So, the main character of the novel is Father Patrick Bryce, the catholic priest. He was raised in kind of family of Irish alcoholics. But in fact his father is another priest Father Coogling who is also present in the novel. In the course of the novel his mother is suffering form the Alzheimer's syndrome is trying to tell about this fact to her sons, but she can't remember all the details. So their is also an absurd sidequest across this book about readers looking for the father's true father, and discovering that his father is also a father, but in the same sense as the original father is a father. But what is slightly more important is that Father Patrick Bryce has a twin brother Peter Bryce, who is a fat alcoholic atheist-sceptic. In fact Peter Bryce is a self-insert for Disch himself. This is interesting because the name "Thomas" means "twin" in Aramaic. Also, at some point in the novel Disch kills Peter Bryce, so in some symbolic way he kills himself, and in realty Disch committed a suicide. Peter Bryce produces a nice infodump on Philip k. Dick and Scientology in a relevant point of the story. But what was more important is that Patrick and Peter had gay sex already in high school. So Father Bryce is gay.

After studying theology in Rome Father Bryce went on teaching in a seminary in rural Minnesota. There he picked up a habit of having sex with gay students. After that he was transitioned as a parish priest of one of the churches already present in the previous novels. There he started listening confessions of younger boys telling him about their masturbation habits. Father Bryce found a special joy in seducing these boys. But the problem begun when he developed a long term relation with one of this boys, call him John Burger. Then his parents forbade him to visit the priest, John Burger psyched out and set his house on fire. After that John Burger was sent to a psychologist, where he blew up about his relations with father Bryce. The Church covered father Bryce's ass but he was A) send to a special retreat for pedophile-priests B) transferred to a conservative parish of Sant Bernice C) Forced to lead a conservative anti-gay, anti-abortion propaganda campaign and manage an underground anti-abortion prison complex slash clinic. The retreat which was supposed to help father Bryce manage his habit just helped him to connect with other pedophile priests and learn the pro-tips from them. For example he learned there that he is not a pedophile but an ephebophile. Bu not only that. He learned that he can pick up boys in the "Fun-Fun-Fun" arcade. There Father Bryce meets Lance, a young run-away, a black-metal fan, and a gay-whore. Father Bryce gets a habit of paying Lance for sex and shoots sex-videos with him. At some point he even took him to his church and got sex with him at the altar, and came onto the communion bread. But when father Bryce told Lance that he hadn't got kicks from the profanity of it all, Lance suggested that they should drop LSD next time when they have sex in the church. And they did it, but while tripping father Bryce suddenly felt loathing toward Lance, and chose not to engage sexually with him. Instead of having sex under LSD they just ate some ice cream. Lance somehow was offended by that and stole an expensive crucifix and some sex videos with himself and father Brice on them. Some time passes by and eventually father Bryce got himself hooked up with Clay. And eventually it turned out that Clay is something like Lance's older brother. And Clay told the priest that Lance committed suicide and he knows everything about their relations because he got the crucifix and the sex-tapes. Clay starts blackmailing father Bryce. But the catch was that Clay didn't want money. Clay was somehow related to a "Receptivists' church", which is a bizarre hybrid of a Scientology and an UFO cult, founded by a well known sci-fi writer, Gene Boscovich (wrong name but I forgot the original name). The members of Receptivists' church use regressive hypnosis to recall their past lives and alien abduction episodes. And Receptivists believe to be a constant target of a conspiracy led by an alien race of Alpharians. Clay forces Father Bryce to study the "Receptivists' bible", the book "Prolegomenons" (which means prologue) by Gene Boscovich. There are also constant references to Philip K. Dick's "Exegeses" through out it. After that Clay forced Father Bryce to go to the Tattoo Parlor and a make a tattoo of a giant Devil's head with a Viking rider and some piles of skulls on his chest. The Tattoo artist there was an old biker named "Wolf". Wolf tells father Bryce his theory that a tattoo art can ride a person the same way as a rider rides a horse. He tells that he himself was a boring office clerk until he got himself a wolf tattoo which made him abandon his family and the job and became a biker and a devil worshipper. Interestingly, Thomas Disch himself got tattoos. And one of the Wolf's stories about making tattoo's seems to describe Disch's own experience of getting these tattoos.

But the most interesting thing is that while receiving this tattoo the priest's mind is "transmentated" in the medieval France in the time of Albigensian wars in the body of Bishop Sylvanus. And the Sylvanus mind is transmentated into the body of father Bryce. It all must be related to the receptionist science practices. First time this effect is temporal but the second time it seems permanent. In between of this two phenomena, Father Bryce is harassed by Bing Anker (the gay character from "The Businessman" novel), who wants Father Bryce to publicly repent for his crimes of seducing altar boys. Firs Bing visits church in drag and encounters Father Bryce in the confession boot. Second time he calls him by a phone. Bing saw father Bryce taking on TV bashing gays from conservative catholic standpoint and he is enraged by the hypocrisy as Bing himself was molested by father Bryce as an altar boy. At this point their dialog is eavesdropped by Father Mabbley, a good gay priest from Las Vegas and Bing's lover and, as it is implied later by Father Cogling. Father Bryce also tells Clay about his problem with Bing. So clay decides to go and hit Bing while the father Bryce is getting his Tattoo. Clay enters Bing's house but discovers only Bing's corpse. As it implied latter father Cogling send his henchman Gerhard Ober, an ultra-conservative nazi catholic , to kill Bing in order to protect the church. It turns out that Gerhard Ober also killed Father Bryce's mother and brother, because his mother finally recalled that father Cogling is a true father of her children. This is basically what I call the first part of this novel.

the second half of the romance can be said to begin there the Bishop Sylvanus and Father Bryce exchange mind. The Bishop Sylvanus finding himself in the modern Tattoo parlor at first decides that he is in hell. So he decides that "when in Rome do as romans" and decides to become a priest of Satan. He also meets a metalhead tattooed Delilah in the Tattoo parlor and becomes her lover, because unlike father Bryce he is heterosexual. At first he considers Delilah to be a succubus. But she also resembles a countess who he was watching to had her tits cut off by the inquisitors before being transmitted into the 20th century. For some time bishop Sylvanus lives in with Delilah’ and learns about the 20th century by watching TV and reading some bad books. Personally I find this segment of the novel very funny: "For a while he had suspected that the illuminated figures that appeared upon the dark glass of Delilah’s Trinitron might be demons, but having pondered them for many hours, he now believed that though they were very often grotesque, indecent, and unnatural, they were not actually alive, but only simulacra, the work of cunning artificers, like the image of the Beast that John writes of, that was given breath and the power of speech, so that all men would worship it. The Trinitron (the very name a mockery of the Triune God) revealed not a single beast but a whole menagerie of unclean spirits: some lustful, like the voluptuous Astrud Gilberto or the preening incubus Marky Mark; some warlike, like Popeye the Sailor Man or the Teenage Mutant Ninja Turtles; some wooing evil like a bride, like the two Moors, Geraldo and Oprah; and still others, kindlier, nameless beings, who appeared in intervals as brief as flashes of lightning to promise relief from various forms of suffering—headaches, stomach upset, hemorrhoidal distress. All of these creatures were illusory, all of them. They seemed to live when one manipulated the Trinitron a certain way; with another motion they ceased to exist. Silvanus found it difficult, now that Delilah was dead and no longer a spur to his lust, to do anything but marvel at these shadowy allegories and try to decipher them.". He also learns about nuclear weapon and firearms but can't distinguish between them, which is also very funny. But at some point he kill's Delilah during sex. After that he cuts off her breasts hopping that that will transmentate him back to his time but all is in vain. So, bishop Sylvanus proceeds to live in a trailer with a corpse of Delilah which he also fucks routinely when he don't watch TV. At this point Clay finds him and takes him to the church. In the church father Cogling send him to the underground prison complex in fact not to have it managed but to hide father Bryce during a possible murder investigation. The underground prison complex is inside a huge shrine that was in build in some forest in the eve of cold war by the same architect who build the Hitler's bunker. So the building at the same time is a catholic cathedral, a nazi bunker and a post-nuclear vault. There are five girls were kept where when father Bryce still wasn't present there. But one of them is already dead from miscariag. Another girl is only 12 years old and was knocked up by her father. Some well-behaved girls are allowed a relative freedom of existence, while not so well behaved are constantly bound to their beds and have their mouths taped. There is a chilling scene how the birthday of the worst behaving girl, Raven Peck, is celebrated. How other girls eat her birthday cake and blow the candles while she is with them but bound to her bed and with her mouth taped. When bishop Sylvanus arrives in this complex he begins to rape these girls while pretending to handle their confessions. During one of such attempts bishop Sylvanus kills Raven Peck. But this is not the whole story. The complex is a home for a few threads from the shroud of Turin and two of the girls trick father Sylvanus and the sister of Gerhard Ober to go with them to the reliquarium and close father Sylvanus and the sister of Gerhard Ober inside. This leads to the complex being taken over by the bats. Two Girls attempt the escape and have to face Gerhard Ober's guard German shepherd dogs, but they have a mace spray with them for fighting them. They are stopped by a tall fence in the boundaries of the complex. But where they meet Father Mabley and Greg, a Fiancée of one of the captured pregnant girls, Alyson. They try to help Alyson climb over the fence, wile another girl Mary is savaged by a guard dog. But then father Cogling and Gerhard Ober arrive and capture all the characters taking them to shrine which was swarmed by bats. There is a final showdown during which father Cogling and Gerhard Ober are killed. But Father Mabbley goes to the reliquarium to confess father Bryce/ bishop Sylvanus. The sinful priest tell to father Mabley that he was under the control of the devil and tries to show him his tattoo. But before the gates of reliquarium are closed again father Mabley sees that father Bryce has no Tattoo!

But there is also father Bryce's side of story. He discovers himself in body of bishop Sylvanus in the castle of Montpelier-la-viex in the XIII century France. The image of medieval age painted by Disch is extremely dark. Even bishops and dukes of that era are far more miserable and vulnerable compared to modern working men. And peasants and craftsmen are described as starved slave laborers. Father Bryce suffers a lot in that world, but eventually he discovers in the castle of Montpelier-la-viex the group of masons imprisoned by the inquisition. These Lombardian masons have build the cathedral of Montpelier-la-viex and their leader Bonamico (which probably means "good friend") is the sci fi writer Gene Boskowich himself, also transmentated. Only he and father Bryce can talk modern English. So father Bryce demands a participation in the interrogation session of Bonamico/Boskowich. Father Bryce tries to learn from him how he can transmentate back. But Bonamico/Boskowich knows nothing because this Boskowich from the time before he invented the "Receptivism". But during one of the torture sessions Boskowich claims that they and bishop Sylvanus were talking the language of Egypt and that Sylvanus is a hidden priest of Amon-Ra. So, Sylvanus himself get's under the pressure of the inquisition. The inquisition's torturer's name is Crispo and I forget the name of the inquisitor, but he is a legate of Rome, and he is called just legate often. During one of the torture sessions it turns out that legate also can speak modern English and he is a man transmentated from the future. He crucifies father Bruce to make a Shroud of Turin out of him. Allegedly he does it in order to set a grand conspiracy against the church, because father Bryce can became a greatest shame for eat.

Oh, basically I hate the ending of this novel. Probably as an atheist-sceptic Disch wanted to give materialistic explanations to all the troubles. So in the end we see that the surviving girls all settled and well of right now. Father Mabbley, who left his position as priest, received Bing's money and houses and he lets girls and their families live there and they also got a five million $ settlement from the church. Father Mabbley explains that father Bryce got all this black outs due to alcohol abuse. And he also got kind of triple personality splitting disorder and both Clay and boshop Sylvanus were his alternative personalities. So all the tattoo scene and scenes with Delilah were just hallucinations and the first real murder on his behalf were Raven Peck. I personally felt that this sort of makes some of strongest scenes in this novel/romance devoid of the meaning. Maybe I'm just to harsh and this just requires them to be put in a more psychological perspective. All this makes a story feel a lot like David Lynch's "Lost Highway". But there is also a different ending there Father Bryce's "Clay" personality discovers himself in the prison. Then he is introduced to a new cellmate, Donald Crispo. Donald Crispo claims to be a serial killer with psychic powers, which he used to find his victims. And he claims that he now sees the devil tattoo on the Clay's chest. Then "Clay" decides that he was set up by Gene Boskowich who transmentated his mind into Clay's younger body, while sending Clay's mind into an imprisoned body of father Bryce. This allows a more shocking interpretation that all this story was a Receptivist's operation planned by Boskowich, but there are still too many contradiction. Because this interpretation still doesn't explain how the disappearing tattoo works.

Personally I have a very complicated opinion about this novel. At some level I really enjoyed the novel and many it's scenes and ideas. As I said above there are lots to chew on here, which is admirable. I still feel that Disch supports the materialistic explanation. He explicitly states in the novel that Montpelier-la-viex is a geological formation and not a castle. So the place from father Bryce's visions never existed. Bu father Mabbley in his explanation misses a point that in this case father Bryce got not even three but at least seven sub-personalities including Delilah, Wolf, Crispo and Legate. And we don't need any additional books about "The Minds of Billy Milligan". What I really dislike here is that it feels like there a lot of lost opportunities here. I personally would prefer if Disch wrote more about Reteptivists, or about Cathars in general, or how bishop Sivanus hangs out with a satanic cult. For example. where could be a cult plotline if it turned out that Gene Boskovich in a modern is actually Bonamico, who was a secret Cathar priest. And Receptivists are actually secretly recreated Cathars who are trying to destroy catholic church in spite. Or just having more Receptivists characters and their thoughts in the novel would be interesting. Because, as Recptivists seem to be based on Scientology, it would be interesting to view their church that existed only for decades as some sort of miniature model of catholic church which existed almost for two thousand years. Overall, it's very jarring to see a good novel which fails to be great.

About the novel's genre. I don't accept it as a horror proper. As I already said the first half of the novel with it's multiple storyline's feels a lot like a movie by Coen brothers. So it feels more like a black comedy. I think Disch attempts horror in the scenes inside the underground prison complex. There you have underage pregnant girls, who was already abused, locked in a literal Nazi bunker with a pedophile priest possessed by a medieval bishop who wants to rape them and a frozen corpse of the said priest's brother. This is horrible, but then too much horrible things happen with the same people, it actually feel like comedy, a dark comedy. But why Disch insists that this story is a "gothic romance". By Disch's own words the gothic romance is "a book about a stupid girl who is stupid enough to put herself in danger, but not stupid enough to get herself, and in the final gets a nice affluent life". This is exactly a description of the Alyson, one of the girls ins the complex, is exactly. Basically, he gets locked there by her own will, nobody kidnaps her, but as a result of her actions she is put to grave danger. And in the final of the story she is rich with her hatband and her daughter. This is exactly Disch's own formula of a gothic novel. The image of the shrine complex "cathedral" full the bats is also quite gothic. I was expecting father Bryce to leave the reliquarium, which was build as kind of sepulcher, in this bat infested space shirtless, flashing his devil tattoo to the world. This would be an ultimate gothic priest. And this is another reason why the absence of tattoo was so jarring. So in a certain way this is a gothic romance. And this is not a novel in a strict sense. On a certain level there are no character development in this book. In some point in the story it seems the father Bryce locked in the medieval world develops a personality of a proper priest or even of a martyr. But in the end it is also a hallucinations and all the character development is undone. Nevertheless it's very interesting that "The Priest" is a romance, which creates an illusion of the novel inside it. Which is very interesting. In some way it was written in the same time a Disch's non-fiction work "the dreams our stuff is made of", where Disch develops his theory of "genre literature". So the "Priest" feels almost as a companion book.

Regarding the main topic of this romance. This is *the faith* in some way. But the faith was also the main topic in "M. D."; But "M. D." was about the power of faith. And "The Priest" is about the cults, faith organizations, protecting themselves and their faith. In this gothic romance we can see catholic church protecting themselves in two different points of history, we see Cathars protecting their faith, and receptivists doing the same. I thing this is also a reason the the whole experience of father Bryce being a hallucination is important. During this experience he creates a large conspiracy against the church that involve receptivists, some satanic bikers and even some mysterious time-travelers. But in the end in turns out the biggest threat is himself, a corrupt priest. That can be said about other religious figures who invent conspiracies to protect their church. For example, Boskovich invents Alpharian aliens. I think this is a main point of the story.

On a deeper level, we can note that father Bryce is a dark twin of the author himself. So this romance can be read as a study of Disch's own demons on some deep psychological level. As the analysis of materialistic interpretation suggests father Bryce's mind itself is "a whole menagerie of unclean spirits" which includes not only a woman-haunting "bishop Sylvanus" and the hitman-taskmaster "Clay", but also a biker Wolf, a torturer-serial killer Crispo, and an ominous Legate. In one of the final chapters Boskovich himself says that he don't know from where are alpharians come from: "from an outer space of the cosmos or an inner space of the mind". Probably all this entities are some interior demons that Disch wanted to expunge. Maybe as Catholic church exorcises demons. Or as the church of Scienotology clears thetans. But I'm still not sure if such a work can be accomplished without any character development on a page of a gothic romance?

But "the priest" (1994) is still a fascinating read. This novel is adjacent to "The Dreams our stuff is maid of" (1998), where Disch develops his theory of genre fiction. And "the gothic romance" is one of genres he examines. As I understand it in a novel character should go through some character development arcs. But in a romance all characters are like puppets in a puppet show, they are designed to play certain role. They always enter the stage with this role and always leave the stage with this role. For example. father Bryce is a puppet of an evil priest in the gothic romance, or in a catholic church horror show. A very realistic puppet, but stull a puppet. But one day, the puppet gets a dream where it goes finally through a character development. But in the end of a day this is just a dream and nothing new had happened.

Кеннет Энгер примерно в это время.

К началу 60-х Энгер уже приобрел определенную известность в мире андерграундного кино. Например, Мари Менкен и Уильярд Маас даже посвятили ему короткометражный фильм «Арабеска для Кеннета Энгера». Отношения у них с Энгером явно заладились, потому что Энгер едет в Нью-Йорк и живет у них на диване. Сами Менкен и Маас преподавали литературу в колледже и были гостеприимными запойными алкоголиками, которые, видимо, пускали к себе жить всех, кто был готов с ними выпивать. Например, одновременно с Энгером у них жил поэт Джеральд Маланга. Менкен, Маас, Маланга — это все были творческие люди из орбиты Энди Уорхола. Но Энгера не столько интересовали они сами, сколько байкеры, которых он обнаруживает в районе Таймс Сквейр. Энгер каждый день увлечено их снимает. В этой среде Энгер знакомится с байкером Брюсом Байроном по кличке «Cкорпион». Интересно, есть ли ту связь с персонажем «Cкорпионом» из комиксов Джима Стеранко? Джим Стеранко вполне мог смотреть фильмы Энгера. Но вернемся к Брюсу Байрону. Брюс Байрон был большим энтузиастом БДСМ-культуры. Он говорил «Быть Мачо &mdash значит быть мазохистом». И, конечно Брюс Байрон был мачо. Брюс Байрон также успел поучавствовать в войне в Корее. Но большую часть времени он провел не на поле боя, а в военной тюрьме, как в фильме «Зеленый слоник». Там он занимался мужественным гомосексом с мужественными мужчинами. Лэндис, утверждает, что Брюс Байрон, стал главным вдохновением для пионера гей-порно Фредом Халстидом.

Брюс Байрон и его альтернативный лайф-стайл.
Фильм «Восход Скорпиона»

Этот материал пошел в фильм «Восход Скорпиона». «Восход Скорпиона» — дал новую аудиторию для Кеннета как режиссера. Тема с байкерами тогда была свежей и интригующей. До выхода книги «Ангела Ада» Хантера Томпсона оставались еще четыре года. Сам Энгер, конечно, рассматривает своих героев-байкеров как объектов сексуального вожделения. Сами байкеры восприняли фильм не однозначно, потому что боялись, что после него все будут считать их пидорами. Правда фетишизурует Энгер не только накаченных мужчин в кожи, но мотоциклы, скорость, и саму смерть. В Фильме даже есть какое-то подобие нарратива, и пара очень трансгрессивных сцен: одна из них — это вечеринка на Хэллоуин, где можно увидеть как один из байкеров размахивает стоячим хуем. А другая сцена — это погром церкви, где байкеры ссут на Библию. Причем все это нарезано с каким-то дешевым фильмом про Иисуса Христа. Другие важные фильмы этой эпохи: «Диван» Энди Уорхола, «Дважды мужчина» Грегори Маркополо, «Пламенеющие существа» Джека Смита. Однако, кажется из всех этих фильмов «Восход Скорпиона» оказался самым влиятельным. Лэндис утверждает, что этот фильм Повлиял на Расса Мейера с его фильмами «Motorpsycho» и «Kill Pussycat, Kill» c их культом скорости смерти. Фильм «Дикие Ангелы» Роджера Кормана. Режиссёр культового фильма «Беспечный Ездок» Денис Хоппер отрицает влияние на него фильма Энгера, что не лищено оснований. Зато на кого внезапно повлиял фильм «Восход Скорпиона» — это молодой Скорсезе, который положил наработки Энгера в основу своего фильма «Кто стучится в мою дверь».

Постер Фильма «Восход Скорпиона»

После завершения работ над фильмом «Восход Cкорпиона» Энгер переехал в Сан Франциско в маленькую комнатку над галереей «The Movie». Cудьба фильма «Восход Скорпиона» была не простой. Его пытались запретить из-за размахивания хуем. Но свобода слова победила. Брюс Байрон ничего не получил за свое участие в фильме. Не денег, не упоминания в титрах и сопутствующих материалах. У него очень сильно от этого кукушка поплавилась. И он стал ходить в каком-то лютом прикиде со свастиками и перевернутыми крестами, так что его, Байрона, даже упекли в тюрьму. В это Кеннет издает в Америке свой «Голливуд-Бабилон». Издается он каким-то полу-пиратским образом С ведома Энгера, но без его контроля. Поэтому с ранними изданиями этой книги есть большие путаницы. Читатели спорят о том, что там было и чего-там не было. Поэтому, видимо, там были разные варианты и внедренные в текст фрагменты от других авторов. Тем не менее это издание произвело большое впечатление на Джона Уотерса, создателя знаменитого фильма «Розовый Фламинго», и даже попала в этот фильм в качестве отсылки для понимающий. Еще для того же издателя Кеннет переводит книгу «История Эротизма» итальянского автора порно-комиксов Ло Дюка. В то же время Энгер получает грант 10000$ на съемку фильмов Kastum Kar Kommando. Фильм должен был быть похож на «Восход Скорпиона»

, но про гонщиков на самодельных автомобилях. Но Кеннет Энгер проебал большую часть гранта на личные нужды и допиливание «Восхода Скопиона», поэтому этот фильм, KKK, получился совсем коротким.

Фрагмент комикса «Eлизавета Батори» авторства Ло Дюка.

Одной проблемой Энгера было то, что ему казалось, что его все наебывают на деньги. Поэтому решил инкорпорировать черную магию в свой антураж, и стать более угрожающим. Любимым магическим артефактом Энгера становится окровавленная футболка, якобы, гонщика на самодельной машине, который разбился во время гонки. Также в это время Энгер активно употребляет ЛСД, что отражается на его мировоззрение. Например он утверждал следующее: « Я знаю о существовании прекрасного мексиканского ребёнка, которого учёные держат в плену в Лос-Анджелесе. Ребёнку сейчас два года. Он очень умён. У него один прекрасный, идеальный глаз посередине лба, и всё. И учёные – врачи – поместили этого ребёнка в изолированную палату клиники, где нет зеркал, и он никогда не видел других детей. И мать, конечно же, узнав, что у неё какой-то урод, посмотрела на него, может быть, на долю секунды и возопила к святым. Ребёнка забрали, и с тех пор она его больше не видела. Как будто ребёнок только что родился из ракушки. Ребёнок-циклоп мог бы стать правителем мира.» То есть кажется, что Энгер начинает жить в каком-то собственном мире. Энгер читает книгу «Утро Магов» и становится увлеченным наблюдателем за НЛО. Тогда Энгер и задумал фильм «Восход Люцифера» как контрапункт к «Восходу Скорпиона», где влечение к смерти, замещалось бы влечению к жизни. Энгер говорил, что это должен был быть фильм о том, как встреча с НЛО делает людей лучше. В 1966-ом Энгер переехал в «Русское посольство» то есть в бывшая здание старого консульства Российской империи, которое было не в самом лучшем состоянии. Для фильма «Восход Люцифира» Кеннету, внезапно, потребовался Люцифер. Вначале на эту роль Кеннет собирался взять мальчика Годота, прекрасного мальчика с длинными волосами из семьи хиппи, которого не воспитывали в тогдашнем смысле этого слова. Лэндис пишет, что однажды Годот послал нахуй полицейских, которые пришли проверять хиппи на наркотики, и они просто ушли. Но Лэндис пишет, что Годот упал с крыши и разбился, когда ему было всего три года, а он уже успел попробовать все наркотика. Короче, странная история. Вот еще странная статья про семью этого мальчика. Но потом место Люцефера занял Боби Бусолей, малолетний преступник, правда не такой мальнький как Гадот. Бобби Бусолей был рокером и участником легендарной группы «Love» правда не очень долго. Потом он создал свою группу «Orcustra», а позже «Magical Powerhouse of Oz». Бобби Бусолей несколько лет жил с Энгером, хотя секс между ними якобы не было.

Брат Годода косплеет «одноглазого мексиканского ребенка»(2022).

Плохой мальчик Бобби Бусолей.

Но культурная жизнь в Сан Франциско того времени была весьма насыщена даже без НЛО. Напоминаю, что там находился район Хай-Эшбери, где в это время глотал ЛСД Чарли Мэнсон. Встречался ли Мэнсон с Энгером? Лэндис даже не задается таким вопросам. Однако он подробно описывает оргию Невидимого Цирка в церкви «Глайд». Это очень необычная церковь в Сан Франциско, которую многие называют «пост-христианской». Она стояла в авангарде продвижения ЛГБТ-ценностей и феминизма внутри христианства. Довольно тревожно, то что Энгер зарабатывает снимая фильмы для частных коллекций фетишистов. Истории известен его фильм про доктора-садиста, который был натолько реалистичным, что полиция пыталась арестовать Энгера. Бобби Бусолей сообщал, что видел фильм Энгера, в котором прекрасные мальчики в набедренных повязках боролись в кровати Энгера. И хотя Энгер отрицал, что когда-либо снимал порно, вполне возможно он снимал порно, чтобы прокормиться в дорогом городе Сан Франциско, и вполне возможно, что и детское тоже. Также примерно в это время Кеннет Энгер создает оккультный кружок вместе с Антон Шандором Лавеем и Форрестом Аккерманом, также известным как «4Е». Думаю Лавея вы хорошо знаете, потому что он был основателем Церкви Сатаны. При этом Ла Вей высмеивал культуру хиппи, критиковал наркотики и поддерживал ментов. Сомневаюсь, что вы знаете Форреста Аккермана, но он был писателем фантастом и экспертом в старых фильмах-ужастиках. Что еще интересно, он был апостолом Рона Хаббарда в первые дни дианетики. А потом вроде как откололся и создал собственную версию этого учения. В 1968 Энгер участвует в марше левитации Пентагона

Интересно, что после интенсивного общения с Энгером и Лавеем 4E создает «Вампиреллу» для Warren comics. Потом характер этого персонажа развивал Арчи Гудвин.

Однако, вся эта интересная жизнь в Сан Франциско рано или поздно заканчивается. Вначале Кеннет сорится с Боби Буссолеем после того, как режиссер устраивает драку на его концерте. Потом кто-то грабит Энгера в результате чего пропадает большое количество отснятого материала для фильма «Восход Люцифера». Энгер обвиняет в краже Буссолея, хотя тот все отрицает. В итоге Кеннет обиженный уезжает в Лондон. Лэндис утверждает, что Кеннет занимает там ту же сферу, что и Чарли Мэнсон в Калифорнии. Также как у Мэнсона был покровитель из группы Beech Boys, у Энгера появляется покровитель из группы Rolling Stones, а именно Мик Джаггер. Энгер обещал сделать его своим новым Люцифером. Лэндис пишет, что именно общение с Энгером вдохновило Джаггера написать « Sympathy to the Devil», а также подсказал роллингам идею с волшебным цилиндром. Примерно в это время убили Брайан Джонса. И Энгер снимал мемориальный концерт памяти Брайана Джонса. Этот материал вошел в фильм «Инвокация моего демонического брата», в который превратился проект «Восход Люцифера». Но не спокойно не только в Лондоне, но и в Калифорнии. Там полиция ловит Бобби Буссолея и обвиняет его в убийстве Марка Хинмана вместе с Семьей Мэнсона. Лэндис пишет, что эта ситуация так впечатлила Мика Джаггера, что он селе и написал саундтрек к фильму «инвокация моего демоничеcкого брата». Этот саундтрек, созданный на синтезаторе не похож на обычную музыку роллингов. Это темная темная тяжелая психоделия. И сам фильм — темная тяжёлая психоделия, сочащаяся духом той самой запретной темной магии 60-х, которая так испугала Эда Сандерса из группы Fugs. Тут есть и намеки на кровавые ритуалы, и нарезка с кадрами войны во Вьетнама и атрибутикой «Ангелов Ада», сцены употребления наркотиков и магические похороны кота. Сам Энгер проводит ритуал на сцене во время которого, он внезапно начинает размахивать флагом Третьего Рейха. Этот фильм тяжело анализировать. Кажется, что перед нами просто ненадолго приподнимают завесу и показывают скрытый мир запрошенных ритуалов.

Кеннет Энгер в образе мага. Фильм «Инвокация моего демонического брата».

Антон Шандор Лавей в своем фирменном костюме Дьявола. Фильм «Инвокация моего демонического брата».

Это часть книги заканчивается знакомством с Джимми Пейджем из группы Led Zeppelin.