Armando & Nuria: filling pauses with poses
Pose 1: "sixth position" (exagerrated step 6 of the 8CB). Start the lead with the left hand doing the clockwise vertical circle. As the hand goes down, the follower starts extending R leg back. Leader extends L leg forward, touching follower's L foot. End with leader's L hand high and extended back, L shoulder back, R shoulder forward, torsion in the body; follower torsions upper body to stay parallel with leader's. Both (not just for this pose, but for all of them - this seems to be Nuria's style), while bending the standing leg's knee, should stretch the body up; in particular, the follower should not plant the R foot's heel on the floor.

Pose 2: Leader on L, follower on R, both send free foot to a back cross to leader's L. Don't transfer the weight, stay up.

Pose 3: Leader on L, follower on R, leader steps forward outside, follower back, both transfer weight.

Variation of Pose 3: Leader steps fwd without transferring weight, follower does the back cross to leader's L, matching her Lheel with his R toe. This requires more torsion from the follower

Pose 4: Leader on L, follower on R, both execute a back boleo and extend the free leg to leader's R.

Pose 5: Follower doing ochos adelante, the leader "intercepts" the ocho to his R with a back cross step to his R (can actually do the back step before the follower starts the ocho, signaling the pose); the follower either does a high kick with her R (stage tango) or a small slow R boleo (social). Resolve by executing a calesita CCW around the follower.

All of these poses require slowing down and extending up before actually going into them