I liked the 'aaahhhs,' the voices singing 'aaah.' That was the best I think that we ever did it. It was quite a lot of voices we put on The Only Living Boy In New York, maybe 12 or 15 voices. We sang it in the echo-chamber, I remember that, too. It's us around eight times screaming, and we mixed it down very softly...I started getting into open-mouth harmony, in a very loud, strident way. We were screaming at the top of our lungs and inside an echo chamber. I remember that day that Dylan dropped by to visit. We came out of the booth after all this screaming, and there he was. Anyway, we got a very foreign sound.

        Paul Simon