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Пишет staraya_zhopa (![[info]](http://lj.rossia.org/img/userinfo.gif){kind=small} staraya_zhopa)@ 2004-06-12 13:03:00 |
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И может собственных ВанГогов
Из определенно вангоговских помню Комарова (очень неплох, и вот еще цветы), и был недавно еще Шибанов "вангоговый" такой.
А вот еще Лазарев:
можно и Матисса, и Сарьяна....
А вот что пишут:
Russian artist Pavel Aleksandrovich Lazarev was born on January 11, 1954. Lazarev recalls that as a child he was very artistic and always drawing. However, in his early years he had never actually studied in art circles or a formal art school. It was not until 1981 at the age of twenty-seven that Lazarev began to study in one of the best Moscow art schools - the school of 1905. There Lazarev not only progressed greatly in his painting but he also excelled in the area of interiors design. Simultaneously with his studies and after his graduation, Lazarev worked in the Podolsk workshops as a designer until 1990.
In 1990 Lazarev decided to work full time as a free lance artist. In many respects, the formation of his artistic style was influenced by the French paintings of the second half of the 19th century, namely impressionism, postimpressionism and expressionism, as well as by the Russian symbolism of M. Vrubel and V. Serov. The paintings of the ingenious Dutch artist Van Gogh have also performed a key role in the formation of Lazarev’s style. The close brushstroke of Lazarev imposes color upon his canvas, which give characteristic rhythm to his paintings. His polychromatic style creates a harmonious combination of pure warm colors and cool clear colors. His perception of nature and various landscapes are reminiscent of the works of the Dutch artists.
Lazarev explains that in his paintings he attempts to transfer the joy of life and beauty of nature upon his canvases. This is enhanced through the use of his artistic materials such as his color stain, which makes the subject of his painting more vivid. Lazarev also notes his respect for the unique Vladimir school of thinking in which paint was mixed with alien materials such as sand and dirt. In doing so, the color scale and the composition weren’t the only contributing elements, but the texture of the canvas also played a part is the overall effect of a painting. The combination of these factors creates an emotional element in each work of art.
Lazarev’s background as an interior designer also plays an important role in his paintings. His knowledge of the rules regarding interaction of colors, composition and a general rhythm of style give a practical means of how he desires to create a painting. However, he feels that there is more to a painting than just a precise reproduction of a particular composition. Lazarev, like the artists of postimpressionism, does not transfer everything seen in his visual composition. Rather he painstakingly converts the overall feel of his composition to his canvas. Before any of his paintings are completed, they must first endure a series of sketches and drafts until Lazarev feels that his piece has captured the feeling he wishes to portray. In doing so he continuously strives to better himself as an artist, stimulating not only the eye but also the heart of the art collectors who cherish his workmanship and creativity.
Из определенно вангоговских помню Комарова (очень неплох, и вот еще цветы), и был недавно еще Шибанов "вангоговый" такой.
А вот еще Лазарев:
можно и Матисса, и Сарьяна....
А вот что пишут:
Russian artist Pavel Aleksandrovich Lazarev was born on January 11, 1954. Lazarev recalls that as a child he was very artistic and always drawing. However, in his early years he had never actually studied in art circles or a formal art school. It was not until 1981 at the age of twenty-seven that Lazarev began to study in one of the best Moscow art schools - the school of 1905. There Lazarev not only progressed greatly in his painting but he also excelled in the area of interiors design. Simultaneously with his studies and after his graduation, Lazarev worked in the Podolsk workshops as a designer until 1990.
In 1990 Lazarev decided to work full time as a free lance artist. In many respects, the formation of his artistic style was influenced by the French paintings of the second half of the 19th century, namely impressionism, postimpressionism and expressionism, as well as by the Russian symbolism of M. Vrubel and V. Serov. The paintings of the ingenious Dutch artist Van Gogh have also performed a key role in the formation of Lazarev’s style. The close brushstroke of Lazarev imposes color upon his canvas, which give characteristic rhythm to his paintings. His polychromatic style creates a harmonious combination of pure warm colors and cool clear colors. His perception of nature and various landscapes are reminiscent of the works of the Dutch artists.
Lazarev explains that in his paintings he attempts to transfer the joy of life and beauty of nature upon his canvases. This is enhanced through the use of his artistic materials such as his color stain, which makes the subject of his painting more vivid. Lazarev also notes his respect for the unique Vladimir school of thinking in which paint was mixed with alien materials such as sand and dirt. In doing so, the color scale and the composition weren’t the only contributing elements, but the texture of the canvas also played a part is the overall effect of a painting. The combination of these factors creates an emotional element in each work of art.
Lazarev’s background as an interior designer also plays an important role in his paintings. His knowledge of the rules regarding interaction of colors, composition and a general rhythm of style give a practical means of how he desires to create a painting. However, he feels that there is more to a painting than just a precise reproduction of a particular composition. Lazarev, like the artists of postimpressionism, does not transfer everything seen in his visual composition. Rather he painstakingly converts the overall feel of his composition to his canvas. Before any of his paintings are completed, they must first endure a series of sketches and drafts until Lazarev feels that his piece has captured the feeling he wishes to portray. In doing so he continuously strives to better himself as an artist, stimulating not only the eye but also the heart of the art collectors who cherish his workmanship and creativity.
