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цитирую из говна
Notably, the cultural matrix chiefly referenced for creating Nazism in Germany was Russian culture. "Solidarism," which produced Gregor Strasser and Josef Goebbels, was explicitly a Russian import of "Tolstoyian" ideology. "Third Reich" was a name contributed to Nazi dogma by Dostoevsky's influential Berlin publicist, Moeller van den Bruck; the model for this was Dostoevsky's demand for a "Third Rome"—a pan-slavic world empire with Moscow as its capital. The Nazi's chief "philosopher," Alfred Rosenberg, who completed his education in Bolshevik Moscow before arriving in Bavaria, was another leading Russophile among Nazi ideologues. Germany lacked the elaborated "counterculture" to meet Houston Chamberlain's, Nietzsche's, Rosenberg's, and Hitler's requirement that the last vestiges of Judeo-Christian civilization be uprooted from Germany: the "blood and soil" cults typical of Russian culture were therefore imported as the model of reference for creating "Nazi culture." The difference between the Russian Dostoevskyans and the Nazis was the issue of which "race" would prevail in establishing the "Third Rome" [Third Reich] which had been the impassioned aspiration of Russian culture since the second coronation of Ivan the Terrible. [So, in 1941, it was the Nazi legions of the Russian Raskol'nik, Dostoevsky, which butchered invaded Russia in the manner of Russian berzerkers; and, it was Dostoevsky's Russian Raskol'niki who struck back with a berzerker's axe-wielding fervor of murder and rape indigenous to the Russian variety of this cultural strain—as Ilya Ehrenberg's war-time propaganda from Moscow luridly attests.]
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