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Tuesday, August 13th, 2024

    Time Event
    5:25a
    Keith Moon, Drummer of The Who, Passes Out at 1973 Concert; 19-Year-Old Fan Takes Over

    In November 1973, Scot Halpin, a 19-year-old kid, scalped tickets to The Who concert in San Francisco, California. Little did he know that he’d wind up playing drums for the band that night — that his name would end up etched in the annals of rock ’n’ roll.

    The Who came to California with its album Quadrophenia topping the charts. But despite that, Keith Moon, the band’s drummer, had a case of the nerves. It was, after all, their first show on American soil in two years. When Moon vomited before the concert, he ended up taking some tranquilizers (maybe horse tranquilizers) to calm down. The drugs worked all too well. During the show, Moon’s drumming became sloppy and slow, writes his biographer Tony Fletcher. Then, halfway through “Won’t Get Fooled Again,” he slumped onto his drums. Moon was out cold. As the roadies tried to bring him back to form, The Who played as a trio. The drummer returned, but only briefly and collapsed again, this time heading off to the hospital to get his stomach pumped.

    Scot Halpin watched the action from near the stage. Years later, he told an NPR interviewer, “my friend got real excited when he saw that [Moon was going to pass out again]. And he started telling the security guy, you know, this guy can help out. And all of a sudden, out of nowhere comes Bill Graham,” the great concert promoter. Graham asked Halpin straight up, “Can you do it?,” and Halpin shot back “yes.”

    When Pete Townshend asked the crowd, “Can anybody play the drums?” Halpin mounted the stage, settled into Moon’s drum kit, and began playing the blues jam “Smokestack Lighting” that soon segued into “Spoonful.”  It was a way of testing the kid out.  Then came a nine minute version of “Naked Eye.” By the time it was over, Halpin was physically spent.

    The show ended with Roger Daltrey, Pete Townshend, John Entwistle and Scot Halpin taking a bow center stage. And, to thank him for his efforts, The Who gave him a concert jacket that was promptly stolen.

    As a sad footnote to the story, Halpin died in 2008. The cause, a brain tumor. He was only 54 years old.

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    Related Content 

    Keith Moon’s Final Performance with The Who (1978)

    The Neuroscience of Drumming: Researchers Discover the Secrets of Drumming & The Human Brain

    Keith Moon Plays Drums Onstage with Led Zeppelin in What Would Be His Last Live Performance (1977)

    9:00a
    The Steampunk Clocks of 19th-Century Paris: Discover the Ingenious System That Revolutionized Timekeeping in the 1880s

    A middle-class Parisian living around the turn of the twentieth century would have to budget for services like not just water or gas, but also time. Though electric clocks had been demonstrated, they were still a high-tech rarity; installing one in the home would have been completely out of the question. If you wanted to synchronize timekeeping across an entire major city, it made more sense to use a proven, reliable, and much cheaper infrastructure: pipes full of compressed air. Paris’ pneumatic postal system had been in service since 1866, and in 1877, Vienna had demonstrated that the same basic technology could be used to run clocks.

    “The idea was to have a master clock in the center of Paris that would send out a pulse each minute to synchronize every clock around the city,” writes Ewan Cunningham at Primal Nebula, on a companion page to the Primal Space video above.

    “The clocks wouldn’t have to be powered, the bursts of air would simply move all the clocks in the system forward at the same time. As for the master clock itself, it was kept in time by “another super accurate clock that was updated daily using observations of stars and planets” at the Paris Observatory. Just five years after its first implementation in 1880, this system had made possible the installation of thousands of “Popp clocks” (named for its Austrian inventor Victor Popp) in “hotels, train stations, houses, schools and public streets.”

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    In 1881, the visiting engineer Jules Albert Berly wrote of these “numerous clocks standing on graceful light iron pillars in the squares, at the corners of streets, and in other conspicuous positions about the city,” also noting those “throughout their hotels were, what is unusual with hotel clocks, keeping accurate time.” Apart from the great flood of 1910, which “stopped time” across Paris, this pneumatic time-keeping system seems to have remained in steady service for nearly half a century, until its discontinuation in 1927. But even now, nearly a century late, some of the sites where Popp clocks once stood are still identifiable — and thus worthy sites of pilgrimage for steampunk fans everywhere.

    Related Content:

    Paris Had a Moving Sidewalk in 1900, and a Thomas Edison Film Captured It in Action

    How Big Ben Works: A Detailed Look Inside London’s Beloved Victorian Clock Tower

    The Clock That Changed the World: How John Harrison’s Portable Clock Revolutionized Sea Navigation in the 18th Century

    Clocks Around the World: How Other Languages Tell Time

    How Clocks Changed Humanity Forever, Making Us Masters and Slaves of Time

    Watch Scenes from Belle Époque Paris Vividly Restored with Artificial Intelligence (Circa 1890)

    Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities and the book The Stateless City: a Walk through 21st-Century Los Angeles. Follow him on Twitter at @colinmarshall or on Facebook.

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