, he is also an image of bringing art into being through the sheer force of one’s mind.
Rodin, after all, “never produced a work of plaster, bronze, or even marble with his own hands,” says the Great Art Explained video above, preferring “an industrial approach to producing art” that meant a supervisory role over crews of workers, raising questions about “authenticity and originality.” Perhaps Rodin “shows us that an artist should be judged by what’s in his head, not in his hands,” but The Thinker shows us that what’s in the head is also in the hands, the gnarled back, tense sinewy arms, and curled up toes.
Related Content:
Rare Film of Sculptor Auguste Rodin Working at His Studio in Paris (1915)
A Free Online Course on Dante’s Divine Comedy from Yale University
Watch 1915 Video of Monet, Renoir, Rodin & Degas: The New Motion Picture Camera Captures the Innovative Artists
The Story Behind Rodin’s ‘The Kiss’
Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness
What Makes Rodin’s The Thinker a Great Sculpture: An Introduction to Rodin Life, Craft & Iconic Work is a post from: Open Culture. Follow us on Facebook and Twitter, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooks, Free Audio Books, Free Foreign Language Lessons, and MOOCs.
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