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Monday, July 21st, 2025

    Time Event
    8:00a
    The Devilish History of the 1980s Parental Advisory Sticker: When Heavy Metal & Satanic Lyrics Collided with the Religious Right

    Frank Zappa called them the “Mothers of Prevention,” the group of wives married to members of Congress who decided in the mid-80s to go to war against rock lyrics and whip up some good ol’ conservative hysteria.

    We’ve talked about this time before on this site, especially as Zappa himself testified in front of Congress and sparred on the Sunday Beltway shows like Crossfire.

    Vox’s Earworm series tackles this moment in a time that would have little ramification before the design-ugly “Parental Advisory: Explicit Content” sticker. (Just an aside: I know their headline is click-baity, but really? Heavy metal and Satan gave us this sticker? More like Tipper Gore and their family’s presidential ambitions gave us it. Oy.)

    Anyway, Gore’s Parents Music Resource Center (PMRC) gave us a list of the “Filthy Fifteen,” including songs like Sheena Easton’s “Sugar Walls” and Madonna’s “Dress You Up,” which either contained lyrics “promoting” violence, sexual references, drugs and alcohol, and Satan’s favorite, the “occult.”

    Estelle Caswell explores that last category and dives into the increasing popularity during the ‘80s of heavy metal music, which was often invoking Satan in its lyrics, or creating occult-like atmospheres in its production.

    This campy, horrorshow culture ran right into the growing power of conservative Christians and evangelical preachers who made a *lot* of money whipping up “Satanic Panic” among their national flock. They listened to rock records backwards, believing they heard subliminal messages.

    Of course, none of this would have gone much further than churches if it wasn’t for the major networks turning a nothing story into headlines–the Vox video reminds us how complicit Ted Koppel, Barbara Walters, Geraldo Rivera, et al were in promoting it. They also looked at the rising teenage suicide rate and used heavy metal as a scapegoat, instead of–as the video explains–family breakups, drug abuse, economic uncertainty, and increasing access to guns.

    The warning label itself appeared in 1990, just as rap was taking off and a new lyrical boogeyman appeared. Digital media and file sharing, along with YouTube and other sites, muted this kind of censorship. And parents, in the end, still need to do the job over what their children see or don’t.

    However, censorship is back, but there are no Washington Wives acting as scolds. Now it is the whims of capital, or it is a faulty algorithm that censors old master paintings filled with nudity, just as guilty as porn, that are our new decency guardians. Where are those congressional hearings?

    Note: An earlier version of this post appeared on our site in 2019.

    Related Content:

    Young Patti Smith Rails Against the Censorship of Her Music: An Animated, NSFW Interview from 1976

    1980s Metalhead Kids Are Alright: Scientific Study Shows That They Became Well-Adjusted Adults

    A Brief History of Hollywood Censorship and the Ratings System

    Frank Zappa Debates Whether the Government Should Censor Music in a Heated Episode of Crossfire: Why Are People Afraid of Words? (1986)

    Watch Heavy Metal Parking Lot, the Cult Classic Film That Ranks as One of the “Great Rock Documentaries” of All Time

    Ted Mills is a freelance writer on the arts.

    9:00a
    The Real Science Experiments That Inspired Frankenstein

    With the Halloween season mere months away, the time has come to start thinking about what frightening reads to line up for ourselves this year. Some of us may reach for Mary Shelley’s Frankenstein; or, The Modern Prometheus, a story we all think we know. But a look into its context reveals that what’s now regarded as a timeless classic was, in its day, quite a topical novel. Introducing the 1931 James Whale film adaptation, the regular horror-movie player Edward Van Sloan describes Frankenstein as dealing with “the two great mysteries of creation: life and death” — which, when Shelley’s novel was published more than a century earlier, were yet more mysterious still.

    “Worried by the potential inability to distinguish between the states of life and death, two doctors, William Hawes and Thomas Cogan, set up the Royal Humane Society in London in 1774,” writes Sharon Ruston at The Public Domain Review. At the time, it was actually called the Society for the Recovery of Persons Apparently Drowned, a name that would’ve doubled neatly as a mission statement. Falling into the rivers and canals of London was, it seems, a common occurrence in those days, and few members of the public possessed the swimming skills to save themselves. Thus the Society’s members took it upon themselves to devise methods of reviving those “persons apparently drowned,” whether their plunges were accidentally or deliberately taken.

    One such attempted suicide, writes Ruston, “seems to have been Mary Shelley’s mother, the feminist, Mary Wollstonecraft,” who later complained about how, after leaping into the Thames, she was “inhumanly brought back to life and misery.” That incident could well have done its part to inspire Frankenstein, though notions of reviving the dead were very much in the air at the time, not least due to the attention being paid to the practice of “Galvanism,” which involved stimulating the muscles of dead animals and human bodies to movement using the then-novel phenomenon of electricity. In the England of that historical moment, it wasn’t entirely far-fetched to believe that the dead really could be brought back to life.

    You can learn more about the scientific developments, social changes, and human anxieties (including about the possibility of being buried alive) that formed Frankenstein’s cultural background from the Vox History Club video above. In a way, it seems inevitable that someone in the early nineteenth century would write about a scientist avant la lettre who dares to create life from death. It just happened to be the teenage Shelley, to whom the idea came while engaged in a competition with Lord Byron, the writer-physician John Polidori, and her soon-to-be husband Percy Bysshe Shelley to see who could write the scariest story. Two centuries later, the story of Frankenstein may no longer scare us, but as told by Shelley, it still has a way of sounding strangely plausible.

    Related content:

    Reading Mary Shelley’s Frankenstein on Its 200th Anniversary: An Animated Primer to the Great Monster Story & Technology Cautionary Tale

    Read a Huge Annotated Online Edition of Frankenstein: A Modern Way to Celebrate the 200th Anniversary of Mary Shelley’s Classic Novel

    Mary Shelley’s Handwritten Manuscript of Frankenstein: This Is “Ground Zero of Science Fiction,” Says William Gibson

    The Very First Film Adaptation of Mary Shelley’s Frankenstein, a Thomas Edison Production (1910)

    The First Museum Dedicated to Mary Shelley & Her Literary Creation Frankenstein Opens in Bath, England

    Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities and the book The Stateless City: a Walk through 21st-Century Los Angeles. Follow him on the social network formerly known as Twitter at @colinmarshall.

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