куда уходит белый цвет, когда тает снег? - The Spectacle Of Depravity [entries|archive|friends|userinfo]
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The Spectacle Of Depravity [Mar. 5th, 2019|07:09 am]
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Перед выходом фильма об индустриальной культуре Industrial Soundtrack For The Urban Decay,
режиссер Amelie Ravalec выложила в сеть mixtape The Spectacle Of Depravity, являющийся
своего рода, дополнением к 
самому фильму. 
На удивление целостный, концептуально выдержанный сет: тут и классика индастриала и неофолк,
ethereal и ambent, неоклассика и synthpop. 
Если бы мне потребовалось на кого-то произвести впечатление или бегло познакомить с
 
industrial/post-industrial звучанием, то данный сэт подходит идеально. "Музыка для всей семьи".


  


Amélie Ravalec mix tracklist

ANBB - 'Bernsteinzimmer'
SPK - 'In Flagrante Delicto'
The Sight Below - 'New Dawn Fades'
Depeche Mode - 'Oberkorn (It's A Small Town)'
Plastikman - 'Ask Yourself'
Sophia - 'Depravity'
Cheerleader69 - 'Up To Date'
Clint Mansell - 'First Snow'
Coil - 'Sick Mirrors'
John Carpenter - 'Night'
Coph Nia - 'Opus 77'
Lustmord - 'Blood Deep In Dread'
Jocelyn Pook - 'Masked Ball'
Herbst9 - 'Causa Mortis'
Bruce Gilbert - 'Epitaph For Henran Brenlar'
Angelo Badalamenti - 'Mulholland Drive'
Predominance - 'Four Symbols'
Test Dept - 'Truan yw Gennyf Fi'
Klinik - 'Cold As Ice'
In Slaughter Natives - 'Definition Of Being Alive'
The Protagonist - 'The Eternal Abjectness Of Life'
Sabres Of Paradise - 'Haunted Dancehall (In The Nursery Remix)'

Industrial Soundtrack For The Urban Decay.

Industrial music emerged in the mid 70’s, providing a vibrant, provocative and artistic soundtrack to the picket lines, economic decline and cultural oppression of the era. Whether factory workers, students or unemployed, industrial music pioneers were all educated, artistically minded and politically aware artists who started with little to no musical background and went on to change musical history.

Industrial musicians found inspiration in Krautrock bands Kraftwerk, Faust and Can, 20th century art movements Dada, Futurism and Surrealism and post-modern writers William Burroughs, Brion Gysin and J.G. Ballard. Combining the DIY attitude of punk with mail art and underground fanzines, these pioneers were also among the first bands to incorporate tape loops, homemade synthesisers, factory field recordings and cut-up techniques in their music. 

The film itself looks to present "a journey through the crumbling industrial cities of Europe to America's thriving avant-garde scene". It features contributions from Throbbing Gristle, Cabaret Voltaire, Clock DVA and many more. 

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