The Puzzle of Docudramas — Pretty Much Pop: A Culture Podcast #167
When we’ve already heard about someone’s personal scandal in the news, do we need to also see it dramatized with A‑list actors? Your hosts Mark Linsenmayer, Lawrence Ware, Sarahlyn Bruck, and Al Baker discuss Todd Haynes’ 2023 film May December fictionalizing the long-aftermath of the much publicized Mary Kay Letourneau story.
The main events of May December are fictional (based on a story by screenwriter Samy Burch along with Alex Mechanik): An actress (Natalie Portman) researching her future role visits the renamed Letourneau (Julianne Moore) and her now-adult husband (Charles Melton), whom she seduced (molested) starting at age 12. So is this art film fundamentally unlike the other recent dramatizations that we touch on, including Joe vs. Carole, Inventing Anna, Dirty John, The Act, The Shrink Next Door, and The Thing About Pam? We also talk about Reality. as an example of films depicting how horrible it is to be arrested.
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The Decimal Point Is 150 Years Older Than We Thought, Emerging in Renaissance Italy
Historians have long thought that the decimal point first came into use in 1593, when the German mathematician Christopher Clavius wrote an astronomy text called Astrolabium. It turns out, however, that the history of the decimal point stretches back another 150 years–to the work of the Venetian merchant Giovanni Bianchini. In his text Tabulae primi mobilis, written during the 1440s, Bianchini used the decimal point to calculate the coordinates of planets. In so doing, he invented a system of decimal fractions, which, in turn, made the calculations underpinning modern science more efficient and less complex, notes Scientific American.
Glen Van Brummelen, a historian of mathematics, recently recounted to NPR how he discovered Bianchini’s innovation:
I was working on the manuscript of this astronomer, Giovanni Bianchini. I saw the dots inside of a table — in a numerical table. And when he explained his calculations, it became clear that what he was doing was exactly the same thing as we do with the decimal point. And I’m afraid I got rather excited at that point. I grabbed my computer, ran up and down the dorm hallway looking for colleagues who still hadn’t gone to bed, saying, this person’s working with the decimal point in the 1440s. I think they probably thought I was crazy.
In a new article appearing in the journal Historia Mathematica, Van Brummelen explains the historical significance of the decimal point, and what this discovery means for the historical development of mathematics. You can read it online.
Hear Nirvana’s “Smells Like Teen Spirit” Performed in Classical Latin
By the early nineteen-nineties, at least in the United States, Latin instruction in schools wasn’t what it had once been. Students everywhere had long been showing impatience and irreverence about their having to study that “dead language,” of course. But surely it had never felt quite so irrelevant as it did in a world of shopping malls, cable television, and the emerging internet. Thirty years ago, few students would have freely chosen to do their Latin homework when they could have been, say, listening to Nirvana. But now, in the age of Youtube, they can have both at once.
In the video above, the_miracle_aligner covers “Smells Like Teen Spirit” in a medieval (or “bardcore”) style, using not just period instrumentation but also a translation of its lyrics into Latin. Since its release a few years ago, this Colosseum-worthy version of the song that defined grunge has drawn thousands upon thousands of appreciative comments from enthusiasts of Nirvana and Latin alike.
As one of the latter points out, “most Latin words rhyme because of conjugation,” and when they don’t, the language’s unusual freedom of word order provides plenty of opportunity to make it work. Still, the song contains more than its share of truly inspired choices: another commenter calls it “just immaculate” how “the ‘hello, how low’ rhymes as ‘salvé, parve.’ ”
As tends to be the way with those of us here in the twenty-first century inclined to dig deep into a language like Latin, some take the opportunity to get into character: “I vividly remember the night Gaius Kurtus Cobainius the Elder premiered this song at the Amphitheater of Pompey in the Summer of 91AD. The plebs went nuts and were throwing Sesterti and Denari on the stage. I even saw a patrician woman lift her tunic! Oh how I miss those days.” In whatever language it’s sung, the instantly recognizable “Smells Like Teen Spirit” will send any Generation-Xers in earshot right back to the strenuous slacking of their own youth. And the cry “Oblectáte, nunc híc sumus” would have cut as sharply in the age of bread and circuses as it did in the MTV era — or, for that matter, as it does now.
Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletterBooks on Cities, the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.