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16 век, BOSCH



</cut>15 век, ANTONELLA CHRIST COURONNE


15 век, British library Christ mocked Description: [Upper miniature] Christ before the High Priest, mocked by soldiers Title of Work: Speculum Humane Salvationis Author: - Illustrator: - Production: Germany; 15th century Language/Script: Latin / - |


15 век
Durer Christ as man of sorrows Christ as the Man of Sorrows c. 1493 Oil on panel, 30 x 19 cm Staatliche Kunsthalle, Karslruhe This work depicts Jesus after he had been scourged and mocked by the soldiers, just before he was led away to be crucified. Jesus bleeds profusely from his wounds and he holds the instruments used to beat him, a three-knotted whip and bundle of birches. He wears the crown of thorns, leaning his head on his right hand in a gesture of grief. His other hand rests on a ledge, a pose which Dürer often used to add a sense of depth to a portrait. The face is painted with great realism. Set against a gold background, Christ stares out of the picture, expressing resignation at his fate. This devotional panel was identified as a Dürer in 1941 and although unsigned it is now widely accepted as a work by the young artist. It dates from his journeyman days and may well have been done in Strasbourg, probably in 1493 or early in 1494


15 век, Ecce homo TITRE ENLUMINURE / SUJET Ecce Homo CONTEXTE Miniature TITRE OUVRAGE Heures à l'usage de Meaux DOMAINE Liturgie ; Dévotion DATATION vers 1480-1490 ? ORIGINE GEOGRAPHIQUE France ? ; Paris ? ORIGINE PRECISE Paris ? POSSESSEUR anonyme femme (destinataire) TYPOLOGIE DU DECOR page décorée (en nombre) ; miniature (32) ; initiale ornée (en nombre) ; initiale champie (en nombre) ; bout-de-ligne champi (en nombre) NOTES SUR DECOR 15 grandes et 17 petites miniatures (ces dernières, pour les évangélistes et les saints)



16 век, Caravaggio Flagellation Christ at the Column c. 1607 Oil on canvas, 134,5 x 175,5 cm Musée des Beaux-Arts, Rouen The movement of these figures. who are sharply divided into two different halves of the picture, is conceived entirely in terms of the light coming from the left. In the process, the flagellation column, usually a decisive motif, appears as little more than a symbol of Christ, without having any effect on the pictorial space, which is immersed in the blackness of the background. Judging by the assistants rather than by Christ, this picture dates from the time of Caravaggio's first stay in Naples.


16 British library Christ before caiphas Description: Christ before Caiaphas; (left) the flagellation of Christ Title of Work: Sforza Hours Author: - Illustrator: Birago, Giovan Pietro Production: Milan, circa 1490; Flemish insertions, 1517-1520 Language/Script: Latin
Первосвященник Кайафа, к этому



Domaine estampe Type d'objet album ; élément d'ensemble Auteur / Exécutant DURER Albrecht Précision auteur Nuremberg, 1471 ; Nuremberg, 1528 Ecole Allemagne Titre La Passion sur cuivre : Les moqueries Période 1er quart 16e siècle Millésime 1508 Matériaux / Techniques burin Dimensions H. 15.4 ; L. 10.9 Sujet représenté scène biblique (Christ, en pied, ange, croix, apôtre, sommeil) ; fond de paysage Inscription monogramme ; daté Précision inscription monogramme et date en bas à droite Statut juridique propriété privée personne morale ; donation sous réserve d'usufruit ; Chantilly ; musée Condé ; interdiction de prêt et de dépôt Date acquisition 1886 date d'acquisition ; 1897 entrée matérielle N° inventaire EST Suppl 164 ; Fol 2 Ancienne appartenance Julian Marshall (1836-1903), vente Julian Marshall, Londres, 30 juin 1864, n° 453 p. 47 ; Orléans Henri d' ; Aumale duc d' Exposition Chantilly, musée Condé, 2003-2004, " Albrecht Dürer (1471-1528) et la gravure allemande au musée Condé à Chantilly ", catalogue par Nicole Garnier-Pelle, n° 32, repr. Bibliographie - Adam von Bartsch, "Le Peintre-Graveur", vol. I-XXI, Vienne, 1803-1821, "A. Dürer", vol. VII, 1808, n° 4 - Panovsky, 1987, p. 218-226 ; Sophie Renouard de Bussierre, exp. Paris, musée du Petit Palais, 1996, "Albrecht Dürer, oeuvre gravé", n° 166-181 p. 214-227 Lieu de conservation Chantilly ; musée Condé

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