We Have No Zen!
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Monday, February 5th, 2018
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8:25 pm
BRAINHACK MUSICBOX [2018] NINE STAGES OF CONSCIOUS DECAY (SELF-RELEASED)


Current recording is a result of well-planned spontaneous performance of quasi-random material. Disjointed sequences of dehumanized purified tones from analog brains programmed by Stanislav Bobritsky. Deceptively unsophisticated cold drones and expressive punk squeals on sax by Pavel Lisovsky. Acoustic noise textures by Anton Boldenko on viola which can sound very 'granular' and sometimes identical to synths. And brown drones on didgeridoo — the components list is far from half. For trio, we were lucky enough to make quite detailed and powerful sound.

Pavel Lisovsky: saxophone
Stanislav Bobritsky: modular synth, keyboard
Anton Boldenko: viola, didjeridoo

Recorded live at Efir art space 27/08/2016
Thursday, July 6th, 2017
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6:17 pm
RIASNI DROVA CONSORT [2017] LIVE IN CHERNIVTSI II (SELF-RELEASED DIGITAL)


Recorded live at the "Gerdan" theater in Chernivtsi on June 30th, 2017.

"Kalenda maia": words/music by Raimbaut de Vaqueiras
"Ой, не жалуй, моя мила" & "Грає Петрусь, грає": words/music traditional, recorded by Mykola Ilnytskyi in the Ilnyk village in the 1970's.
"Множество аз согреших": words/music traditional
"Плачет пастушок в долгом ненастьї": words by Feofan Prokopovych, music anon./traditonal
"Miri it is": words/music anon.

Jaroslav Ilnytskyi: flute, bowed psaltery, saxonette, violin, vocals
Andrij Orel: guitar, keyboards, vocals
Oleg Vorobyov: prepared guitar, saxonette

Cover photo by Illia Sturko
Tuesday, October 25th, 2016
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6:24 pm
RIASNI DROVA CONSORT [2016] TRANSLUCENT CARRIAGES


riasnidrova.wordpress.com
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6:48 pm
FUTURE MUSEUMS [2016] POSSIBLE NEUTRAL (SELF-RELEASED DIGITAL)
Saturday, October 1st, 2016
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8:15 am
FREE MUSIC ARCHIVE
Monday, April 18th, 2016
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7:41 pm
OUR SOLAR SYSTEM [2016] IN TIME (BEYOND BEYOND IS BEYOND)
Sunday, April 10th, 2016
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4:44 pm
SPARKLING WIDE PRESSURE [2016] NIGHT SKY BODY (CABIN FLOOR ESOTERICA)
Tuesday, March 29th, 2016
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6:46 pm
MONKEY PATCHING TRIO [2016] FRIDAY JAM 2016.03.25
Monday, March 14th, 2016
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1:16 pm
VA [2016] THE DEVIL MAN (267 LATTAJJAA)
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1:21 pm
UTON [2016] PSYCHIC ARCHIVES, VOL. 4 (OM HA SVA HA KSHA MA LA VA RA YAM)
Wednesday, February 24th, 2016
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12:38 pm
SUN DAGGER [2016] INVISIBLE WORLD (SELF-RELEASE)
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12:46 pm
ULAAN PASSERINE [2016] THE GREAT UNWINDING (WORSTWARD)
There'll never be "too much" albums of Steven R. Smith.
February 20, 2016.

Thursday, February 18th, 2016
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7:45 pm
VA [2016] PRODUCTIONS TOTEM CONTEMPORAIN: TOTEM ÉLECTRIQUE II (KOHLENSTOFF)
Horizon-switching compilation. Canada is on the patrol.

Sunday, February 7th, 2016
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5:56 am
S.BOBRITSKIY/A.UDUT.GORBATOVSKIY [2016] NOISE JAM 2016.01.31
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5:29 am
JOZEF VAN WISSEM [2016] WHEN SHALL THIS BRIGHT DAY BEGIN (INCUNABULUM)
Sunday, January 24th, 2016
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5:26 pm
BLIND WILLIE JOHNSON [1928] LORD, I JUST CAN'T KEEP FROM CRYING SOMETIMES
Wednesday, January 13th, 2016
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8:02 pm
KEIJO [2016] WHNZ:68:TDNGHT
"I don't deny my mind is wandering in blue."
— Keijo Virtanen


You can't possibly start a record with a better note.
Karmic scale search being pulled apart by the psychic free saintly spirit floater: Keijo.
Even saying his name out loud makes me think he's on the hills of my shoulder good angel music-is-as-life conscience, and that makes a day more choice-heady flowing.
The man's comfortable playing his way out of any time, in deep total mess-blues, picking all of the worries and pensive reach-inside, picking at what takes us out of ourselves (or turns us into), the junk/gunk highlighted almost-depression before it's formed. We tend to keep that buried down tight and closer to the heart (and metaphorical heart) than we'd like, and he'll grab at that, yank the torch that's out-of-burn and hold it like the catch of the day (all of this is being continuously caught at by his prolific touch) and blow it all alight in flame-thrower peacefulness.
A virtuous down-out ritual brought into the day's sun and warmth, made shining.
Keijo cleans the glass for us. We just have to know how to accept this gift.
Each taped-over guitar or walking-bass throttle or drum-touch (maybe a cymbal too) flips around under new riff-leads bleeding their voices out into the endless puffed ether of the mind/lung combo. Be it throat or the probing and attackless freaking out, it's always the guitars plucking away in perfect casual coating unison. The amplified (in perfect beater tone) strings gurgle and bubble like fish jumping out of water into safer, purified nets of euphoric existence.
An unagitated mind-over-matter blues for the should-never-end: it strangely zaps you out of the enthralled drug-cloud when the supernatural turns invisible and closes shop. And once ended: skips over to another plane.
Keijo is already axing a new set of breezes under his ageless and nomadic near-goof full-soul's tutelage.
It doesn't ever end. And we accept his gift.

Kevin Cahill, Rotational Review

Please, mind the FMA source (MP3@320). It's the main source. Support FMA. Them are great.
Thursday, December 10th, 2015
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8:58 pm
CHRIS FORSYTH [2012] KENZO DELUXE (NORTHERN SPY)
Tuesday, December 8th, 2015
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8:00 pm
ULAAN KHOL [2015] SALT (SOFT ABUSE)
Spacetransgressor rides again with the stuff so close to highest hopes. Trips 'n trance to you all. 2015 wishes almost came true. Now it's time to end the war in my country.

Friday, November 27th, 2015
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7:09 pm
ANDRIJ OREL [2015] WHNZ​:​67​:​STDLP

Lately, as a solo artist, Andrij Orel (as a team member also caught guilty at Riasni Drova, Riasni Drova Consort, Noah Coward, Moglass and W.B.B.B.) follows the cat path of playing mostly in-house concerts. This one was played at a friends' house with a large living room in his hometown Lviv, Ukraine, on Nov 21, 2015.
All pieces, except encore, written by Andrij Orel.
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