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Пишет beotia (![[info]](http://lj.rossia.org/img/userinfo.gif){kind=small} beotia) |
Анти-романтический, скорее:
http://www.e-reading.club/chapter.php/1
http://abahlali.org/files/gramsci.p
"Сорелев миф", ткскзть
In Reflections on Violence, Sorel develops the idea of the General Strike as a myth—indeed “the myth in which Socialism is wholly comprised, i.e. a body of images capable of evoking instinctively all the sentiments which correspond to the different manifestations of the war undertaken by Socialism against modern society”. Myths “enclose within them all the strongest inclinations of a people, of a party, or of a class”. He contrasts myth in this sense with utopias “which present a deceptive mirage of the future to the people”. (Another example of myth was Mazzini’s “road chimera”, which “did more for Italian unity than Cavour and all the politicians of his school”). The idea of the General Strike “destroys all the theoretical consequences of every possible social policy; its partisans look upon even the most popular reforms as having a middle-class character; so far as they are concerned, nothing can weaken the fundamental opposition of the class war.” The General Strike thus focuses the “cleavage” between the antagonistic classes, by making every individual outburst of violence into an act in the class war. “Cleavage”, for Sorel, is the equivalent of class consciousness, of the class-for-itself; e.g. “When the governing classes, no longer daring to govern, are ashamed of their privileged situation, are eager to make advances to their enemies, and proclaim their horror of all cleavage in society, it becomes much more difficult to maintain in the minds of the proletariat this idea of cleavage without which Socialism cannot fulfil its historical role.”
http://www.e-reading.club/chapter.php/1
http://abahlali.org/files/gramsci.p
"Сорелев миф", ткскзть
In Reflections on Violence, Sorel develops the idea of the General Strike as a myth—indeed “the myth in which Socialism is wholly comprised, i.e. a body of images capable of evoking instinctively all the sentiments which correspond to the different manifestations of the war undertaken by Socialism against modern society”. Myths “enclose within them all the strongest inclinations of a people, of a party, or of a class”. He contrasts myth in this sense with utopias “which present a deceptive mirage of the future to the people”. (Another example of myth was Mazzini’s “road chimera”, which “did more for Italian unity than Cavour and all the politicians of his school”). The idea of the General Strike “destroys all the theoretical consequences of every possible social policy; its partisans look upon even the most popular reforms as having a middle-class character; so far as they are concerned, nothing can weaken the fundamental opposition of the class war.” The General Strike thus focuses the “cleavage” between the antagonistic classes, by making every individual outburst of violence into an act in the class war. “Cleavage”, for Sorel, is the equivalent of class consciousness, of the class-for-itself; e.g. “When the governing classes, no longer daring to govern, are ashamed of their privileged situation, are eager to make advances to their enemies, and proclaim their horror of all cleavage in society, it becomes much more difficult to maintain in the minds of the proletariat this idea of cleavage without which Socialism cannot fulfil its historical role.”
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