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Французский костюм и нравы конца 18 века, 1789 год.
Monument du Costume Physique et Moral de la fin du Dix-huitième siècle - французский костюм и нравы в конце 18 века.
Sigmund Freudenberger- 12 гравюр и Jean Michel Moreau le jeune- остальные.
У меня был пост о книге: Великосветская дама 18 века- занятия и развлечения., там очень любопытный текст, но маленькие и гораздо более поздние картинки. Сейчас удалось найти целую серию:
тридцать восемь гравюр, составляющих "Monument du Costume Physique et Moral de la fin du Dix-huitième siècle "- французский костюм и нравы в конце 18 века, опубликованные в 1789 году.
Из этих гравюр в поиске есть лишь несколько, да и то не в хорошем качестве. Я долго искала эту серию, но, не зная точного названия-
гравюры находились поодиночке, только недавно удалось найти почти полный комплект.
Первые двенадцать пластин, гравюры Sigmund Freudenberg, были опубликованы под названием "Suite d'Estampes à l'Histoire En France" Dans Le Dix-huitième Век '(1774). Еще там есть инициалы Johann Friedrich Esbert- гравера, который начинал серию.
Следующие двадцать четыре пластины, гравюры Моро, были опубликованы в двух отдельных сериях по двенадцать в каждой: "Seconde d'комплект Estampes ... ' (1777) и "troisième комплект d'Estampes ... ' (1783).
Когда три группы были опубликованы в целом в 1789 году, добавили еще две: 'Les Moeurs du temps'- не нашла и 'L'Heureuse union'- Freudenberg- нашла.
=======================Sigmund Freudenberger=======================
-----(printmaker; painter/draughtsman; Swiss. 1745 - 1801)
----------------------------------------
Le Lever
Plate 1: noble woman waking up in a canopy bed, while two servants are bustling around her. 1774
Etching and engraving
Le Bain
Plate 2: a servant bringing a letter and a cup of chocolate to a noble woman having a bath. 1774
Etching and engraving
La Toilette
Plate 3: noble woman sitting at a washstand, reading, while a servant standing behind her is doing her hair; next to her, a noble man sitting in an armchair. 1774
Etching and engraving
L'Occupation
Занятия
Plate 4: Comfortable interior with aristocratic woman sitting at a weaving loom and touching the fabric of a young man's waistcoat. 1774
Etching and engraving
La Visite inattendue
Неожиданный визит
Plate 5: aristocratic couple standing in an interior, with the woman trying to get free from her lover's embrace. 1774
Etching and engraving
La Promenade du matin
Променад утром
Plate 6: two aristocratic women elegantly dressed, passing by an abbott sitting on a chair and drawing a florist to him. 1774
Le Boudoir
Будуар
Plate 7: in a boudoir, a noble woman sitting on a sofa with a book in her hand, while a young man is courting a servant outside. 1774
Les Confidences
Признания
Plate 8: two aristocratic women, elegantly dressed, sitting and conversing on a sofa, in a comfortable interior. 1774
Etching and engraving
La Promenade du soir
Променад вечером
Plate 9: a young man meeting two noble women in a formal garden and offering them some flowers. 1774
La Soirée d'hyver
Зимний вечер
Plate 10: in a comfortable interior, a woman in an armchair conversing with a young man standing, while another woman sitting on the left discreetly slips a note into his hand. 1774
Etching and engraving
L'Evènement au bal
На балу
Published by Denis Charles Buldet (biographical details | all objects)
Print made by Antoine Jean Duclos
After Sigmund Freudenberger
Plate 11: a kneeling man wearing a mask is fooled by two noble women; in an attempt to court the woman standing, he kisses a hand that turns out to be the one of a woman hiding behind her friend. 1774/76
Le Coucher
Plate 12: in a comfortable bedroom, two servants helping a noble woman to undress; on the floor near the fireplace, some crumpled billets doux. 1774/76
Etching and engraving
===============Jean Michel Moreau le jeune ==================
printmaker; painter/draughtsman; French.1741 - 1814
-----------------------Туалет-----------
Le Lever
Plate 25: in a bedroom, a noble man who has just got up is sitting in an armchair and stroking the chin of a perfumer standing beside him; before him, a kneeling servant assisting him with putting on his stockings, while another is presenting him a cup of chocolate; on the left, an abbot sitting at a table and writing. 1781
А это более поздняя копия, молодой человек уже без чепца:
Print made by James Heath
After Jean Michel Moreau le jeune
1790-1820
A reversed copy of plate 25 of the 'Monument de Costume', taken from vol.II page 1 of an unidentified British publication
La Petite toilette
Plate 26: an aristocrat having his hair done by two servants, and looking at the jacket presented to him by a tailor and his assistant. c.1777
Etching and engraving
La Grande Toilette
Plate 27: in a comfortable interior, an elegant noble man wearing sash on an embroided costume is standing while a servant is doing his hair; on the right, a young author is presenting him a book, but the noble man draws his attention to a young woman sitting on the left. 1777
Etching
-----------------Дети и материнство-----------------
Les Précautions
Меры предосторожности
Plate 14: aristocratic couple walking down stairs towards a sedan chair, with man seen from behind holding out his hand to the lady. 1777
Etching
J'en accepte l'heureux présage
Я согласен с хорошим предзнаменованием
Plate 15: in a comfortable interior, a woman standing near an open trunk containing baby clothes is presenting her items to an aristocratic couple sitting in front of her, with the husband showing a baby hat to his wife. 1776
Etching and engraving
Déclaration de la grossesse
Заявление о беременности
Plate 13: comfortable interior with man and two women sitting at a table; the woman in the middle turns towards her friend as the doctor tells her she is pregnant. 1776
Etching
Déclaration de la grossesse
Заявление о беременности
Plate 16: three noble women conversing in a room, one of them lying in an alcove; on the left stands an abbott. 1776
N'ayez pas peur, ma bonne amie
Не бойся, мой добрый друг
Plate 16: three noble women conversing in a room, one of them lying in an alcove; on the left stands an abbott. 1776
C'est un fils, Monsieur !
Сын,месье!
Plate 17: two servants entering a room decorated with paintings on the walls, with one of them carrying a baby while the other one announces the birth to a man sitting at a table, his arms raised up in the air. 1776
Etching and engraving
Les Délices de la maternité
Радости материнства
Plate 19: aristocratic couple with their baby, sitting on a bench in a garden, woman under a parasol standing on the left, and servant kneeling next to the cradle on the right. 1777
Etching and engraving
Les Petits parains
Маленькие крестные
Plate 19: young aristocratic couple walking down some stairs towards a carriage; behind them, a wet nurse holding a baby, a man, a woman with a fan, and two servants. 1777
Etching and engraving
Le rendez-vous pour Marly
Plate 21: aristocratic couple, their children and a woman seen from behind, standing near the park of Marly. 1777
Le rendez-vous pour Marly
L'horoscope accompli
Гороскоп
After Sigmund Freudenberger
Date
1761-1831
The horoscope fulfilled: rustic interior with young man with his arm around an old woman's shoulder, and pointing at the baby sleeping in his cradle on the left the infant's mother is crouching next to him; finished proof, before letter
-----------------------Досуг------------
L'Accord parfait
Plate 20: aristocratic woman playing the harp and listening to the young man standing next to her; on the right, another young man sitting in an armchair. 1777
Etching and engraving
----------------------------------------
La Partie de wisch
Plate 30: four aristocrats playing whist at a table, with woman with a fan and man sitting on the right watching the game; in the background, a glass door opening onto a yard. 1783
Etching and engraving
Oui ou non
Plate 31: young noble man sitting on a bench in a park and courting a lady; at her feet, a torn up letter; in the background, a woman hidden in the bushes is spying on the couple. 1781
Etching and engraving
---------------------Театр, балы------------------------
La Petite loge
Description
Plate 33: an old woman introducing a dancer to a noble man sitting with a friend in a box at the opera. 1777/83
Etching and engraving
La Sortie du l'Opera
Plate 34: aristocrats walking down the stairs at the opera; on the right, a young man slips a note into the hand of a florist. 1777/83
Le Souper fin
Plate 35: two aristocratic couples sitting around a table and having supper, with the man on the right trying to take a letter from the hand of the woman sitting next to him. 1781
Etching
-------------------------------
Les Adieux
Plate 22: aristocratic couple entering a box at the opera, with the woman turning round and holding out her hand towards a young man leaning to kiss it. 1777
Etching and engraving
-------------------Прогулки верхом и охота------------------
La Rencontre au bois de Boulogne
Plate 23: woman riding sidesaddle meeting a rider in the woods, with woman wearing long riding skirt standing next to them. 1777
Etching and engraving
La Course des chevaux
Plate 28: landscape with man and rider conversing while a horse race is taking place in the background; finished proof, before letters. 1777/83
Le Pari gagné
Print made by Camligne
After Jean Michel Moreau le jeune
Date
1777-1783
Plate 29: young noble man in hunting costume standing in the paved yard of a castle, holding a bow and the bird he has just killed, and presenting it to two noble women standing at a balcony. 1777/83
Etching and engraving
--------------------Посещение фермеров----------------------
Le Seigneur chez son fermier
Plate 32: in a farmyard, a noble couple visiting a family of farmers. 1783
Etching and engraving
Le Vrai bonheur
Истинное счастье
Plate 36: a farmer sitting at a table surrounded by his family, in a rustic interior with door opening onto the farmyard. 1782
Etching and engraving
-----------------------------------
Добавленная гравюра:
=======================Sigmund Freudenberger=======================
L'heureuse union
Удачный союз
Print made by Louis Bosse
After Sigmund Freudenberger
Published by Jean Michel Moreau le jeune (?)
1776 (c.)
Elegant interior with man sitting in armchair in front of the fireplace, with his wife on his knees. c.1776
Etching and engraving
Вторую добавленную гравюру -'Les Moeurs du temps' я пока не нашла, но может- найдется у других издателей, часто имя художника забывается и даже очень известные гравюры приписываются издателю.
Еще по теме:
Великосветская дама 18 века- занятия и развлечения.-ТУТ
Мода 18 века. Панье- (1730-1775)-ТУТ
Мода 70-90-х годов 18 века.-ТУТ
Мужской костюм, прически и мужчины-модники 18 века.-ТУТ
===========================
From a series of thirty-eight plates making up 'Le Monument du Costume...', a set on French costume at the end of the 18th century, published in 1789.
The first twelve plates, engraved after Freudenberg, had previously been published under the title 'Suite d'Estampes pour servir à l'histoire des Modes et du Costume en France dans le dix-huitième siècle' (1774). Johann Friedrich Esbert, amateur engraver, is said to be at the origin of the project, and the prints bear his initials as the designer.
The following twenty-four plates, engraved after Moreau, had been published in two separate sets of twelve prints each: 'Seconde suite d'Estampes...' (1777) and 'Troisième suite d'Estampes...' (1783) .
When the three sets were published as a whole in 1789, two more plates were added: 'Les Moeurs du temps' and 'L'Heureuse union', both after Freudenberg.
http://www.britishmuseum.org/
Monument du Costume Physique et Moral de la fin du Dix-huitième siècle
Monument du Costume Physique et Moral de la fin du Dix-huitième siècle - французский костюм и нравы в конце 18 века.
Sigmund Freudenberger- 12 гравюр и Jean Michel Moreau le jeune- остальные.
У меня был пост о книге: Великосветская дама 18 века- занятия и развлечения., там очень любопытный текст, но маленькие и гораздо более поздние картинки. Сейчас удалось найти целую серию:
тридцать восемь гравюр, составляющих "Monument du Costume Physique et Moral de la fin du Dix-huitième siècle "- французский костюм и нравы в конце 18 века, опубликованные в 1789 году.
Из этих гравюр в поиске есть лишь несколько, да и то не в хорошем качестве. Я долго искала эту серию, но, не зная точного названия-
гравюры находились поодиночке, только недавно удалось найти почти полный комплект.
Первые двенадцать пластин, гравюры Sigmund Freudenberg, были опубликованы под названием "Suite d'Estampes à l'Histoire En France" Dans Le Dix-huitième Век '(1774). Еще там есть инициалы Johann Friedrich Esbert- гравера, который начинал серию.
Следующие двадцать четыре пластины, гравюры Моро, были опубликованы в двух отдельных сериях по двенадцать в каждой: "Seconde d'комплект Estampes ... ' (1777) и "troisième комплект d'Estampes ... ' (1783).
Когда три группы были опубликованы в целом в 1789 году, добавили еще две: 'Les Moeurs du temps'- не нашла и 'L'Heureuse union'- Freudenberg- нашла.
=======================Sigmund Freudenberger=======================
-----(printmaker; painter/draughtsman; Swiss. 1745 - 1801)
----------------------------------------
Le Lever
Plate 1: noble woman waking up in a canopy bed, while two servants are bustling around her. 1774
Etching and engraving
Le Bain
Plate 2: a servant bringing a letter and a cup of chocolate to a noble woman having a bath. 1774
Etching and engraving
La Toilette
Plate 3: noble woman sitting at a washstand, reading, while a servant standing behind her is doing her hair; next to her, a noble man sitting in an armchair. 1774
Etching and engraving
L'Occupation
Занятия
Plate 4: Comfortable interior with aristocratic woman sitting at a weaving loom and touching the fabric of a young man's waistcoat. 1774
Etching and engraving
La Visite inattendue
Неожиданный визит
Plate 5: aristocratic couple standing in an interior, with the woman trying to get free from her lover's embrace. 1774
Etching and engraving
La Promenade du matin
Променад утром
Plate 6: two aristocratic women elegantly dressed, passing by an abbott sitting on a chair and drawing a florist to him. 1774
Le Boudoir
Будуар
Plate 7: in a boudoir, a noble woman sitting on a sofa with a book in her hand, while a young man is courting a servant outside. 1774
Les Confidences
Признания
Plate 8: two aristocratic women, elegantly dressed, sitting and conversing on a sofa, in a comfortable interior. 1774
Etching and engraving
La Promenade du soir
Променад вечером
Plate 9: a young man meeting two noble women in a formal garden and offering them some flowers. 1774
La Soirée d'hyver
Зимний вечер
Plate 10: in a comfortable interior, a woman in an armchair conversing with a young man standing, while another woman sitting on the left discreetly slips a note into his hand. 1774
Etching and engraving
L'Evènement au bal
На балу
Published by Denis Charles Buldet (biographical details | all objects)
Print made by Antoine Jean Duclos
After Sigmund Freudenberger
Plate 11: a kneeling man wearing a mask is fooled by two noble women; in an attempt to court the woman standing, he kisses a hand that turns out to be the one of a woman hiding behind her friend. 1774/76
Le Coucher
Plate 12: in a comfortable bedroom, two servants helping a noble woman to undress; on the floor near the fireplace, some crumpled billets doux. 1774/76
Etching and engraving
===============Jean Michel Moreau le jeune ==================
printmaker; painter/draughtsman; French.1741 - 1814
-----------------------Туалет-----------
Le Lever
Plate 25: in a bedroom, a noble man who has just got up is sitting in an armchair and stroking the chin of a perfumer standing beside him; before him, a kneeling servant assisting him with putting on his stockings, while another is presenting him a cup of chocolate; on the left, an abbot sitting at a table and writing. 1781
А это более поздняя копия, молодой человек уже без чепца:
Print made by James Heath
After Jean Michel Moreau le jeune
1790-1820
A reversed copy of plate 25 of the 'Monument de Costume', taken from vol.II page 1 of an unidentified British publication
La Petite toilette
Plate 26: an aristocrat having his hair done by two servants, and looking at the jacket presented to him by a tailor and his assistant. c.1777
Etching and engraving
La Grande Toilette
Plate 27: in a comfortable interior, an elegant noble man wearing sash on an embroided costume is standing while a servant is doing his hair; on the right, a young author is presenting him a book, but the noble man draws his attention to a young woman sitting on the left. 1777
Etching
-----------------Дети и материнство-----------------
Les Précautions
Меры предосторожности
Plate 14: aristocratic couple walking down stairs towards a sedan chair, with man seen from behind holding out his hand to the lady. 1777
Etching
J'en accepte l'heureux présage
Я согласен с хорошим предзнаменованием
Plate 15: in a comfortable interior, a woman standing near an open trunk containing baby clothes is presenting her items to an aristocratic couple sitting in front of her, with the husband showing a baby hat to his wife. 1776
Etching and engraving
Déclaration de la grossesse
Заявление о беременности
Plate 13: comfortable interior with man and two women sitting at a table; the woman in the middle turns towards her friend as the doctor tells her she is pregnant. 1776
Etching
Déclaration de la grossesse
Заявление о беременности
Plate 16: three noble women conversing in a room, one of them lying in an alcove; on the left stands an abbott. 1776
N'ayez pas peur, ma bonne amie
Не бойся, мой добрый друг
Plate 16: three noble women conversing in a room, one of them lying in an alcove; on the left stands an abbott. 1776
C'est un fils, Monsieur !
Сын,месье!
Plate 17: two servants entering a room decorated with paintings on the walls, with one of them carrying a baby while the other one announces the birth to a man sitting at a table, his arms raised up in the air. 1776
Etching and engraving
Les Délices de la maternité
Радости материнства
Plate 19: aristocratic couple with their baby, sitting on a bench in a garden, woman under a parasol standing on the left, and servant kneeling next to the cradle on the right. 1777
Etching and engraving
Les Petits parains
Маленькие крестные
Plate 19: young aristocratic couple walking down some stairs towards a carriage; behind them, a wet nurse holding a baby, a man, a woman with a fan, and two servants. 1777
Etching and engraving
Le rendez-vous pour Marly
Plate 21: aristocratic couple, their children and a woman seen from behind, standing near the park of Marly. 1777
Le rendez-vous pour Marly
L'horoscope accompli
Гороскоп
After Sigmund Freudenberger
Date
1761-1831
The horoscope fulfilled: rustic interior with young man with his arm around an old woman's shoulder, and pointing at the baby sleeping in his cradle on the left the infant's mother is crouching next to him; finished proof, before letter
-----------------------Досуг------------
L'Accord parfait
Plate 20: aristocratic woman playing the harp and listening to the young man standing next to her; on the right, another young man sitting in an armchair. 1777
Etching and engraving
----------------------------------------
La Partie de wisch
Plate 30: four aristocrats playing whist at a table, with woman with a fan and man sitting on the right watching the game; in the background, a glass door opening onto a yard. 1783
Etching and engraving
Oui ou non
Plate 31: young noble man sitting on a bench in a park and courting a lady; at her feet, a torn up letter; in the background, a woman hidden in the bushes is spying on the couple. 1781
Etching and engraving
---------------------Театр, балы------------------------
La Petite loge
Description
Plate 33: an old woman introducing a dancer to a noble man sitting with a friend in a box at the opera. 1777/83
Etching and engraving
La Sortie du l'Opera
Plate 34: aristocrats walking down the stairs at the opera; on the right, a young man slips a note into the hand of a florist. 1777/83
Le Souper fin
Plate 35: two aristocratic couples sitting around a table and having supper, with the man on the right trying to take a letter from the hand of the woman sitting next to him. 1781
Etching
-------------------------------
Les Adieux
Plate 22: aristocratic couple entering a box at the opera, with the woman turning round and holding out her hand towards a young man leaning to kiss it. 1777
Etching and engraving
-------------------Прогулки верхом и охота------------------
La Rencontre au bois de Boulogne
Plate 23: woman riding sidesaddle meeting a rider in the woods, with woman wearing long riding skirt standing next to them. 1777
Etching and engraving
La Course des chevaux
Plate 28: landscape with man and rider conversing while a horse race is taking place in the background; finished proof, before letters. 1777/83
Le Pari gagné
Print made by Camligne
After Jean Michel Moreau le jeune
Date
1777-1783
Plate 29: young noble man in hunting costume standing in the paved yard of a castle, holding a bow and the bird he has just killed, and presenting it to two noble women standing at a balcony. 1777/83
Etching and engraving
--------------------Посещение фермеров----------------------
Le Seigneur chez son fermier
Plate 32: in a farmyard, a noble couple visiting a family of farmers. 1783
Etching and engraving
Le Vrai bonheur
Истинное счастье
Plate 36: a farmer sitting at a table surrounded by his family, in a rustic interior with door opening onto the farmyard. 1782
Etching and engraving
-----------------------------------
Добавленная гравюра:
=======================Sigmund Freudenberger=======================
L'heureuse union
Удачный союз
Print made by Louis Bosse
After Sigmund Freudenberger
Published by Jean Michel Moreau le jeune (?)
1776 (c.)
Elegant interior with man sitting in armchair in front of the fireplace, with his wife on his knees. c.1776
Etching and engraving
Вторую добавленную гравюру -'Les Moeurs du temps' я пока не нашла, но может- найдется у других издателей, часто имя художника забывается и даже очень известные гравюры приписываются издателю.
Еще по теме:
Великосветская дама 18 века- занятия и развлечения.-ТУТ
Мода 18 века. Панье- (1730-1775)-ТУТ
Мода 70-90-х годов 18 века.-ТУТ
Мужской костюм, прически и мужчины-модники 18 века.-ТУТ
===========================
From a series of thirty-eight plates making up 'Le Monument du Costume...', a set on French costume at the end of the 18th century, published in 1789.
The first twelve plates, engraved after Freudenberg, had previously been published under the title 'Suite d'Estampes pour servir à l'histoire des Modes et du Costume en France dans le dix-huitième siècle' (1774). Johann Friedrich Esbert, amateur engraver, is said to be at the origin of the project, and the prints bear his initials as the designer.
The following twenty-four plates, engraved after Moreau, had been published in two separate sets of twelve prints each: 'Seconde suite d'Estampes...' (1777) and 'Troisième suite d'Estampes...' (1783) .
When the three sets were published as a whole in 1789, two more plates were added: 'Les Moeurs du temps' and 'L'Heureuse union', both after Freudenberg.
http://www.britishmuseum.org/
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