Extended article on Aguéli's Sufism and Humanism

The Israeli scholar Meir Hatina contributed a chapter on "Ivan Aguéli's humanist vision: Islam, Sufism and universalism" to the edited collection Anarchist, Artist, Sufi: The Politics, Painting, and Esotericism of Ivan Aguéli. He has now published an extended version of that chapter as "Turning to the East, Rescuing the West: Sufism and Humanism in Ivan Aguéli’s Thought" in the journal Islam and Christian–Muslim Relations. See https://doi.org/10.1080/09596410.2021.1989815.

From the abstract:

Aguéli’s universal humanism, with Sufism as its main lever, is analysed and located within a transnational intellectual landscape through networks of people, ideas and print media. By attracting Western pilgrims, Sufism served as a nexus of cultural transfer from the Middle East to Europe, thus casting doubts on the prevailing paradigm of Western enlightenment as the backbone of global intellectual history. Sufism was presented by Aguéli as a spiritual philosophy that dealt with the liberation of man from materialism and selfishness. The article deals with a number of issues: How did Aguéli transform Islam and Sufism into a cosmopolitan vision? To what extent was his humanism nurtured by anarchist philosophy, which promoted a just society? Did Aguéli reconcile the anarchist perception of human beings as free creatures with the Sufi perception of total submission to a Sufi master?

(Comment on this)

Tavener and the Musica perennis

Several chapters in a new collection discuss the Traditionalism of Sir John Tavener (1944-2013), the acclaimed British musician who was a follower of Frithjof Schuon. It is Heart's Ease: Spirituality in the Music of John Tavener, edited by June Boyce-Tillman and Anne-Marie Forbes (Oxford: Peter Lang, 2020).

The collection consists of nine chapters and eight “interludes,” preludes or postludes, distinguished from the formal chapters by being more reflective and less academic, and often very short. The opening “prelude,” by Boyce-Tillman, sets the scene with a short biographical introduction to Tavener and his best-known work. This is followed by a chapter in which Stephen Roberts traces “Tavener’s Musical Theology of Religions,” working through Orthodoxy to arrive at Traditionalism. 

Then comes one of two chapters that deal at length with Tavener’s Traditionalism, “In Search of Truth: John Tavener’s Transition from Western Culture to Eastern Tradition” by Andrzej Kęsiak, a Polish theologian and musician who is currently working in the UK on a PhD thesis about Tavener. Kęsiak starts with Tavener’s rejection of modernism, follows through the “Search for Tradition” that led him to Orthodox Christianity, and ends with Traditionalism and the “Musica perennis,” Tavener’s application to music of Schuon’s understanding of the transcendent unity of religions.

Several further chapters deal with particular compositions: Tavener’s “Prayer to the Holy Trinity,” his “To a Child Dancing in the Wind,” his Requiem, and his “Three Hymns of George Herbert.” Then come three chapters dealing with particular issues: his “Search for an English Orthodox Musical Language”, “Sacred Silence,” and finally the use of his music in therapy. 

Of these chapters, the most important for those who are interested primarily in Traditionalism is the chapter on Tavener’s Requiem, written by Bart Seaton-Said, a practicing musician and former Anglican Franciscan. This is mostly a musical analysis, and shows how the Requiem is a “broadening of the parameters of sacred Christian art” and “manifests outwardly Schuon’s theme of the ‘transcendent unity of relations.’”

The book provides a useful study of Tavener’s music, and of the impact of Traditionalism on that music. Tavener’s project of discovering the Musica perennis is one of the most interesting recent developments of traditionalism, and – arguably – one of the most successful.

(Comment on this)

The later politics of Ivan Aguéli

We know more about the later politics of Ivan Aguéli than I thought. The Swedish journalist Eddie Råbock points to two passages, some notes from 1904 and some comments in a letter from 1917. In both cases, Aguéli had moved far from his early anarchism.

In 1904, Aguéli was calling for democracy under the control of the ulama, i.e. much same system that was meant to be introduced in Iran after the Islamic Revolution (the reality, perhaps predictably, did not quite correspond to the theory). In 1904, Aguéli was still something of a revolutionary, ending his note with "Fight capital through the agrarians, as the King of Italy does. Fight snobbery." The reference to the King of Italy is explained by Aguéli's engagement in Il Convito, which was pro-Italian as well as pro-Islamic. 

Later, letters written in Spain during the general strike of 1917 show that his sympathies were by then definitely not with the revolutionaries, but rather with the king and central government.

These positions fit with the positions that René Guénon later took. Having the ulama in charge, especially, fits with the idea of the primacy of spiritual authority over temporal power.

(Comment on this)

New English collection of work by Aguéli

A new book gives English translations of a selection of the writings on Islam of Ivan Aguéli. It is Ivan Aguéli: Sensation of Eternity: Selected Writings, edited by Oliver Fotros. ISBN 978-9151985091, $13.99 on Amazon.

The writings translated are

• Notes on Islam (from L'Initiation, 1902)
• Feminism (from Il Convito, 1904)
• From La Gnose (1911):
• Pages dedicated to Mercury (incl. Pure Art) 
• Pages dedicated to the Sun 
• Universality in Islam
• Islam and Anthropomorphic Religions
• Al Malamatiyyah
• From L'Encyclopédie contemporaine illustrée:
• On the principles of Architecture and Sculpturing (1912)
• The 29th Exhibition of Le Salon des Independantes (1913)
• La Section d’Or – the Exhibition at Gallery La Boétie (1913)
• Others
• On Western Art
• On Europeans and Muslims

(Comment on this)

The National Bolsheviks as counter-cultural art
The Russian Traditionalist Alexander Dugin first came to prominence in the 1990s as one of the leaders of the National Bolshevik Party (NBP; Национал-большевистская партия). A new book covers these years remarkably well. It is Fabrizio Fenghi's It Will Be Fun and Terrifying: Nationalism and Protest in Post-Soviet Russia (Madison: University of Wisconsin Press: 2020). The title cites an early NBP slogan sometimes cited by an artist who is now a member of Dugin's Eurasian Movement.

(Comment on this)

Wendell Berry, Soft Traditionalist

Photo from the New Yorker

Wendell Berry (born 1934), the American writer and agrarian, has spent much of his life siding with the land against the industrial exploiters of the land, and of farmers, and of the American rural way of life. He has written essays and books, notably The Unsettling of America (1977), as well as poetry and novels, notably Nathan Coulter (1960). For some, he follows in the steps of Henry David Thoreau. In another way, he also follows in the steps of the English Traditionalist and environmentalist Lord Northbourne (1896-1982), who combined Traditionalist perspectives with the biodynamic theories of the founder of Anthroposophy, Rudolf Steiner (1861-1925). 

(Comment on this)

New article on Traditionalism in South American Literature and Academia

Just published (online first): Mark Sedgwick, “Guénonian Traditionalism in South American Literature and Academia,” International Journal of Latin American Religions. Online first https://doi.org/10.1007/s41603-021-00134-6. Free view (not download) available on https://rdcu.be/ckZ0Z. 

According to the abstract,

Perennialist or Guénonian Traditionalism is a global esoteric movement that is found in South America as it is in North America and Europe. Its major religious form, which is Sufi, is also found in South America, as is its major political form, which is on the Right. This article investigates what further impact Traditionalism has had in South America and finds that this has been primarily in Argentina’s literary and artistic milieu during the 1920s to 1940s and among philosophers and anthropologists in Argentina and Peru from the 1950s until today. The literary impact in Argentina is comparable to that which Traditionalism had in France at the same time but is more significant, perhaps because the period is so important for Spanish American literature. The academic impact in Argentina and Peru is comparable to the impact that Traditionalism had in the USA, at the same time, but differs in its disciplinary profile and religious forms. In the USA Traditionalists are found in departments of religious studies and Islamology and are often Sufis. In Argentina and Peru, there are few Sufis and more alternative religious forms. The difference, it is suggested, may reflect the special status of indigenous peoples in Peru, the historic strength of the Gurdjieff movement throughout Latin America, and differences in the structure of South American and North American universities.

(Comment on this)

New collection on Ivan Aguéli

Just published: Anarchist, Artist, Sufi: The Politics, Painting, and Esotericism of Ivan Aguéli, edited by Mark Sedgwick (Bloomsbury). 

14 chapters by 13 scholars, plus English translations of some of Aguéli's own writings. Sections on art (and anarchism) in Paris, Sufism in Cairo, and Traditionalism--influence on René Guénon. and Traditionalist theories of art. 

Chapter 13, "The significance of Ivan Aguéli for the Traditionalist movement," looks directly at Aguéli, Guénon, and later Traditionalists, but the chapters on Aguéli the Sufi will also be of interest to those who are interested in Traditionalism. And the chapters on Aguéli the Anarchist Artist place everything in a wider context.

And as the blurb says, the book shows that "Islam occupied a more central place in modern European intellectual history than is generally realized. [Aguéli's] life reflects several major modern intellectual, political, and cultural trends. This book is an important contribution to understanding how he came to Islam, the values and influences that informed his life, and-ultimately-the role he played in the modern Western reception of Islam."

The table of contents is:

1. Ivan Aguéli: politics, painting and esotericism, Mark Sedgwick (Aarhus University, Denmark)

Part I: Ivan Aguéli, the Anarchist Artist
2. Ivan Aguéli's life and work, Viveca Wessel (formerly Moderna Museet, Sweden)
3. Exploring the territories of the avant-garde: Ivan Aguéli and the institutions of his time, Annika Öhrner (Södertörn University, Sweden)
4. Ivan Aguéli the esotericist in reality and fiction, Per Faxneld (Södertörn University, Sweden)
5. Ivan Aguéli's monotheistic landscapes: From perspectival to solar logics, Simon Sorgenfrei (Södertörn University, Sweden)
6. Painting the sacred as an initiatic path: Art and Cubism in the eyes of Ivan Aguéli, Thierry Zarcone (CNRS, Paris, France)
7. “Kill the audience:” Ivan Aguéli's moralistic utopia of anarchism and Islam, Anthony T. Fiscella (Formerly Lund University, Sweden)

Part II: Ivan Aguéli the Sufi
8. Ivan Aguéli's second period in Egypt, 1902–09: The intellectual spheres around Il Convito/Al-Nadi, Paul-André Claudel (University of Nantes, France)
9. Sufi Teachings for pro-Islamic Politics: Ivan Aguéli and Il Convito, Alessandra Marchi (University of Cagliari, Italy)
10. Ivan Aguéli and the legacy of Emir Abdelkader, Iheb Guermazi (Massachusetts Institute of Technology, USA)
11. Ivan Aguéli's humanist vision: Islam, Sufism and universalism, Meir Hatina (Hebrew University of Jerusalem, Israel)
12. Feminism and the Divine Feminine: An exploration of female elements in Ivan Aguéli and subsequent Traditionalist thought, Marcia Hermansen (Loyola University, USA)

Part III: Ivan Aguéli and Traditionalism
13. The significance of Ivan Aguéli for the Traditionalist movement, Mark Sedgwick (Aarhus University, Denmark)
14. What is esotericism in art? Ivan Aguéli's art versus the Traditionalists' “traditional Art,” Patrick Ringgenberg (University of Lausanne, Switzerland)

Part IV: Writings by Ivan Aguéli
15. Letter from Paris
16. Letter from Ceylon
17. The Enemies of Islam
18. Pure Art
19. Universality in Islam

Bibliography
Index

The book is currently available only in hardback at £85 or $137.60 and on Kindle at £51.11 or $82.80, so get your library to order or it or wait for the paperback. And in the meantime you can read the introduction and bits of some other chapters on Google Books here.

(Comment on this)

A new book from Louis Charbonneau-Lassay

Louis Charbonneau-Lassay (1871-1946), a specialist in Christian symbolism, was a friend of René Guénon, whom he told about the Estoile Internelle, an Christian initiatic organisation that at one point interested the early Traditionalists.

(Comment on this)

Traditionalist sympathizer resigns as Brazilian Foreign Minister
Ernesto Araújo, probable Traditionalist sympathizer (see earlier post here), resigned as Brazilian foreign minister on March 29, 2021.

(Comment on this)

New book on Ivan Aguéli's impact on René Guénon

A new book, Ivan Aguéli: The Pearl upon the Crown by Oliver Fotros (which seems to be a pseudonym) argues that Ivan Aguéli's influence on René Guénon was far greater than is commonly realized, giving detailed comparisons from both men's writings, and asking why this influence has not been noticed before. The book, which is 110 pages long and self-published, is available from Amazon.

I think Fotros is probably more or less right, and I actually make a similar argument in my chapter on "The significance of Ivan Aguéli for the Traditionalist movement" in the forthcoming (in April) collective work on Aguéli, Anarchist, Artist, Sufi: The Politics, Painting, and Esotericism of Ivan Aguéli (Bloomsbury).

(Comment on this)

New book on Schuon's thought, including his views on Islam

Patrick Laude has just published a guide to Schuon's thought, Keys to the Beyond: Frithjof Schuon's Cross-Traditional Language of Transcendence (Albany: SUNY Press, 2020; $34.95). Laude, who is himself a Traditionalist, knows Schuon's thought well, and does a good job of explaining and synthesising it, though those without preparation may still find the book hard.

The book's first section has four chapters, starting with a chapter on "Ātman, Māyā and the Relatively Absolute," which explains Schuon's basic metaphysical framework. Then comes "The Avatāric Mystery," Schuon's understanding of "descent" in various contexts. "Upāya: Religion as Relatively Absolute" covers Schuon's understanding of religion as such, and "The Nature of Things and the Human Margin" covers esotericism. 

The following section consists of two chapters, "Trinitarian Metaphysics" and "Necessary Sufism and the Archetype of Islam." These deal with Schuon's understandings of Christianity and Islam. 

Then come three chapters on three special topics: "The Divine Feminine." "The Yin-Yang Perspective and Visual Metaphysics," and "The 'Tantric' Spiritualization of Sexuality."

Finally, a chapter on "Esoteric Ecumenism" indicates the place of Schuon within current academic approaches to religious pluralism. 

One of the most interesting chapters is that dealing with the difficult topic of Schuon's relationship with Islam. Laude's argument is that it is wrong to understand Schuon's thought in Sufi or Islamic terms, even if this is how Seyyed Hossein Nasr tends to see it. "The fact that Schuon himself led most of his adult life within the ritual forms of a particular tradition [Islam] does not in the least invalidate” the fact that on an esoteric and metaphysical level he was supra-confessional (p. 191). He emphasised that esotericism is independent of the various traditional forms (religions), and often critiqued "the intrinsic limitations of the perspectival and theological forms of Abrahamic religions" (193), including Islam.

(Comment on this)

New article on Traditionalism and the Far Right in Argentina

Just published (online first): Mark Sedgwick, "Traditionalism and the Far Right in Argentina," in Politics, Religion & Ideology, DOI 0.1080/21567689.2021.1904909. 

According to the abstract,

The Traditionalism of the French esoteric philosopher René Guénon and the Italian esoteric philosopher Julius Evola is important for the Far Right. Guénon’s Traditionalism is primarily religious, but has significant political implications, while Evola’s Traditionalism is primarily political, though retaining its religious grounding. It has been important for the Far Right in Europe, Russia, and North America. As this article shows, Traditionalism has also been important in Argentina, but in ways that differ from patterns observed elsewhere. This article distinguishes three phases in the Argentinian reception of Traditionalism, starting in the 1920s. Guénon was first received in the Argentinian ‘integralist’ Catholic milieu along with other anti-modernists like Jacques Maritain and Nikolai Berdyaev, and then at the Seminary of Paraná in the aftermath of the Tacuara movement. This is remarkable, as elsewhere it is Evola who has a political impact, not Guénon, and Guénon, who dismissed the Catholic Church, is generally ignored by Catholics. During a third phase, following global trends, Evola replaced Guénon, but in more marginal circles. These three phases show the importance of the interaction between transnational influences and national conditions, in this case the unusual position of the Catholic Church in Argentinian political life.

Print version due in volume 22, no. 2. 

(Comment on this)

New articles on the World of Islam Festival of 1976

A number of articles have been published recently dealing with the World of Islam Festival of 1976, held in London, financed mostly by the UAE, and presenting a very Traditionalist perspective of Islamic art, given the major roles played by Titus Burckhardt, Martin Lings, and Seyyed Hossein Nasr.

The most comprehensive article is Klas Grinell, "Framing Islam at the World of Islam Festival, London, 1976," Journal of Muslims in Europe 7, no. 1 (2018): 73–93. https://doi.org/10.1163/22117954-12341365. This (open-access) article is also the only article that fully discusses Traditionalist involvement and perspective. It describes the Festival and its organisation in detail, and identifies two problems with its underlying conception. One is that it understood Islamic art as a single essence ("an art form governed by a few esoteric and timeless principles"), rather than following normal academic practice that looks at art (including Islamic art) in terms of periods, styles, and so on. The other is that it excluded contemporary Islamic art; Islamic art was shown as traditional, in opposition to modernity--which is fine in Traditionalist terms--or alternatively as being "incompatible with contemporary British everyday life," which is more problematic in contemporary (Islamophobic) terms.

Grinell argues that the Festival has a continuing impact today. Even if academic scholars of art were never very impressed by the way the Festival was organized, this has had a lasting impact on museum curators. Grinell does not say which museums he is thinking of, but the Museum of Islamic Art in Doha, Qatar immediately comes to mind. For the adverse reaction of academic scholars of art, Grinell cites an earlier article by Oleg Grabar, "Geometry and Ideology: The Festival of Islam and the Study of Islamic Art," in A Way Prepared, Essays on Islamic Culture in Honor of Richard Bayly Winder, ed. Farhad Kazemi and R. D. McChesney (New York: New York University Press, 1988), pp. 145-52. This has been republished and is also available online, at https://archnet.org/publications/5019.

A similar but less comprehensive article in French is Monia Abdallah, "World of Islam Festival (Londres 1976) : Naissance d’un nouveau paradigme pour les arts de l’Islam," Revue d'art canadienne / Canadian Art Review  39, no. 1, 2014, pp. 1-100. https://doi.org/10.7202/1026192ar. Abdallah broadly agrees with Grinell (or rather, Grinell follows Abdallah), and makes similar arguments.

Another article is Anneka Lenssen, "'Muslims to Take Over Institute for Contemporary Art:' The 1976 World of Islam Festival," Middle East Studies Association Bulletin 42, no. 1/2 (Summer/Winter 2008): 40-47. https://www.jstor.org/stable/23063541. Tis has a good discussion of the exhibition at the the Hayward Gallery.

One further article on the Festival does not engage in these discussions, but tells a good story: Rachel Ainsworth and Sarah Worden, “Jean Jenkins: Music and the 1976 World of Islam Festival,” Journal of Museum Ethnography 28 (2015): 184–197. www.jstor.org/stable/43915897.

(Comment on this)

New book on French Traditionalist networks
The doyen of French Guénonian studies, Jean-Pierre Laurant, has just published a new book, Guénon au combat: Des réseaux en mal d'institutions (Guénon at war: Networks without Institutions; Paris: L’Harmattan, 2019).

(Comment on this)

Gap plugged in the history of German Traditionalism
The apparent absence of a mid-twentieth-century German Traditionalist movement has always seemed surprising, given the presence of Traditionalists beyond France in Switzerland, England, Italy, the USA, Argentina, Brazil, and even smaller countries like Sweden. Discussions in Jean-Pierre Laurant’s new book, Guénon au combat: Des réseaux en mal d'institutions (see post here) make clear that there was also a major Traditionalist sympathizer in Germany, Leopold Ziegler (1881-1958, seen to the left), who I did not mention in my Against the Modern World. 

(Comment on this)

New article on Traditionalism in Bosnia
A comprehensive study of Traditionalism in Bosnia has just been published: Samir Beglerović and Mark Sedgwick, "Islam in Bosnia Between East and West: The Reception and Development of Traditionalism," Journal of Religion in Europe 13, no. 1-2 (December 2020): 145–172, https://doi.org/10.1163/18748929-20201498.

The article looks at the reception and development of Guénonian Traditionalism in Bosnia from the 1970s to the present day. Traditionalism was initially received in Yugoslavia as esotericism, but then its reception became more Islamic, based in Sarajevo’s Islamic Theology Faculty. After the Bosnian War, Islamic Traditionalist works became popular among young Bosnians who wanted to combine Islam with European identities. Some Bosnian ulama taught Traditionalist works to their students, a development unparalleled elsewhere, and wrote their own Traditionalist-influenced works, mostly dealing with interreligious dialogue. The Bosnian reception and development of Traditionalism is unique, and it is argued that this reflects Bosnia’s special position between East and West. 

(Comment on this)

Dragoš Kalajić and Traditionalism in Yugoslavia
A new article (in English) explores the role of Dragoš Kalajić (1943-2005, see photograph) in introducing the idea of Julius Evola in Yugoslavia between 1969 and 1989. This is Branislav Jakovljević, “The Ownership of Evil: 1968, 1989, and the Mainstreaming of the New Right,” Primerjalna književnost 43, no.3 (2020): 49-63, DOI: 10.3986/pkn.v43.i3.03.

Kalajić was a painter who trained in Rome, where he met Evola, though details of this are unclear. Evola was not visible in Kalajić’s 1968 book Krševina (Wreckage), but is very visible in his Uporište: rehabilitacija structure integralnog čoveka (The Stronghold: A Rehabilitation of Integral Man’s Structure) and in all his subsequent work, including his articles in the major newspaper Politika, his columns in the magazine Duga, and his editorial work for the publishing house Prosveta. Two notable later books by Kalajić are Mapa (Anti)utopija (A Map of (Anti) Utopias, 1978) and Smak sveta (Doomsday,1979), which is a collection of his magazine articles. Although Evola was Kalajić's main source, René Guénon was also introduced to the Yugoslav public.

Jakovljević suggests that Kalajić got away with publishing ideas that were not exactly compatible with Yugoslavia’s ruling communism because the Yugoslav authorities were at that time more worried about the New Left than the New Right. As Serbian nationalism began to replace communism, his ideas became ever more popular in certain circles.

Since Jakovljević understands Kalajić as a neo-fascist, his article also covers the critique of Nazism and totalitarianism made by Radomir Konstantinović (1928-2011) in Filosofija palanke (The Philosophy of Parochialism, 1969).

Jakovljević clearly shows the importance of Traditionalism for Kalajić. It is less clear what Kalajić’s distinctive contribution to Traditionalist thought was. This may be covered in a later article. The article stops in 1989, and we can only hope for a subsequent article covering the remainder of Kalajić’s career and activities.

(Comment on this)

Traditionalism in Brazil

Now available online (if your library has access): Mark Sedgwick, "Traditionalism in Brazil: Sufism, Ta’i Chi, and Olavo de Carvalho," in Aries: Journal for the Study of Western Esotericism. 

The abstract is:

The Traditionalist movement that derives from the French esoteric philosopher René Guénon is known to have been influential in Europe and North America, especially through the activities of religious groups, usually of Sufi origin, and also through the growing impact of the political version of Traditionalism first developed by the Italian esoteric philosopher Julius Evola. This article looks at Traditionalism beyond Europe and North America, taking the important case of Brazil during the 1980s and 1990s, where one of the main Traditionalist Sufi groups, the US-based Maryamiyya, became established, and where two local groups developed, one of which focused exclusively on doctrine, and one of which turned not to Sufism but to T’ai chi and Brazilian indigenous religion. The article also considers a new and important political philosopher, Olavo de Carvalho, who emerged from the Brazilian Traditionalist milieu. Carvalho applied Guénon to political issues rather as Evola had, but unlike Evola combined Traditionalism with Roman Catholicism, a development also found in Argentina during the early twentieth century. During the 2010s, Carvalho’s radical rightist philosophy became widely known in Brazil, where his admirers included the president, Jair Bolsonaro.

This is under Advance Articles; the article will be in the print version of Aries in 2021. It will also be published in Portuguese as an epilogue to the forthcoming Portuguese translation of Against the Modern World.

(Comment on this)

New website and new videos about Schuon

A new website, https://accuratenews.net, deals with "News Accounts of the Frithjof Schuon 1991 Legal Ordeal." The events of 1991 are discussed in outline in my Against the Modern World, so I will not go over them again here. The website contains press cuttings and a short video of an old interview with Schuon himself (7 minutes), also available on YouTube, in which Schuon makes some counter-changes against Mark Koslow, his principal accuser in 1991.

The website, as is presumably its purpose, makes the case on the Schuon side. It contains no new information, but the video of Schuon is worth watching, for the overall effect, and also for the quotation from Dante and Schuon's claim (towards the end) that all he does is write books and answer questions.

There is no explanation of why this website has been launched now, but it may have something to do with the blog on the other side, Frithjof Schuon: A last minute lesson in discernment, run by Maude Murray, a former wife of Schuon and now (at 81) a vocal critic. The blog's current entry comments negatively on accuratenews.net. 

The blog also contains a rather longer video (31 minutes), also available on YouTube, in which Murray talks not only of what led to the 1991 charges, but also of Schuon's own view of himself as an Aryan quasi-prophet, referring in this connection to Gregory A. Lipton's Rethinking Ibn ‘Arabi (see earlier blog post). The website and video announce Murray's forthcoming book, Third Wife of the Muslim Shaykh Frithjof Schuon: My Lifelong Search for Truth, which can be pre-ordered here.

Most of what Murray says is confirmed by other sources, and nothing that she says is contradicted by any source known to me. It is interesting that while she charges Martin Lings and Seyyed Hossein Nasr with doctrinal errors taken from Schuon, she broadly excuses them--and especially Lings--from any guilt relating to the events leading up to 1991.

Thanks tho those who have recently drawn accuratenews.net and the Schuon video to my attention.

(Comment on this)