Horst P. Horst , 1943


Horst P. Horst, 1939




In this Horst P. Horst photograph, which appeared in the February 15, 1943, Vogue, three models in gray flannel suits all have eyes on the news. In the WWII era, when women were flocking to the workforce in unprecedented numbers, their interest in world affairs makes sense. The relative simplicity of their suits underline the appropriation of the traditionally male role, but fashion isn't quite abandoned. Their hats make quite the style statement: from left, a blue felt visored beret, a red felt skullcap, and a white piqué beret. Talk about meaning business!


Trio of Made-up Models, 1939
Horst P. Horst lends his eye to three models, all set against a white background, in this photograph, which appeaed in the November 1, 1939, Vogue. They are fully made-up and coiffed, and wear jewelry. The clever angle from which this is shot is an example of the sense of innovation that defined Horst's work, which makes even the most straightforward subjects intriguing.


Bright Mod Minis, 1966
Three models in color-blocked shift dresses pose against a green background. Their bright tights and shoes add to the sense of heightened style. But by allowing asymmetrical haircuts to obscure their faces, photographer Gosta Peterson ensures that the focus remains on the fashions. The photograph appeared in the May 1966 Mademoiselle.


Bright Mod Dresses
Three models in bright print minidresses pose against a greenish-gray background. Their short haircuts are offset by dangling oversize earrings. Gosta Peterson shot this from a deliberately unexpected angle, which lends the hyperstylized image a sense of randomness. The photograph appeared in the May 1966 Mademoiselle.