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Пишет plucer (![[info]](http://lj.rossia.org/img/userinfo.gif){kind=small} plucer)@ 2012-04-16 14:17:00 |
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Japan artist Tsubaso Kato переворачивает картонные дома
http://youtu.be/EKwsPc-6Abw
http://youtu.be/5HSmUiL_9iY
Скажу пару слов, как я понимаю этот проект японского художника Тсубаса Като с переворачиванием картонных домиков. Традиционный японский дом имеет такие тонкие фанерные стены, что они напоминают российские бытовки. Они сотрясаются даже под дуновением ветра. Их достоинство в том, что они дешевы в постройке и не боятся землетрясений. Но даже добротные "каменные" японские дома строятся из небольших дешевых блоков, которые ставят в один ряд на цемент на ребро. Толщина стены может быть, например, 15 см. Понятно, что такой дом крайне непрочен. Как следствие все, кто жил в Фукусиме на побережье были заживо похоронены цунами в этих своих домиках, которые смыло волной как картонные коробки. Почти 16 тысяч человек утонули под обломками своих домиков и еще более 3 тысяч человек навсегда унесло в океан. На всем подережье, где я был только что осталась стоять лишь одна железобетонная школа, дети в которой чудом выжили. Поэтому я воспрнимаю этот проект с картонными домиками как глубоко символический и трагический. Как напоминание о трагедии на языке стрит-арта.
Alexei
This is Tsubasa KATO... I send you one picture and some links and one text:
"11.3 Fukushima"
I had presented people with impressive experiences by constructing huge structures and involved them to try pulling it down to the earth. With the massive event in Tohoku/Fukushima on 3.11, Japanese people experienced the crisis in their own ways and there are still many people suffering from the ongoing difficulties. Watching those people in the devastated situations through mass media, we decided to make a big challenge to try what we can do to what extent as a human, beyond distance and difference of the profession. In May, we started our activities from helping soup run or massages, then entering debris removal sites to collect parts like foundations of houses swept away by Tsunami. In 5 months with co-working with people in Iwaki city, Fukushima, we came to face key-word “related-ness”. Visiting Fukushima back and forth and eventually living in Fukushima by renting a room, we had been confirming our positions over and over again by confronting our consciousness about how
we’re being related. It might be that I way trying to reflect upon and re-consider the “distance”. How can I get related to what? It had been growing into my theme. In Japan, 11.3 is a national holiday as the Culture day. With my will to turn over the sorrow taking place on 3.11, I decided to organize an event on 11.3. In the 11/3 event, we proved that people can work together for the same purpose and share its pleasure one another, by using a lighthouse constructed out of debris as the catalysis. People are moved by people. Ever going forward, the distance between people will be smaller and smaller. (As we can see the face of people in the affected area through TV or the internet). It is also true that people feel lonely all the more. In everyday life, we have invisible partitions between one another. The will to get related each other beyond the partition is also invisible, firmly existing in people’s attitude to try working together. The power of art is to figure it out as a visible phenomenon and launch it up, which is my task. What I can do is to feel something romantic between people, and to make it go over the partition. No matter how difficult the situation would be, we know that we have smiles when we keep stepping forward.
KATO Tsubasa
Plese have a enjoy JAPAN.
If there is something to help you, tell me everytime.
H：http://web.me.com/katoutsubasa/
G：http://www.mujin-to.com/index_j.htm
http://youtu.be/EKwsPc-6Abw
http://youtu.be/5HSmUiL_9iY
Скажу пару слов, как я понимаю этот проект японского художника Тсубаса Като с переворачиванием картонных домиков. Традиционный японский дом имеет такие тонкие фанерные стены, что они напоминают российские бытовки. Они сотрясаются даже под дуновением ветра. Их достоинство в том, что они дешевы в постройке и не боятся землетрясений. Но даже добротные "каменные" японские дома строятся из небольших дешевых блоков, которые ставят в один ряд на цемент на ребро. Толщина стены может быть, например, 15 см. Понятно, что такой дом крайне непрочен. Как следствие все, кто жил в Фукусиме на побережье были заживо похоронены цунами в этих своих домиках, которые смыло волной как картонные коробки. Почти 16 тысяч человек утонули под обломками своих домиков и еще более 3 тысяч человек навсегда унесло в океан. На всем подережье, где я был только что осталась стоять лишь одна железобетонная школа, дети в которой чудом выжили. Поэтому я воспрнимаю этот проект с картонными домиками как глубоко символический и трагический. Как напоминание о трагедии на языке стрит-арта.
Alexei
This is Tsubasa KATO... I send you one picture and some links and one text:
"11.3 Fukushima"
I had presented people with impressive experiences by constructing huge structures and involved them to try pulling it down to the earth. With the massive event in Tohoku/Fukushima on 3.11, Japanese people experienced the crisis in their own ways and there are still many people suffering from the ongoing difficulties. Watching those people in the devastated situations through mass media, we decided to make a big challenge to try what we can do to what extent as a human, beyond distance and difference of the profession. In May, we started our activities from helping soup run or massages, then entering debris removal sites to collect parts like foundations of houses swept away by Tsunami. In 5 months with co-working with people in Iwaki city, Fukushima, we came to face key-word “related-ness”. Visiting Fukushima back and forth and eventually living in Fukushima by renting a room, we had been confirming our positions over and over again by confronting our consciousness about how
we’re being related. It might be that I way trying to reflect upon and re-consider the “distance”. How can I get related to what? It had been growing into my theme. In Japan, 11.3 is a national holiday as the Culture day. With my will to turn over the sorrow taking place on 3.11, I decided to organize an event on 11.3. In the 11/3 event, we proved that people can work together for the same purpose and share its pleasure one another, by using a lighthouse constructed out of debris as the catalysis. People are moved by people. Ever going forward, the distance between people will be smaller and smaller. (As we can see the face of people in the affected area through TV or the internet). It is also true that people feel lonely all the more. In everyday life, we have invisible partitions between one another. The will to get related each other beyond the partition is also invisible, firmly existing in people’s attitude to try working together. The power of art is to figure it out as a visible phenomenon and launch it up, which is my task. What I can do is to feel something romantic between people, and to make it go over the partition. No matter how difficult the situation would be, we know that we have smiles when we keep stepping forward.
KATO Tsubasa
Plese have a enjoy JAPAN.
If there is something to help you, tell me everytime.
H：http://web.me.com/katoutsubasa/
G：http://www.mujin-to.com/index_j.htm
